This five-piece band from Merseyside, Bedside Manners, epitomizes British rock. Creating what they describe as dirty indie rock/punk, their style feels like an amalgamation of many British bands such as Arctic Monkeys, the 1975 and even Oasis, resulting in riffs-heavy energetic rock. After starting out in 2018 with the release of their first EP, they have quickly garnered a following, with one of their singles gaining over 200k streams on Spotify. As with any other artist this year, Bedside Manners has been impacted by the Covid situation, but that hasn’t stop them from releasing a new single, What It Seems, which is also –in my opinion– their best one yet.
This banger consists of nearly three minutes of shimmy-inducing rock & roll. A song of multiple meanings, it manly deals with the subject of reminiscing about the past and wondering what would have happens if we had made different decisions. One decision you won’t have to regret though, is listening to What It Seems now. It will bring some energy to your Tuesday.
Speaking of iconic albums celebrating 25 years this month, Oasis‘ legendary album, (What’s The Story) Morning Glory? also fits the bill. It featured hit after hit and if you ask different people what their favorite song from this record is, you will likely get different answers each time. For example, Some Might Say that it is that song; or Wonderwall, which usually tops ‘Best of’ chats and lists; or Don’t Look Back In Anger, recently crowned as the greatest song of the 1990s by listeners of Absolute Radio. However, if you ask me, the best track is one that wasn’t even released as a single in the UK (it was a single in the US though), Champagne Supernova, which is why I chose it as this week’s #ThrowbackThursday entry.
At “just” 07:30 minutes, I love the way this song starts. People complain about the lyrics being psychedelic –i.e: making no sense–, but I think they are great. You give them the meaning you want . You can complain about the track being too long (up to you), but everything else is spot on. Oasis might not exist as a band anymore, but thankfully, we’ll always have this record and, in particular, Champagne Supernova.
“This writer, he was going on about the lyrics to “Champagne Supernova”, and he actually said to me, “You know, the one thing that’s stopping it being a classic is the ridiculous lyrics.” And I went, “What do you mean by that?” And he said, “Well, Slowly walking down the hall, faster than a cannonball — what’s that mean?” And I went, “I don’t know. But are you telling me, when you’ve got 60,000 people singing it, they don’t know what it means? It means something different to every one of them.“
Lomon is a Seattle-based musician who feels out of place, as if he had been born a thousand years early. His style is described as psychedelic indie electronic, and perhaps that is the case in general, but this particular song we are featuring today, Little Visitors, is actually closer to glam rock. There’s certainly a David Bowie vibe to it.
Passionate about science fiction and all things related to space, Lomon, aka Zander Chocron, usually writes songs about our planet, taking care of it, and space exploration. Little Visitors, for example, is a metaphor for the human race not appreciating the beautiful planet we have. All in all, Lomon is certainly an artist with plenty to say and the creativity to do so in quirky and interesting ways. Check him out below.
This iconic album, No Doubt‘s Tragic Kingdom, is 25 years old this month, and, as a homage, I decided to feature one of its songs as this week’s #ThrowbackThursday entry. Usually, with bands or albums this popular, I try to highlight the lesser-known gems, but I can’t do that this time around. I got a soft spot for Don’t Speak and can’t pick another song (which would probably have been Just A Girl, which is pretty popular anyway) over it. I’m sorry.
It is not precisely a secret that by adding contrast between different sections of a song –particularly, between the verses and the chorus–, the resulting songs will be more interesting. This is what makes Come Together so great! Yet, plenty of songwriters make the mistake of having a chorus that sounds too similar to the rest of the piece. Luckily, that wasn’t the case for Rough Gentlement, a four-piece rock band from Canada, with their latest single, Black Gold. A banger with an infectious chorus made even better by the high contrast it has with the rest of the tune.
After starting in 2017, the Canadian band has garnered a following in Quebec and this year released this new single in preparation for a future EP. Black Gold is an energetic rock inspired by the various crises the world has gone through this year and how we just have to keep marching on. Not only it is a catchy track, it also has meaning. Check it out below!
Back in 2007, a little alternative rock band from Pennsylvania released Aurora, their debut album, which got overlooked despite being one of the best rock albums of that year, perhaps even of that decade. I’m talking, of course, of Desoto Jones and for this week’s #ThrowbackThursday entry, I thought we could reminisce about one of the gems in that record.
Three of the five members of Desoto Jones –they are still active– are brothers and while they were recording Aurora, their father passed away. Nonfiction is a an emotional song the brothers dedicated to him. Its acoustic overtones and the heartfelt lyrics intertwine into a beautiful track that doesn’t get old. Listen to this song and then play the whole album. You will see why it is a shame this record didn’t become more popular.
Sour Honey is a four-piece alternative rock band from Manchester that had to swim against the current pretty much from the start. Formed out of two other bands: Young Monarch and Cosmo Calling, their debut gig and launch party had to be cancelled due to the lockdown. This didn’t prevent them from releasing their first single then and a series of cover videos just to keep the momentum going. Set on maintaining the ball rolling during these trying times, Sour Honey is back with a second single, Snub, a clear statement telling the world that this young band is going places.
I really love the guitar riff during the pre-chorus and the overall soundscape created by the misty vocals and the multiple layers of music coming together. It is another example of the amount of talented musicians who are out there waiting for a chance to be heard. Something tells me we’ll keep hearing from Sour Honey.
Kat Victoria is a young and multifaceted artist that cannot really be tied to any genre in particular. She has released six singles so far and each one of them is different. I mean, one of them is even categorised as freestyle rap. However, the song I’m featuring today, Tell Him, lies in the grey area between alternative rock and pop-punk.
Tell Him is an interesting track with an infectious chorus that I’m sure many listeners will enjoy. I think it’s really impressive what Kat can do pretty much by herself, including shooting a music video for her song (which you can watch below). As her bio on social media pages say, this talented songwriter makes music from her bedroom. I can only imagine what she would be able to do in a top-notch music studio. Definitely, check her out.
I got a request last week for this week’s #ThrowbackThursday entry: “If You Could Only See” from American alternative rock powerhouse, Tonic. So, naturally, I complied by featuring a different song from the same band (=. I got nothing against “If You Could Only See”. It’s a great song, possible Tonic’s best and undoubtedly their most iconic track to date (after all, it was 1997’s most-played song in rock radio), but that is precisely the reason I opted to talk about a different, lesser known gem included in their 2002 album, Head On Straight, Do You Know.
This song is a guitar-driven alternative rock song with a melodic chorus, but the reason why I’ve always liked it so much is that it got terrific lyrics, which shine the most during the great chorus. I don’t think this tune got much attention back then when it came out, but it’s not too late to give an overlooked outstanding song a second chance. Tonic and Do You Know certainly deserve it.
Blame Baby are a Los Angeles trio that produces catchy indie rock with strong late 90s/early 2000s vibes. They only got three songs in their catalogue, but they got an EP on the way. Silhouette is their most recent release and, in my humble opinion, the best so far. A song about incomplete relationships, it got a nice combination of distorted guitars, good vocals and a chorus that gets stuck in your head. They recently made public the tune’s music video (you can watch it here), which is deliberately bad, in that so-bad-it-is-good kind of way.
I hope they do well enough to keep making music without having to change their sound and feature rappers or K-Pop groups as guest vocalists. They know how to write a good alternative rock song. They should keep doing just that.