Bush – Glycerine

We mentioned Bush last week and they recently released a new album as well (unfortunately, it didn’t move the needle for me), and since I’ve been away until now, it makes sense to feature them as today’s #ThrowbackThursday entry. After all, this British band got several legendary rock songs plenty of people love.

I actually wanted to write about Swallowed, but it is impossible to find the album version of that song on Spotify/Apple Music. Anyway, Glycerine is not a bad substitute at all. Bush released this track as the fourth single from Sixteen Stones, their debut album, in November 1995. It reached number one on the modern rock charts and is, to date, the band’s biggest pop hit, peaking at number 28 on Billboard’s Hot 100. As with most of their songs, Glycerine‘s lyrics are cryptic but it is an accepted fact that Gavin Rossdale wrote this tune about his girlfriend at the time (no, it wasn’t Gwen Stefani yet). The track is basically just Gavin’s raspy voice with a guitar and some strings here and there, yet it gets stuck on your head pretty much for the rest of your life.

Without a doubt, this is one of the greatest rock tracks from the 90s. Enjoy it again, here.

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Stand Atlantic – Blurry

For some reason, there aren’t that many rock bands with a female vocalist, let alone punk rock ones. Luckily, we got bands like Stand Atlantic kicking some serious ass while being led by the awesome Bonnie Fraser. This Australian pop-punk band was formed in 2012 and after a series of EPs, they released their debut album in 2018, which made them internationally known amongst punk rock fans. Last month, they returned with their sophomore effort, Pink Elephant, which demonstrates that the band means business.

Blurry is the sixth! single Stand Atlantic has released from this album and it is a great example of what the band does best: high-energy songs with catchy choruses and much darker lyrics. The track got some electronic/synth-based elements that give it a slight 80s aesthetic but it is still a pop punk song with a lot of attitude.

Listen to this great track below.

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The Smashing Pumpkins – 1979

In case you missed it, The Smashing Pumpkins dropped two new singles this week. They are okay, I guess, but don’t expect anything close to the band’s legendary hits from the times when MTV used to broadcast music. This made the decision about which artist to feature on this week’s Throwback Thursday entry very easy. It was choosing which song that was incredibly hard. I knew they had a lot of hits but I think I hadn’t really processed how strong Smashing‘s back catalogue was.

I recently finished watching all 3 seasons of Netflix’s great sci-fi show, Dark (I loved it), in which the phrase, “The beginning is the end and the end is the beginning”, was repeated ad infinitum by some characters. Each time that phrase was mentioned, I couldn’t help but think about one of the few positive things 1997’s film Batman & Robin left us: The Smashing Pumpkins‘s single, The End is The Beginning Is The End. Naturally, that was my first choice for this entry, only to discover that its original version wasn’t available on any of the major streaming platforms. There’s only a remix version that doesn’t do it any justice.

That took me back to square one, deciding between featuring my favorite song from Billy Corgan & Co, even though it is very popular; other famous songs such as Disarm or Tonight, Tonight; or a lesser known gem suck as Stand Inside Your Love or Untitled. In the end, 1979 won. I simply had to have that song, which was the second single off Mellon Collie and the Infinite Sadness, in my mixtapes. It is that good. The music video, which you can watch below, is pretty great too.

There’s nothing else I can say about this #musicalcrush. Just enjoy this stroll down memory lane.

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Sister Hazel – Come Around

When it comes to the Throwback Thursday entries, I’m playing it by ear. It’s not easy to pick one relatively old good song amongst hundreds or thousands of them. For that reason, I’m letting random coincidences to choose one for me. For instance, in yesterday’s post I mentioned Sister Hazel and that was all it took for me to write today about that act from Gainesville, Florida. The band, named after a local missionary who took care of homeless people, formed in 1993 and besides being extremely productive with over 10 studio albums (plus EPs, live albums and compilations) over that span, they have also been shockingly stable, maintaining the same line-up throughout all these years. That’s pretty unusual to say the least.

Sister Hazel has had several minor hits and some loyal followers, but if there’s only one song you know from them, then it’s probably All For You. This track was part of the band’s debut album from 1994 but it was re-recorded for the follow-up from 1997and it was then when the song became a hit, peaking at #11 on the Billboard Hot 100 chart. It remains Sister Hazel’s most successful single to date.

However, the song that I want to highlight today is one of those minor hits Sister Hazel had, Come Around, from their excellent 2003 album: Chasing Daylight. This great tune is just as good as All For You but far less popular. It’s also a good example of the band’s trademark blend of alternative touch with southern rhythms.

Let’s remember this classic song today. Enjoy Come Around.

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Kristian Montgomery and the Winterkill Band – Razor Wire Heart

After two days of grunge pop and indie punk, it’s time to slow things down a bit with this mellower track from Kristian Montogomery and the Winterkill Band. The first thing that jumps out at you when listening to Razor Wire Heart is, besides the chords from his guitar, Kristian’s husky and pleasant voice, especially in such an emotional and personal track for him. He’s had quite a tumultuous life, going from singing in heavy rock bands to travelling around the world, getting married and divorced, and even spending six months in jail. Only somebody who has lived through all of those experiences could have written lyrics like these.

This song is part of Gravel Church, an album that Kristian wrote upon his release from prison and his first as Kristian Montogomery and the Winterkill Band. It is a varied album with some alternative rock songs as well as alternative country and other genres. In terms of style, it reminds me a bit of Sister Hazel. If you like that style, you definitely should check this band out, and you can start by listening to Razor Wire Heart here.

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Grow Rich – Bounce Back

Music is universal and it can come from the most unexpected places. Maybe Indonesia is not the first country that comes to mind when you think about indie punk bands but that’s exactly where Grow Rich comes from. The project from multi-instrumentalist Abdur Rahim Latada is influenced by bands like Veruca Salt, Joy Division, and My Bloody Valentine. Abdur has released two self-financed EPs already as Grow Rich, and he also markets them himself. Frantic Semantic is the latest EP, which includes Bounce Back, a really good track.

Lyrically, to be honest, Bounce Back is nothing to write home about, but musically, it is a completely different story. It got great hooks and guitar riffs and nice soundscapes that make it really hard to believe it was all done by one person (except for drums, as he got help for that). Even the vocals are really good as well. This really sounds as good as any song produced by heavyweights. If you are into this type of music, I beg you to give this song a chance. You won’t regret it.

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Mazzy Star – Fade Into You

Earlier this week, I mentioned that Teen Idle was going to get compared to Mazzy Star. Now, depending on your age, you might not be aware of who they were (I love ’90s music and I wasn’t aware of them until the late ’00s!), which is why I thought it fitting to feature Fade Into You as this week’s Throwback Thursday entry. A song that is widely considered one of the best tracks of that decade.

This song was a huge hit for the band in 1994, reaching number 3 on Billboard‘s Modern Rock chart (back when that chart meant something) and peaking at #44 on the Hot 100 chart. No other song from the band appeared on that Hot 100 chart and only two other tracks charted on the Modern Rock Top 40 (Halah and Blue Flower), which in part explains why people who were not active music listeners at the time might not know about this band. That and the fact that the band broke up in 1997 and didn’t regroup until 2012.

Mazzy Star consisted of Hope Sandoval, as lead singer and lyricist; and David Roback, as composer and main producer, who also played most of the instruments. Hope has a reputation for being shy, which made her focus on her singing while on stage instead of interacting with the audience. When you have a voice as angelic and beautiful as hers, I don’t see the problem in that. Sure, having a charismatic singer is nice, but we don’t need every single lead singer to be like that. Anyway, I guess that was another reason preventing the band from achieving super stardom.

Unfortunately, David Roback died earlier this year but he and Hope (who’s still active) left behind a legacy of great music that won’t be forgotten. Isn’t that the ultimate goal for any artist?

Watch a live performance of this iconic song here, or find it in the mixtapes below.

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Neck Deep – What Took You So Long?

Last month, Welsh punk-rock band Neck Deep released their fourth studio album, All Distortions Are Intentional, and even though I didn’t find it ground-breaking, I thought it was a solid effort with several good tracks and a few gems. What Took You So Long? is my favourite one despite not being released as one of the singles yet. Hardcore fans might not like it because it’s not a “pure” punk-rock track, but that’s precisely the reason why I think it is the best song in the album. The band dared to take some chances without changing its essence and it worked out. The sweet lyrics don’t hurt either.

If you follow this genre at all, you probably know Neck Deep already, as their previous album, The Peace and the Panic, debuted at #4 in both the UK and the US (at least according to Wikipedia) and they opened several concerts for Blink-182 in 2019. And If you don’t know them, definitely check them out. That previous record was outstanding and the new one is a worthy follow-up. In the meantime, listen to What Took You So Long below.

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Eagle-Eye Cherry – Falling In Love Again

As mentioned on last Saturday’s entry, Eagle-Eye Cherry deserves his own Throwback Thursday post and here it is. He had two successful hits in the late 90’s: Save Tonight and Falling In Love Again, both really good but with the former being the bigger one. However, I always liked the latter a bit more. I can’t really explain why. I just did.

Unless you are constantly listening to alternative music from the 90’s, chances are that you forgot about these songs or never heard of them, but even if you still remember them, you might not know that Eagle-Eye was actually a Swedish artist, not American, despite being of Choctaw descent. His actual full name is Eagle-Eye Lanoo Cherry and another interesting tidbit is that he went to acting school with Jennifer Aniston. However, he ended up focusing on music only. He was pretty productive as a musician until 2003, and then he had a long-hiatus until 2012, when he became active again. His last full album, Streets of You, was released in 2018.

Let’s reminisce here about this interesting artist by listening to one of his best songs, an old musical crush. Enjoy!

P.S: The music video is so 90’s!

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Kids In Glass Houses – Peace

After a few songs in a row that fell on the mellow side, it’s time to turn the volume up. For this week’s Throwback Thursday, we have a song released not that far ago (2013) from a band that, unfortunately, broke up one year later. KIGH, in case you never heard of them, were a rock/punk-rock band from Wales that were active for 8 years, releasing 4 studio albums in total. Even though they achieved some success in the UK, they never reached international fame, which I presume was the main reason why the band members decided to call it quits.

Peace was the lead single from their last record, called the same way. It was a great album overall but the highlight was, without a doubt, its opening title track: an energetic, guitar-driven, in-your-face, rock song with punk-rock vibes and an infectious chorus. It’s almost impossible to hear it without starting to sing-along. I dare you to try!

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