Back in 2007, a little alternative rock band from Pennsylvania released Aurora, their debut album, which got overlooked despite being one of the best rock albums of that year, perhaps even of that decade. I’m talking, of course, of Desoto Jones and for this week’s #ThrowbackThursday entry, I thought we could reminisce about one of the gems in that record.
Three of the five members of Desoto Jones –they are still active– are brothers and while they were recording Aurora, their father passed away. Nonfiction is a an emotional song the brothers dedicated to him. Its acoustic overtones and the heartfelt lyrics intertwine into a beautiful track that doesn’t get old. Listen to this song and then play the whole album. You will see why it is a shame this record didn’t become more popular.
I got a request last week for this week’s #ThrowbackThursday entry: “If You Could Only See” from American alternative rock powerhouse, Tonic. So, naturally, I complied by featuring a different song from the same band (=. I got nothing against “If You Could Only See”. It’s a great song, possible Tonic’s best and undoubtedly their most iconic track to date (after all, it was 1997’s most-played song in rock radio), but that is precisely the reason I opted to talk about a different, lesser known gem included in their 2002 album, Head On Straight, Do You Know.
This song is a guitar-driven alternative rock song with a melodic chorus, but the reason why I’ve always liked it so much is that it got terrific lyrics, which shine the most during the great chorus. I don’t think this tune got much attention back then when it came out, but it’s not too late to give an overlooked outstanding song a second chance. Tonic and Do You Know certainly deserve it.
Remember that Egyptian Summer The fork lightning over the bay When we forgot everything We forgot our troubles When love was kind And the silence was noise But Underneath a marble sky I never seen you look so happy In your life.
And you were always cracking jokes And laughing at my funny ways And as the thunder rolled Well so did my sorrow We told lies We told them all the time But underneath a marble sky Nothing mattered.
I need a thunderstorm To distract from the pain Cause tomorrow might be the same damn sorrow I need something to happen The heavens to burst The sky to tear open The passion to run and flow like a river Out of my eyes Once it’s out of my heart It’s such a cold and desolate Happy ever when It’s such a cold and desolate Happiness never came.
We sat at the bar and we talked about the things we used to like And romanticised the pain Always remember it’s a crying shame Like reaching for the heavens but the heavens never came And I’ve played the victim long before you arrived These are not my people It’s not my scene not my style So I’m going back I’m going back to the city Please forgive me
We mentioned Bush last week and they recently released a new album as well (unfortunately, it didn’t move the needle for me), and since I’ve been away until now, it makes sense to feature them as today’s #ThrowbackThursday entry. After all, this British band got several legendary rock songs plenty of people love.
I actually wanted to write about Swallowed, but it is impossible to find the album version of that song on Spotify/Apple Music. Anyway, Glycerine is not a bad substitute at all. Bush released this track as the fourth single from Sixteen Stones, their debut album, in November 1995. It reached number one on the modern rock charts and is, to date, the band’s biggest pop hit, peaking at number 28 on Billboard’s Hot 100. As with most of their songs, Glycerine‘s lyrics are cryptic but it is an accepted fact that Gavin Rossdale wrote this tune about his girlfriend at the time (no, it wasn’t Gwen Stefani yet). The track is basically just Gavin’s raspy voice with a guitar and some strings here and there, yet it gets stuck on your head pretty much for the rest of your life.
Without a doubt, this is one of the greatest rock tracks from the 90s. Enjoy it again, here.
In case you missed it, The Smashing Pumpkins released two new singles this week. While they may not reach the heights of their legendary hits from the MTV era, it’s time for a Throwback Thursday feature. Selecting a song was tough with their impressive back catalogue.
I recently binge-watched all 3 seasons of Netflix’s brilliant sci-fi series, Dark (loved it). The recurring phrase, ‘The beginning is the end and the end is the beginning,’ reminded me of The Smashing Pumpkins’ single, ‘The End is The Beginning Is The End,’ from the 1997 film Batman & Robin. Unfortunately, the original version isn’t available on major streaming platforms, just a lackluster remix.
That brought me back to square one, torn between featuring my all-time favorite song from Billy Corgan & Co, despite its popularity, other renowned tracks like “Disarm” or “Tonight, Tonight,” or a hidden gem like “Stand Inside Your Love” or “Untitled.” In the end, “1979” emerged as the clear winner. This remarkable track, the second single from “Mellon Collie and the Infinite Sadness,” is simply exceptional and a must-have on my mixtapes. Don’t miss the fantastic music video below.”
There’s nothing more I can say about this #musicalcrush. Simply savor this nostalgic stroll down memory lane.
Indie songs produced and recorded pretty much on your own are not supposed to sound this good. There’s usually something that would give it away, but that’s not the case with Lax, the second single of singer/songwriter Lachlan, released last Friday. The song is a radio-friendly tune with nice guitar riffs and an infectious chorus. Lachlan’s voice is a perfect fit as well.
After being part of several Edinburgh-based bands such as Lost In Vancouver, Lachlan decided to try a career solo. Earlier this year he put his debut single, Too Bad, out. Now with Lax, a song about overcoming your own insecurities, he is letting us know that he’s here to stay. Give this song a listen on the mixtapes below and keep him on your radar. He absolutely deserves it.
This upbeat, extremely radio-friendly tune could be the perfect song for the end of summer and the start of this weekend (which is a long one in some countries). With a catchy chorus and a sticky rhythm that camouflages very well the deep lyrics the song has, Don’t Wanna Die Alone is an indie pop song that allows you to forget about everyday problems and simply have fun.
This German artist, Henrik Steigerwald, goes by the moniker of Henry And The Waiter because it represents two different sides of his personality: the waiter, who is more impulsive and gets ideas for new songs all the time, and Henry, more introspective and the one who finishes the songs by adding his voice to the mix. Henry and his alter ego have achieved considerable success in his home country with over 12 million streams on Spotify, but it is time now to reach a wider audience. With his knack for hook-ridden songs, the odds are clearly in his favour.
When it comes to the Throwback Thursday entries, I’m playing it by ear. It’s not easy to pick one relatively old good song amongst hundreds or thousands of them. For that reason, I’m letting random coincidences to choose one for me. For instance, in yesterday’s post I mentionedSister Hazel and that was all it took for me to write today about that act from Gainesville, Florida. The band, named after a local missionary who took care of homeless people, formed in 1993 and besides being extremely productive with over 10 studio albums (plus EPs, live albums and compilations) over that span, they have also been shockingly stable, maintaining the same line-up throughout all these years. That’s pretty unusual to say the least.
Sister Hazel has had several minor hits and some loyal followers, but if there’s only one song you know from them, then it’s probably All For You. This track was part of the band’s debut album from 1994 but it was re-recorded for the follow-up from 1997and it was then when the song became a hit, peaking at #11 on the Billboard Hot 100 chart. It remains Sister Hazel’s most successful single to date.
However, the song that I want to highlight today is one of those minor hits Sister Hazel had, Come Around, from their excellent 2003 album: Chasing Daylight. This great tune is just as good as All For You but far less popular. It’s also a good example of the band’s trademark blend of alternative touch with southern rhythms.
Let’s remember this classic song today. Enjoy Come Around.
After two days of grunge pop and indie punk, it’s time to slow things down with this mellower track from Kristian Montogomery and the Winterkill Band. Razor Wire Heart showcases Kristian’s husky and pleasant voice, delivering emotional and personal lyrics inspired by his tumultuous life journey, from heavy rock bands to world travels, marriage, divorce, and six months in jail. His heartfelt experiences shine through the chords of his guitar and the depth of his vocals.
This song is part of “Gravel Church,” an album that Kristian wrote upon his release from prison, marking his debut as Kristian Montgomery and the Winterkill Band. It’s a diverse album, blending alternative rock, country, and other genres. Reminiscent of Sister Hazel‘s style, if you enjoy that vibe, this band is a must-listen. Start with “Razor Wire Heart” here.
Out of the blue and without any indication of a new album coming out soon, London Grammar simply dropped a new single yesterday, Baby It’s You, after posting a tease on Instagram on Monday. The young band from Nottingham, UK, had last released an album, their sophomore record, in 2017. Both of the band’s studio albums were massive successes in the UK and if this new track is an indication of what’s coming next, their third full-length will hit the jackpot too, and deservedly so.
As it was the case with all of London Grammar‘s previous songs, Baby It’s You is driven by the stunning and powerful vocals of Hannah Reid. In a way, it’s fitting that this entry comes right after the one about Mazzy Star, because not unlike Hope Sandoval, Hannah is an introvert who suffers from stage fright. And just like Hope. she got an angelic voice capable of leaving any audience absolutely mesmerised.
On this new track, the ethereal vocals are surrounded by the band’s trademark atmospheric sounds. What is new this time around is a certain balearic vibe: just the right amount to make things interesting without overpowering the tune. All in all, Baby It’s You is a nice new song from London Grammar and you can enjoy it in the mixtapes below.
Earlier this week, I mentioned that Teen Idle was going to get compared to Mazzy Star. Now, depending on your age, you might not be aware of who they were (I love ’90s music and I wasn’t aware of them until the late ’00s!), which is why I thought it fitting to feature Fade Into You as this week’s Throwback Thursday entry. A song that is widely considered one of the best tracks of that decade.
This song was a huge hit for the band in 1994, reaching number 3 on Billboard‘s Modern Rock chart (back when that chart meant something) and peaking at #44 on the Hot 100 chart. No other song from the band appeared on that Hot 100 chart and only two other tracks charted on the Modern Rock Top 40 (Halah and Blue Flower), which in part explains why people who were not active music listeners at the time might not know about this band. That and the fact that the band broke up in 1997 and didn’t regroup until 2012.
Mazzy Star consisted of Hope Sandoval, as lead singer and lyricist; and David Roback, as composer and main producer, who also played most of the instruments. Hope has a reputation for being shy, which made her focus on her singing while on stage instead of interacting with the audience. When you have a voice as angelic and beautiful as hers, I don’t see the problem in that. Sure, having a charismatic singer is nice, but we don’t need every single lead singer to be like that. Anyway, I guess that was another reason preventing the band from achieving super stardom.
Unfortunately, David Roback died earlier this year but he and Hope (who’s still active) left behind a legacy of great music that won’t be forgotten. Isn’t that the ultimate goal for any artist?
Watch a live performance of this iconic song here, or find it in the mixtapes below.
