One of the first bands featured here, The Strumbellas, released a new single earlier this year that is just great. While the band was on hiatus during 2020, lead singer Simon Ward wrote Greatest Enemy as a way to reflect on his internal battles during a rough year that involved a cancelled tour even before the pandemic started. Not only has this song a great message, but it also is anthemic as hell. It’s impossible to listen to that chorus and resist the urge to sing or hum along. What I really love about this tune is that it doesn’t sound like I’ll Wait at all while being just as good. They weren’t just trying to repeat the same formula.
Greatest Enemy‘s music video is worth a watch as well. It was created by Toronto-based animator Luca Tarantini and it is aligned with the song’s concept of battling your own demons. Watch it below.
It’s hard to believe that we’re already in June. It was more than 6 months ago when we were introduced to alternative act almost sex back in January. Since then, they have released a few more singles and even an acoustic EP so to say that they have been very active in 2021 would be an understatement. Each new song has been considerably different to the previous ones and their latest single, Blue Heaven, is no exception. I think it is the one I have liked the most since Charmer, but that does not mean that their others releases are not worth your time. They are.
What I really enjoy about Blue Heaven is its groovy backing track. I don’t know how Nick and Warren do it but it is kind of addictive. You can’t get enough of it. The vocals match the infectious rhythm perfectly well, resulting in a well-rounded song that you will want to play on repeat. Again and again. Check it out below.
I had been wanting to feature Chvrches here for a long time now but I was waiting for the right opportunity. They they have just released the second single off their forthcoming fourth album, Screen Violence, and I really liked it, so I decided to take the plunge. I’m a big fan of Chvrches’ first two albums but not so much of the third one, Love Is Dead: it was not a bad album but it wasn’t at the same level as the other two. I thought that He Said She Said, the lead single for Screen Violence, could have been in their previous album but this new song, which features the legendary Robert Smith from The Cure, is something else completely. In a sense, it sounds exactly as you would expect from combining the two bands’ styles, while, at the same time, it’s kind of surprising to see how great that hybrid sounds.
How Not To Drown is a song about coping with everything that’s going on in your life and how sometimes you might feel like you just want to go away. If features Chvrches’ electronic soundscapes they got us used to, and, as usual, great vocals from lead singer Lauren Mayberry, one of the coolest and more down-to-earth music artists out there today. Having Robert Smith as well is just the cherry on top. Check this great song out below and start your weekend with a bang.
I was busier than expected this week, which is the reason for the short amount of updates here. I hope I can compensate for that by featuring here a great song that was totally overlooked at this year’s Eurovision Song Contest.
If you have never heard of that contest (it is not very popular in North America), our friend Jeff from the great Eclectic Music Lover blog, offered a concise summary when he reviewed the winning song from this edition, which wasn’t my favorite but I didn’t dislike. There is something you need to understand about Eurovision: most people watch it –and we’re talking about more than 200 million worldwide– not because of the quality of the contestants but to laugh at some of the over-the-top and often ludicrous acts that some countries send to this contest each year (for example, this one). A jury from each country awards points to 10 other countries, which accounts for half of the total amount of points. The other half comes from popular vote (people can’t vote for the act representing their own country). However, quite often political reasons influence how the country juries vote and the general public regularly selects the most extravagant acts, which means that the winning song is rarely the most deserving one (I mean, this song won in 2018). Therefore, if you don’t hate the winning song, you can consider yourself satisfied.
All that being said, this year’s edition was better than expected in terms of the quality of the contestants. Most of them were at least decent and a few were even more than good. In my opinion, by far the best entry was the act representing Portugal: The Black Mamba, and their song Love Is On My Side. It finished in 12th place but as I explained above, that doesn’t mean much. What really matters is that the tune, which was the first Portuguese song in the contest performed entirely in English, is outstanding. It starts with bluesy undertones reminiscing of rock tracks from the 1970s, which contrasts very well with the catchy chorus more typical of an #indierock track. It also helps that the band’s frontman’s, Pedro Tatanka, voice is really distinctive and perfect for this kind of music.He wrote the song inspired by a sex worker the band met during a trip to Rotterdam in 2019. Written from her perspective, it reflects how all hope is not lost even when life does not go as planned.
I hope you enjoy Loves Is On My Side as much as I did.
If you have heard of SR-71 at all (the band, not the aircraft), it’s probably because of their 2000’s hit single Right Now, which got a lot of airplay back then. It was their only hit from their underrated debut album, Now You See Inside, but I consider it to be barely the fourth best song on that record. The band from Baltimore, Maryland, went on to release two additional studio albums before calling it quits in 2004 (they had a brief reunion playing some shows together around 2009) and SR-71‘s frontman, Mitch Allan, is still active today as a pretty successful music producer. While they never had another hit as big as Right Now, it could be argued that one track from their last studio album was even bigger because the version of 1985 played by Bowling For Soup became a huge hit without most people even being aware that it was a cover.
Anyway, going back to SR-71’s debut album, the song I tend to play again and again is usually Last Man On The Moon. I love those drums and the overall melody of the track, as well as the way the bridge transitions back into the chorus. The lyrics are enjoyable although not as good as the lyrics for another track in that album: Alive, but I will leave that for another post. Meanwhile, I hope you enjoy this week’s #ThrowbackThursday entry as much as I do.
Earlier this week, I mentioned My Favorite Highway as an “obscure” reference. That’s because after one album and a couple of EPs as independent releases, they only released one full album, How To Call a Bluff –in 2008, and then re-released with a couple of extra songs in 2009 under a different label–, as signed artists before quickly disbanding in 2010. Some of their songs from that album appear on some popular shows around that time and they toured with artists such as Hellogoodbye and Kelly Clarkson; but, nevertheless, chances are that you have never heard of them. They never became that popular.
That is a shame, though. This band, originally formed in 2004 by two brothers from Fairfax, Virginia, was really good at writing infectious #poprock tunes that you simply could not get enough of. I think the best example of that was their single Getaway Car, which has a chorus to die for. I really mean it. No matter what mood you are in on any given day, as soon as that chorus starts, it is impossible to remain neutral to it. As this week’s #ThrowbackThursday entry, please let me introduce you to a #musicalcrush of mine from the late 2000s. Hope you like it!
Lost In Japan is a Canadian band whose members have never actually being lost in that Asian country. That being said, I dig that band’s name and, more importantly, their indie rock music. With a sound reminiscing of Arkells and My Favorite Highway (obscure reference), Lost In Japan have received plenty of support in their hometown of London, Ontario, and even amassed over 500k streams for their debut album (2018). They’re getting ready to release a sophomore EP and Lonely is its latest leading single.
Frontman Addison Johnson wrote Lonely three years ago while he was on tour. He wanted to channel the loneliness he was feeling while away from his family. Eventually, after other band members added their input to it, the tune morphed into the version we can listen to now. What I really love about Lonely is the infectious chorus that Addison delivers flawlessly. It’s a really catchy tune that I’m sure you will enjoy.
Two days ago, on my post about Moon Museum, I compared their single to Bros from Wolf Alice, so, naturally, it makes sense to feature that track as this week’s #ThrowbackThursday entry. Bros was released initially as a demo in 2013 but the British band included a reworked version in their debut album, My Love Is Cool, in 2015, and re-released Bros as its second single. A tribute to childhood friendships –as evidenced by its music video, which you can watch below–, it was the only song from that album to enter the main UK Singles chart. With its soft guitar riffs and lead singer’s Ellie Rowsell‘s sweet vocals, Bros is, without a doubt, a great indie track.
Formed originally as an acoustic duo in 2010, Wolf Alice quickly became a fully-fledged alternative rock band. They have released two studio albums since then and are about to drop their third one in June. Three of the new songs are available already and they sound really nice. While we wait for the rest of the new album to drop, let’s enjoy Bros again.
Yume means ‘dream’ in Japanese and that is the reason why YumeMike chose that moniker, even though he’s actually Italian. He grew up playing bass in multiple #punkrock bands but, as a solo artist, he traded the bass for synths, creating an interesting variant of #indiepop with a strong #poppunk flavour. He cites The Naked And Famous and The Killers as influences, but if you want to have an idea of what he sounds like, think Owl City meets Angels & Airwaves. YumeMike’s ‘dream’ is to inspire and elicit warm feelings through his music. If you like positive messages, this is the artist for you.
Dream Out Loud is part of YumeMike‘s debut album, Light In The Mirror, released in February but that he started working on back in 2019. The track is perfectly on-brand with the artist’s style of uplifting synthpop music but I have to say that the overall production/musical arrangement is really impressive considering he worked on it alone. In fact, YumeMike just released an instrumental version of his debut album that is just as good too. This Italian artist is seriously talented and deserves to be on our radars. Check him out.
Moon Museum describe their style as dream rock and after you listen to their debut single, Pleasures of Peace, you’ll understand why. There are some ethereal elements in the track. It kind of makes sense too, considering that songwriter Ryan Joseph got the melody from a dream. The band cites as influences bands like Slowdive and Doves, but for this song in particular, I can’t help but think of Wolf Alice and their song Bros. If you like that song, Pleasures of Peace will be right up your alley.
Moon Museum started as a collaboration between Ryan (vocals/guitar/keys) and Ian Zazueta (lead guitar), who knew each other from the music scene in San Francisco. The pair then contacted Olivia Barchard (vocals/guitar/keys), who was working on her own solo material and after discovering how similar their styles were, she decided to join them and explore the dynamics of having contrasting male and female vocals. Last but no least, they recruited their friend Aaron Hazen to play drums. Unfortunately, the pandemic slowed things down for Moon Museum but they emerged from it with 3 singles ready to be shared with the world. Pleasures of Peace was the first one but they just released a second one called With Youthat is worth your time as well. I’m genuinely looking forward to their third single.
