After breaking up in 2013, last year My Chemical Romance offered a concert on December 20 and announced an international tour in 2020. Obviously, due to covid-19, that has been postponed but the fact remains that the band is back together; with rumours of a new album seeing the light next year. In addition to that, Gerard Way has been busy not only releasing his own songs but also writing comic books, with one of them being so successful that Netflix adapted it into a TV series: The Umbrella Academy, which Gerard produces as well. With the second season of this show dropping this month and the return of MCR, I thought now would be as good a time as ever to feature one of my favorite songs from the band as this week’s throwback Thursday.
Disenchanted was included on the band’s third album: 2006’s very successful The Black Parade, and since it wasn’t released as a single on a record that contained several megahits, the song got overlooked. It is a great track, though. I love its acoustic intro that quickly evolves into a full-blown tune, accompanied by some great and deep lyrics from Way. All in all, as with all outstanding songs, Disenchanted should not be forgotten. Listen to it here:
I think Tom DeLonge is the type of person who gets easily bored by routine and repetition. One of the reasons he got into arguments with Mark Hoppus and Travis Barker, was that he wanted to experiment with a more “atmospheric” sound while his friends wanted to keep doing what had been successful for them so far. The bad news is that this is what eventually caused him to leave Blink-182, but –luckily for us– that is also what prompted him to form Angels & Airwaves (stylized AVA). The group is basically a cinematic rock band with a punk-rock flavour, and there is nothing wrong with that.
AVA had been relatively quiet since 2017, partly because DeLonge had been busy looking for UFOs (for real, he co-founded this company), but they are now back on track to drop a new album soon, having released three new singles already since December. All That’s Left is Love is the latest one of them and is also the one that resembles the most the band’s previous work (this is not a complaint, I liked the other two singles as well, especially Rebel Girl). All the proceeds the band makes from this single will be donated to the charity Feeding America to help with the economic impact of COVID-19.
All in all, it is a great song from one of the most curious minds in the music business today.
If you listened to Back On Earth without knowing anything else about the band, you would be tempted to bet on that they are a band from South California whose members spend the time surfing when they are not playing gigs. I really doubt you would guess they are actually from Paris, France. I, for one, would have lost that bet.
The band plays perfectly good punk rock (or pop-punk, if you prefer to call it that way) and was formed in 2009. However, they were on a hiatus from 2014 until last year, and they have been pretty active since then. Save Me is a fun and extremely catchy (especially that chorus) tune that the band released earlier this year. If Back On Earth continues to release songs like this (and they have plans to put a new song out in July), their future looks very bright.
Please give them a try if you weren’t a fan already, I promise you that it will be fun.
The Dangerous Summer is an American band that sits on the border between alternative rock and punk rock. The band has been active since 2006 and even though it didn’t became big –at least not yet–, it got a decent group of fans. The Dangerous Summer’s latest studio album (although they will release a new one soon) was Mother Nature, released last year, and it had the song featured here as it lead single.
Besides having a really long name, When Were You When The Sky Opened Up got a melancholic vibe and a melodic rhythm that make it one of the most memorable songs from the subgenre in a long time. It’s the perfect tune to listen to when you get into a car and start riding. Don’t you think?
The punk-rock / pop-punk genre was hugely popular in the early 2000s, to the point where it got saturated with plenty of bands that sounded the same, with only a few standouts. Then, things moved to other end of the spectrum when most of those bands either broke up or switched to Pop or something else, and the genre slowly faded away. It looks like the middle ground is not an option for punk-rock.
The above has caused plenty of people who enjoyed this kind of music back then to feel nostalgic about it now, and that is exactly where Home By July fits in. If you miss the heyday of the genre, this Australian band will be right up your alley, and the best example of that it’s their latest single, One In A Million. Don’t expect anything groundbreaking, just good old punk-rock.
Throwback Thursdays are popular on social media as a way to reminisce about things we feel nostalgic about. I thought we can do something similar here, whenever possible, by posting great old songs, such as Punk Rock Princess. Yes, I can’t believe I’m calling this song old but it was released 18 years ago!
Something Corporate was a piano punk rock band from Orange County, California, that despite having a huge following and diehard fans, never made it into the mainstream. The band released 3 albums almost back to back from 2000 to 2003 and were on and off until they broke up for good in 2010. Their lead singer, Andrew McMahon, is still active under the moniker Andrew McMahon in the Wilderness.
Punk Rock Princess was the most popular of their singles –as an aside, their most popular song among their fans was Konstantine, which is perhaps my wife’s favorite song ever but it’s almost 10 minutes long and was never released as a single–, part of their 2002 album: Leaving Through The Window. It’s a classic tune from the Hey Day of Punk Rock. You can enjoy it again below.
All Time Low is as popular as a punk rock band can be nowadays. I’m posting this well aware that most people will know who they are. That being said, the track from their new album (Wake Up, Sunshine) I’m recommending here is not even being mentioned –let alone promoted– as a potential future single and is, in my opinion, the best one on the record. It would be a shame if the band’s casual listeners didn’t get a chance to hear it. Give it a listen.