Tobisonics feat. Costi – Eye of The Storm

Eye Of The Storm is the latest track from Tobisonics, the musical project of Luxembourg-based electro-synthwave artist Toby Davis. For this tune, he got the collaboration of London-based hip hop artist and rapper Costi and mixes in samples of President John F. Kennedy’s famous inaugural speech. Now, I’m usually not keen on tracks so close to the rap and hip-hop genres but the truth is that I really dig this one. I find the chorus extremely catchy and the sampling of Kennedy’s speech (as well as its message) was a master stroke. For an in-depth review and description of the track, please visit this post written by our friend Jeff from Eclectic Music Lover. As usual, it’s excellent form start to finish.

Toby created Tobisonics in his mid-30s after losing nearly two decades to chronic anxiety and depression. I’m glad he rediscovered his love for making music because he’s obviously talented enough to create interesting pieces. It’s never too late to do what you love.

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Jenny Kern – Coming Back For Me

Coming Back For Me is an introspective indie pop track about solitude and self-acceptance. What I really like about it is the fragile atmosphere that Canadian-born singer/songwriter Jenny Kern surrounded the track with. The layered production and the ethereal vocals make the whole listening experience a very appeasing one.

Jenny Kern is based out of Brooklyn, NY these days. She’s been active since 2019 and got invited to tour Europe after her 2019 single Slow Burn got some global attention. She started 2021 on a roll, releasing Coming Back For Me in January and getting ready to drop another single in March. If you enjoy dreamy altpop and honest songwriters, you should check Jenny out. Her music will definitely be up your alley.

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ˈKōdəh feat. KEANA – Swerve

Kōdəh (pronounced as Kodah) is the Slovenian word for codes. Koda, on the other hand, is a Native American term for friend or companion. It makes sense then that Shakthi Prasad, a Spain-based  indie electronic music artist from India, chose ˈKōdəh as his stage name. He’s been active in the music scene since 2008 as the drummer of different progressive rock bands in Bangalore. In 2019, Shakthi decided to pursue a Master of Music in Music Production, Technology, and Innovation at the Berklee College of Music in Valencia, Spain, which started his journey into ambient and experimental electronic music. He is preparing his debut album as a solo artist to be released earlier this year.

His debut single, Swerve, was released already last month. It features Los Angeles-based singer KEANA, who has received training in classical and jazz vocals and met Shakthi at the college mentioned above. The track is a call for humanity to wake up and care more about each other and has been covered by Rolling Stone India. Musically, I’m not sure if it is because of the lush electronic background or Keana‘s vocas but the track reminds me a lot of Let Go from Frou Frou, a song that deserves its own feature as a #ThrowbackThursday post. Anyway, Swerve is a great debut single that flags ˈKōdəh as someone that we should really pay attention to. The best is yet to come.

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Taylor Castro – Breathe

Ignore for a moment the picture above. If you just listened to Miami-based singer/songwriter Taylor Castro‘s voice, you would find it hard to believe that she’s only 21. She really got a strong voice that will prevent her from sounding like your typical female pop artist. Knowing how to write a hook does help her too. She’s been active in the music business for 3 or 4 years already but was particularly successful last year, with nearly all of her singles from 2020 reaching over 1 million views on Youtube. She’s dropping a 10-track album, Girl, Afraid later this year featuring those songs along with new tunes.

Breathe is one of Taylor‘s new tunes for 2021. Written during quarantine (shocking, I know) in the midst of a rage, it gave Taylor a way to deal with the frustration and calm herself down. It got a catchy melody and a crisp production, as it’s usually the case with any good alt-pop song, but makes this tune particularly interesting is Taylor‘s powerful voice. I think the future is extremely bright for this young talented artist.

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Tape Runs Out – Hospital

Hospital is not an exciting song and that is totally fine. Not every song must be a banger or a party starter. Sometimes what you need is just a song that can help you switch off for a while and that is exactly what you get with this tune from Tape Runs Out, a seven-piece band from Cambridge, UK. Their style revolves around alt-indie and dreampop and they use a wide variety of instruments, from violin to a hammered dulcimer. The band started in 2012 and are about to release their sixth EP, Ghost Fruit, for which Hospital, released last month, is the lead single.

Written by main songwriter Liam Goodrum-Bell during lockdown and recorded at home, Hospital is a tune we can all relate to after 2020. It’s a gorgeous little indie track that lets you get immersed into its soothing notes. Just give it a try and check Tape Runs Out.

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Allison Lorenzen feat. Midwife – Vale

Denver-based artist Allison Lorenzen is one half of the synth / percussion duo School Dance, which allowed her to learn the tropes of composing beautiful vocal melodies across minimalistic backgrounds. In January, Allison put all those skills on display with her first release as a solo artist, Vale, for which she got the help of slowcore multi-instrumentalist Madeline Johnston, aka Midwife.

I really like the deceiving simplicity of the track but I also find the main melody quite catchy. Vale is another word for valley, which is often used metaphorically to describe feeling low or depressed, which is the meaning the word has on this ethereal song. Luckily, that’s far from the feeling you get when listening to Vale: the elation of having found a great tune. Check it out below.

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Misao McGregor – She Was Worlds Above Me

At a minimum, what you should know about Misao McGregor is that she’s a singer/songwriter who composes charming music that has roots in indie, pop and soul. You don’t need to know that she’s based in Los Angeles, California or that she was classically trained as singer and pianist, but it adds a little bit of context to her story and it is always nice to have context. Similarly, we absolutely don’t need to know that she’s openly gay, mixed-race American-Japanese and non-binary femme in order to appreciate her music, but it is nice that she generously shares that info because it helps us put everything in perspective. It gives us another lens through which interpret her lyrics and plays and connect with what she’s trying to say.

Misao recently self-released her debut album, Kid In The Corner, which is an autobiographical look into her first 24 years of life and the experiences that made her who she is today, good and bad. The whole album is worth your attention but I particularly liked She Was Worlds Above Me. Not only does it have stunning hooks and great vocals but also a deep meaning. I’ll let Misao explain it herself in the video below. All I can add to that is that I hope you give this talented artist a chance.

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Collective Soul – Needs

As I shared yesterday on Facebook, this great album, Dosage, was released 22 years ago on February 9, 1999. If you only know a few songs from Collective Soul (if you know them at all), chances are those songs are all from the band’s first two albums, as those were their biggest hits: Shine, December and The World I Know. All great songs, hands down. However, this band from Georgia is much more than those 3 tracks, as they consistently released good albums all the way through 2009. The pace slowed down after that year (two albums since then) as they focused on some side projects but they will probably release another album soon as they just dropped a small EP a couple of months ago. I will always have a soft spot for Collective because they were the first band I ever saw live and it was a heck of a live show. Seriously, if have never seen them live, you should prioritize that once rock concerts are a thing again. Ed Roland is one of the best performers I have ever seen.

Anyway, I’m digressing. Dosage was a great album and even though it had a couple of big hits in Heavy and Run, and contains several little gems, the record itself is not as famous as its predecessors. One of those gems in Needs, which, in my opinion, is just as good as any of the band’s bigger hits. Ed Roland’s vocals are great as usual but each component of this song (the strings, in particular) is just stunning. Please enjoy this #musicalcrush of mine as this week’s #ThrowbackThursday entry.

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teepee – closer

Every year, tens of artists from over 15 countries from  the Central and Eastern European region travel to Hungary for the Budapest Showcase Hub, aka BUSH Festival. Usually, the bands play live shows across multiple venues and prizes are awarded to some of them. In 2020, however, for obvious reasons, the festival had to be changed at the last minute to a virtual edition through a video extravaganza series in which some light is shed about each band, including fun facts and what make them unique. The musical genres covered on this festival are broad and you are sure to find bands that will catch your attention, whatever kind of alternative music you’re into. You can watch the whole series on the festival’s Youtube channel here.

Out of the 31 artists who participated in last year’s edition of the BUSH Festival, the one that really caught my attention was teepee, a Czech dream-pop duo consisting of Miroslav Patočka and singer-electric guitarist ​Tereza Lavičková. They got two studio albums already, with the most recent one released in 2020, Where The Ocean Breaks, which includes the song being featured here today. Closer is a stunning song that blends indie folk and dream pop. Its soulful vocals elevate it to the next level. If that wasn’t enough, they made a really nice music video as well.

I probably wouldn’t have discovered this talented band if the BUSH Festival organizers hadn’t reached out to me. For that, they got my gratitude.

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Ellinor with Dylan Gorini – In Other Arms

If you have been following this little blog since August, then you might remember that I really loved Ellinor‘s debut EP, River Lee. I’m glad to report that she’s back with a new “mini” EP consisting of two tracks co-written, co-composed and co-performed with fellow French artist Dylan Gorini. The two tracks are intimate and heartwarming folk ballads, with In Other Arms being my favorite. Ellinor’s voice is so good that she could simply sing super boring scientific journal papers and the end result would still be mesmerizing.

If you like 60’s and 70’s folk music, please do check this EP out. It will be right up your alley.

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