Comment: When I featured Metric‘s Black Sheep about two weeks ago, I mentioned that they had a new album (Formentera, named after the Spanish island where the band recorded it) that was quite good. I also said that I was going to feature one of their new songs soon and here I am making good on that promise. Paths In The Sky is Formentera’s closing track and even though it hasn’t been released as a single yet, I think it is quite possibly the best song in that record. It is a flawless tune.
Comment: Some people have a gift for making addictive melodies without much effort and I believe that is the case of Matthew Ellis, a London-based producer/singer/multi-instrumentalist who releases a “chill-in-the-park” kind of indie rock music as Burlington. In April, he released his debut album, Daylight Sipping, with several examples of what I said above, That being said, the opening track, Mind For Mind, is my favorite one. I just love that guitar riffs that introduces you to the song and the overall vibe of the piece. It could fit in a Coldplay album (one of the good ones).
The most amazing part is that Burlington recorded this album alone in his spare bedroom, except for one track that he co-wrote with two friends (Roots). Just imagine what he could have done in a professional studio. Seriously, check this talented musician out.
Comment: When I featured Toronto-based band Nerima for the first time over a year ago, they were working on their debut EP and I’m happy to report that Have More Fun, which is how they called it, is finally going to be available next week. Earlier this month, they dropped a new single called “Amnesia“, which didn’t disappoint. After listening to it the first time, I told Connor, the bassist, that it reminded me of Letters To Cleo, a band that had a few indie hits in the late 1990s and early 2000s. The funny thing was that neither Connor nor the other band members had ever heard of them. At least, after listening to “I Want You to Want Me”, they agreed with me. I’ll focus on that instead of the fact that I’m getting old.
Amnesia, whose lyrics tell the story of a person with dreams bigger than reality, has also been compared to Paramore and Avril Lavigne, two acts that I guess need no introduction. Whatever artist Amnesia reminds you of, the bottom line is that it is a great track by a young and talented band. May their music-industry dreams become a reality.
Comment: Metric is as close to being indie-royalty as you will find in the world, and this electronic-leaning band from Toronto is back with a new album, Formentera, that is really good (spoiler alert: I will feature one of its songs in the near future). While we wait for that, as a #ThrowbackThursday post, we could listen again to one of their most popular songs: Black Sheep. Even though it wasn’t included in any of Metric’s studio albums, the song became popular when it was featured heavily on the Scott Pilgrim vs. The World movie, which became a cult hit.
As an interesting tidbit, actress Brie Larson is the actual singer in the version you hear in the movie (which you can listen to in one of the clips below), not Emily Haines (Metric’s lead singer). There’s some debate on the internet about which version is better. Both of them are pretty good.
Influences:Catfish and the Bottlemen, The 1975, Elvis Costello
Location: Southend on Sea, United Kingdom
Release date: April, 2022
Comment: Continuing with the theme of T.A.M. regulars, we have today what could be The Trusted‘s best single to date: Millennium. A song about coming of age in the 21st century, this vibrant indie rock track combines traditional rock instruments with synths and other subtle electronic elements, giving it a sound that’s both modern and classic.
The Southend-on-Sea natives recorded Millennium in SS2 Studios and got help from producer Rees Broomfield and Grammy-nominated Andy Bradfield (Elbow, David Gray, Rufus Wainwright), who mixed the single. As you can see, this is a pristine and well-rounded track. Below you can find its lyrics video and, as a bonus, an acoustic rendition of this song that The Trusted performed flawlessly. Enjoy!
Comment: I love guitar-driven atmospheric tracks and that’s exactly what T.A.M. regulars, The 93, bring us with their brand new single: Ascension. Continuing with their usual space travel theme, this song is about what must be felt when your spaceship is rising up towards unknown and beautiful galaxies: that conflicting feeling of falling down while the ship is going up.
Enjoy this gorgeous soundscape and support these talented brothers!
Comment: I don’t know much about British artist YUNGBLUD. In fact, when I started hearing his name here and there, I thought he was just another rapper, until I heard his song mars and realized how wrong I was. I know he’s massively popular these days but that should not distract you from the fact that he’s actually good at what he does. Exhibit A is one of his latest singles, The Funeral, which is so catchy I just cannot get enough of it. Drawing heavily, in my opinion, from Billy Idol‘s Dancing With Myself, this 1980s-infused track got a really memorable chorus. The music video, which you can watch below, features fun cameos from Ozzy and Sharon Osbourne.
Comment: I hadn’t done one of these (#ThrowbackThursday entries) in a while, mostly due to a lack of time, not a lack of songs. In fact, I wanted to feature Sugarcult last week, after they kindly liked a tweet in which I mentioned them, but alas, I ran out of time. This band from Santa Barbara, California, started in 1999 and had a pretty successful debut studio album in 2001, during the hey-day of early 2000s punk-rock –by the way, last year they re-release that album in its 20th anniversary–. However, something I liked about them was that they were not afraid to experiment and try new sounds: none of their three studio albums sound alike.
Despite still being active (after a hiatus), they have not released a new album since 2006’s Lights Out, which is the one that features today’s track: Do It Alone. This song was the first single off that album and probably ahead of its time, because it wasn’t even as successful as the second single (Los Angeles). I think part of the reason why was that it sounded closer to the music of bands that were becoming popular then, like The Killers, than what Sugarcult had released before. It was our loss, though, because the single was really outstanding and perhaps, in a parallel world in which both track and album were a massive success, we would have had many more Sugarcult albums.
Comment: Twenty-year-old Nashville-based artist Caroline Romano was featured here last August (at the age of 19) with her song ‘The Hypothetical,’ part of her new album, ‘Oddities & Prodigies,’ released in February. The album, highly recommended, includes great songs like the aforementioned one and ‘Grocery Store,’ among others. However, my favorite track by far is the eponymous ‘Oddities & Prodigies,’ even better than ‘The Hypothetical.’ If you enjoy catchy #poprock songs, you might find it perfect. Check it out
Comment: Perhaps you remember Fan Theories‘ debut single, Next Great Holiday, which was featured here almost 2 years ago. If you do, then you’ll be happy to hear that they’re back with a new single, their third one so far. The Finnish band drew inspiration from the world’s “miserable state of affairs” to write Kids In Heatwaves, an infectious song with a refreshing sound that is quickly becoming their defining attribute.
