Comment: Valtos (Martyn MacDonald and Daniel Docherty) are two electronic music producers whose current project consists of remixing songs from local bands from Scotland, such as Lapwyng. The result is pretty unique and interesting.
WOLFNUNN is the electronic/dance project of London-based multi-instrumentalist, writer and producer Joshua Nunn. He draws inspiration for writing songs from watching movies, imagining wherein the movie his tracks would fit in. Case in point, he wrote Make Me Feel Bad, his first original release, right after watching The Matrix and his intention was to create an atmospheric track for the end credits. The ethereal vocals in the song are from Spain-based artist CLOUDE, who attends the same university in London Joshua goes to (he studies Music Technology), and they couldn’t fit the tune any better.
Listening to the track, it’s hard to believe that it was recorded remotely (thanks to the first lockdown) and mixed and produced with home equipment. You really cannot notice anything odd with the recording. All in all, it is pretty clear that Joshua is really talented as a music writer and producer and he could get really far with WOLFNUNN. Hopefully, he will make more collaborations with CLOUDE as well. The future is bright for them.
Two friends from Sweden, one a house music producer, John Dahlbäck, and the other one a 3D animator, Erik Ande, decided to work together on a music/motion art project as a way to abstract themselves from their hectic lives that involve, according to them, too many children and dogs around. This project is heartaake, and as you can probably guess already, its music style is basically #lofichillout. John and Eric say that their biggest influence is the silence that surrounds them when they make music.
However, unevershowmeløv –I got no clue what it means but the song is about taking it easy– is not your typical chill out tune. It has personality. Sounds and a melody that make it easily identifiable, which is not something I can say of many chill-out tracks. Also, at just 01:46 minutes, it does not overstay its welcome. As implied by the animation below, unevershowmeløv is a great track to listen to while driving. The artists behind heartaake say that this music is their chill zone and I think they manage to transport the listener to that place as well. What else could we ask for? Welcome to the chill zone!
Raosaheb Ramteke is an IT professional from India with a passion for music production. After struggling for a while to find the right balance between his day job and spending time making music, he finally self-released his first single in 2020 under theVinCrux moniker. He has since dropped a few other singles, including today’s featured song, Within, earlier this year. While he’s still trying to establish himself as a music artist, the quality of his work is generating some buzz already not only in his home country but all over the world as well.
Unfortunately, Vincrux lost his dear sister due to cancer in 2019, but the silver lining of that terrible experience is that it sparked a flame within Raosaheb for pursuing his dream. Most of his songs are inspired by conversations and memories he had with his sister and Within is no exception. With this tune, Vincrux wants to express that the solution to most, if not all, of our troubles lies within ourselves. Listen to this excellent track below and get lost in its enchanting melody. You will also find it hard to believe that everything related to making this song, even the music video below, was made by himself: an artist who is just getting started. Impressive.
I stumbled upon Sultan + Shepard (not the Australian band Sheppard) when Youtube decided to play this song, Assassin, automatically after it had finished playing another video and I was too busy to stop it. The tune was so good that it grabbed my attention almost immediately even though I was focused on work. It is a charming electronic offering with a synth line you simply cannot get enough of.
Sultan + Shepard are a Canadian duo with several EPs under their names and even collaborations with artists such as Tiësto. They have just released their first full-length album Something, Everything, which includes today’s featured track. Sultan, born Ossama Al Sarraf, lived in Kuwait, Cyprus and Egypt before moving to Montreal in 1996 to study mechanical engineering, where he met Ned Shepard and almost immediately started producing music together.
If you like good, melodic electronic music, you really cannot miss Assassin. You are going to love it.
Gilead may mean, among other things, “hill of testimony” and that is the meaning The Broken Cradle had in mind when he decided to use it as the name of his latest EP. It is supposed to tell the journey of our respective roads to Gilead in our search for happiness and purpose. The EP is a neoclassical and ambient album that starts with the aptly titled Road to Gilead, a piano-centered track with atmospheric pads that create a mesmerizing soundscape. Listening to the multiple textures in the song feels like scratching an itch and not wanting to stop.
The Broken Cradle is the solo work of Eric McLean, a musician from North Carolina with over 20 years of experience. With influences such as Brian Eno and Olafur Arnalds, it is not surprising that his music could fit so well in an album from any of those renowned artists. He is that good.
Kyrie Eleison is a transliteration of Ancient Greek meaning “Lord, Have Mercy”, which is an important prayer of Christian liturgy (thank you, Wikipedia). This is as far as I can tell you about the meaning of this song without guessing (I think it is about someone who is down on his luck), but the good news is that we don’t need to know more in order to enjoy it. The low-key vocals, electronic soundscape and synths give the tune a soothing effect that I find very appealing. There is comfort in sound and Kyrie Eleison is proof of it.
Julien Zeno Bitter is the man behind Kafka Kaya, a solo act that he started in 2015 after his previous band split up. With origins in the quiet but beautiful countryside of Switzerland but based now in Berlin, Kafka Kaya has a background in electronic music with a predilection for authentic acoustic sounds. As many other independent artist, Julien produces his music himself and is getting ready to release a new EP in April, which will include Kyrie Eleison too. Check him out below.
Parra for Cuva is definitely one of my favorite electronic music artists. Originally from Germany, I discovered him when the song being featured here today, his cover of Chris Isaak‘s popular Wicked Games, was featured on a now-extinct Youtube channel I used to follow. The track was a real hit, even reaching number 6 in UK’s official Top 40 in 2014, but, nevertheless, he remains relatively unknown. I mean, he should be more famous by now after that success and also because he has consistently released great track after great track (he’s already released one this year).
Nicolas Demuth, Parra for Cuva‘s real name, grew up in the same small town in Germany as singer-songwriter Anna Naklab and, naturally, they ended up working together in a number of releases, including Wicked Games. Her stunning voice is one of the reasons this song is so good. Event though it was a cover of a really well-known song, they managed to make it sound fresh. By the way, while we are talking about Parra for Cuva, check his remix of Mazzy Star‘sInto Dust (not available on Spotify). Simply outstanding.
I mentioned this great song recently in another entry and I think it makes sense to feature it as this week’s #ThrowbackThursday song. Frou Frou was a British electronic duo that released only 1 album, Details, back in 2002. They disbanded in 2004 but Wikipedia claims that they reunited in 2017. I don’t know if that is true or not but Imogen Heap, the lead singer, has had a successful career as a solo artist that predates Frou Frou. Her voice is one of those you can recognize right away.
Anyway, Let Go, which was part of the Details album, gained notoriety in 2004 when Zach Braff chose it as the key track on the award-winning soundtrack of his hit indie movie Garden State. The song was also featured prominently in one of its trailers (which you can watch below). The lush electronic strings and Imogen’s distinct vocals are impossible to resist in what ended up being one of the best tracks of that decade.
Kōdəh (pronounced as Kodah) is the Slovenian word for codes. Koda, on the other hand, is a Native American term for friend or companion. It makes sense then that Shakthi Prasad, a Spain-based indie electronic music artist from India, chose ˈKōdəh as his stage name. He’s been active in the music scene since 2008 as the drummer of different progressive rock bands in Bangalore. In 2019, Shakthi decided to pursue a Master of Music in Music Production, Technology, and Innovation at the Berklee College of Music in Valencia, Spain, which started his journey into ambient and experimental electronic music. He is preparing his debut album as a solo artist to be released earlier this year.
His debut single, Swerve, was released already last month. It features Los Angeles-based singer KEANA, who has received training in classical and jazz vocals and met Shakthi at the college mentioned above. The track is a call for humanity to wake up and care more about each other and has been covered by Rolling Stone India. Musically, I’m not sure if it is because of the lush electronic background or Keana‘s vocas but the track reminds me a lot of Let Go from Frou Frou, a song that deserves its own feature as a #ThrowbackThursday post. Anyway, Swerve is a great debut single that flags ˈKōdəh as someone that we should really pay attention to. The best is yet to come.