Comment: The Lockyer Boys, a project by brothers Will and Charlie Lockyer, have released their new single, “DRIVE!”, which is now available on all streaming platforms. The song is a vibrant, fast-paced production that brilliantly highlights the duo’s invigorating and uplifting pop style. DRIVE!” revolves around seizing opportunities, conveying themes of confidence, courage, and giving one’s utmost effort.
Hailing from Thunder Bay, Canada, the Lockyer Brothers have been immersed in musical collaboration since their early years. At the youthful ages of 19 (Charlie) and 21 (Will), this multi-talented duo has accumulated substantial studio experience, and that’s evident with “DRIVE!” production-wise. Their future is bright!
Comment: Desert Life, a musical duo hailing from Tenby, Wales, has recently captured my attention with their debut album titled “Let It All Pass,” released last month. The album opens with “Future Dead,” a track that sets the tone for the entire album beautifully. It commences with acoustic folk instrumentals that set a tranquil tempo, soon followed by the melodic vocals.
The songwriting partnership, composed of the singer-songwriter Chris Swales and the multi-instrumentalist Tom Jordan, has expertly fashioned a sound that reverberates with their influences, particularly R.E.M (in my humble opinion). This is particularly palpable in “Future Dead,” where the emotionally charged musical arrangements and poetic lyricism delve into the shadowy recesses of the heart.
If you’re a fan of R.E.M. or similar bands, I wholeheartedly recommend giving “Future Dead” by Desert Life a listen. And if it resonates with you, I encourage you to explore the rest of their debut album as well; you’ll discover plenty more of what you love within.
Comment: The Maine, whose song “Face Towards The Sun” was featured here in July 2021, released “How to exit a room” in July this year, and it is a shining example of the band’s consistent ability to deliver fresh and engaging music. Featured on their self-titled album, this track has garnered praise from both fans and critics alike. It kicks off with an attention-grabbing rhythm and boasts introspective and relatable lyrics, tackling the universal experience of desiring an escape from a situation or place.
Musically, “How to Exit a Room” is a finely-crafted pop-rock gem that doesn’t overstay its welcome, offering a delightful listening experience with its melodic chorus and well-balanced instrumentation. The production is polished, ensuring that each element of the track shines without overshadowing the others.
Whether you’ve been a longtime fan of the band or are just discovering their music, this track is unquestionably worth a listen.
Comment: I was aware of the existence of Everything Everything, but I hadn’t really cared about them until a friend of mine made me listen to “No Reptiles” a few weeks ago. When the song started playing, I have to say that I wasn’t enjoying it very much, but by the time it finished, I knew right then that it was a stroke of genius and one of those tracks that grows on you with each listen. Considering I’ve been overplaying this track since then, I suppose I wasn’t wrong.
In a musical landscape often dominated by formulaic melodies and predictable lyrics, “No Reptiles” emerges as a refreshing revelation. The song is a brilliant confluence of art-rock, pop, and unbridled emotion. With an arresting, pulsating beat that serves as the foundation, the song immediately commands attention. The bassline then adds depth and groove, ensuring that this song isn’t just an auditory experience but a visceral one too. Jonathan Higgs’ vocal range and intensity are staggering, and the lyrics, although cryptic, are highly evocative. Supposedly, Higgs wrote this song after a few of his friends became conspiracy theorists, and the title refers to the Reptilian theory.
That being said, what truly elevates “No Reptiles” is its ability to create an atmosphere that’s both hypnotic and liberating. As the song progresses, it swells, cascading into an intricate sonic tapestry that refuses to be confined by any genre or structure. The seamless interplay between the band members showcases not only their musical chemistry but also their innate understanding of their craft. This is why I had to feature it here as a #ThrowbackThursday post. What a masterpiece!
Comment: In the ever-changing landscape of music, it’s refreshing to stumble upon an artist who dares to tread a different path. Enter Grecco Buratto, a Latin Grammy-nominated producer and seasoned guitarist, who has graced the stage with iconic artists such as Lionel Richie, k.d.lang, and Gwen Stefani. “Last Days,” is the first track from his second album, “Sem Palavras” (Wordless), released this month. This record also finds its place within a larger project, complementing Buratto’s first collection of poems, “Só Palavras” (Words Only).
“Last Days” is a minimalist masterpiece, drawing its emotional power solely from the gentle strumming of an acoustic guitar. It embarks on a contemplative voyage, offering an intimate exploration of yearning, reflection, melancholy, and serenity. The song feels like a lullaby that lets you disconnect from a world that sometimes feels overwhelming. So, sit back, relax, and enjoy the music!
Comment: For those who are not familiar, Sundara Karma is an English indie rock band that originated in Reading, England back in 2011. The group comprises Oscar Pollock as the lead vocalist, guitarist, and songwriter, along with Ally Baty as the lead guitarist, Dom Cordell on bass, and Haydn Evans handling the drums. Their band name, derived from Sanskrit, translates to “Beautiful Karma.” In the years since their formation, they have been consistently active and have treated listeners to a series of albums, each offering a refreshing perspective on indie rock. Sundara Karma‘s distinctive musical identity is characterized by the fusion of emotionally charged lyricism with captivating rhythmic melodies, resulting in compositions that are not only enthralling but also profoundly relatable.
Sundara Karma‘s most recent offering, “Wishing Well,” is a good example of that. It presents an uplifting composition juxtaposed with verses that articulate the torment of dwelling on “what ifs.” It’s a track that leaves you contemplative, humming along, and eagerly hitting the replay button. Enjoy.
Comment: “Ellis Island” is a new song by Actve Captve, a versatile band led by multi-instrumentalist and songwriter Justin Han. The track draws its inspiration from Han’s personal experiences, expertly portraying the juxtaposition of bidding farewell to a beloved world while nurturing aspirations for a fresh start. As you may already know, Ellis Island, located in New York Harbor, served as the first port of entry for countless immigrants arriving in the United States by boat from Europe in pursuit of the “American Dream.” Over time, it became a symbol of hope and new beginnings.
“Ellis Island” features soulful vocals by Cassie Brandi, lending a gospel-like richness to the composition. This song effortlessly combines captivating melodies, powerful vocals, and anthemic choruses, resulting in a sonic gem that’s hard to ignore. Additionally, the inclusion of 1980s-like synthesizers completes the song flawlessly.
This track is the second release from Actve Captve‘s upcoming EP, ‘Saudaze.’ With Justin Han’s diverse musical background—he’s a classically trained pianist—I’m sure the EP will be filled with interesting tracks well worth a listen. After all, the band’s ultimate goal is to create music that resonates deeply with audiences.
Comment: I had been checking the Youtube app on my smart TV, when I stumbled upon the music video below, which the algorithm was recommending. Baby Queen, a pop sensation hailing from South Africa, now based in London, had somehow eluded my radar until then. The catchy song and video got me hooked from the start, and the funny but relatable lyrics made sure I paid attention until the end. Sometimes, technology truly does deliver.
The relatable lyrics, poignant and unfiltered, delve into the existential turmoil that has been Baby Queen‘s companion for the past five years. However, the chorus, “Open up your mind/Maybe in this life/We can be anything,” delivers a resonant message of liberty and individuality. Musically, it occasionally reminded me of some 90s tracks, such as Republica‘s “Ready To Go,” though not entirely. It’s an alternative pop song that incorporates a bit of everything.
So, in summary, if you’re in the mood for thought-provoking pop tunes, “We Can Be Anything” is the perfect track for you today.
Comment: In the realm of folk-infused serenity, “Better to You” by Elkvilla stands as a radiant testament to the power of musical introspection. With its heartfelt lyricism, masterful instrumentation, and the warm embrace of Elkvilla‘s soulful vocals, this song takes us on a contemplative journey through the intricate landscapes of self-empowerment.
The journey begins with the opening line, “I am the salt in your wound,” a poignant declaration that sets the tone for the entire composition. It’s a song about enduring pain within a relationship, choosing to stay, and ultimately finding strength through personal growth and introspection. The resilience of the human spirit is poetically portrayed through Elkvilla‘s evocative lyrics.
The instrumental canvas of “Better to You” is both minimalistic and richly textured, an artful balance that is influenced by the work of folk artists such as The Tallest Man On Earth and neoclassical ones such as Ólafur Arnalds. The musical backdrop feels as comforting as it is profound.
Elvilla is the moniker of Australian singer-songwriter and producer Adam Dudek. He often crafts his songs on his own in his apartment in Berlin. He started this musical project, which is named after a beloved childhood toy, in 2020 but took a break to improve his producing skills. “Better To You” marks his return, and you can see that he has done a great job producing it. Expect to hear new songs from Adam every 4 to 6 weeks. It will be quite a treat!
Comment: Me Nd Adam, the dynamic duo hailing from Austin, Texas, has carved an impressive path through the music industry, captivating audiences with their heartfelt anthems, engaging accessibility, generous merch giveaways, and their spirited, unapologetic demeanor. They’ve earned the moniker of pioneering trailblazers in the genre they call trash-wave.
Their latest offering, “Worse Than This,” is a standout track from their album “American Drip Part II (ADP2).” This sophomore release marks a significant evolution in their musical journey, weaving a tapestry of influences into a sound that’s unmistakably their own. The duo deliberately shifted towards a more organic instrumental approach, toning down the electro-pop elements that adorned their debut album, obviously: “American Drip Pt. I (ADP1).”
Back in November 2020, Me Nd Adam caught our attention with the release of “The More I Grow Up,” a single that swiftly amassed over two million streams. It also piqued the interest of the underdog indie label, Handwritten Records, based in Las Vegas. Since then, they’ve continued to garner acclaim and support from devoted fans and even rock icons like The Killers.
I highly recommend giving “Worse Than This” a listen. If you want to check out their new album afterwards, you can find it here.
