Mystery Rose – Stability

Pop-punk is far less popular today than 15 years ago but that doesn’t mean that there aren’t young artists exploring that genre. We have featured a few here already and today’s artist is another example. Mystery Rose is a 17-year-old indie artists from L.A who writes and records her own music, which ranges from Amy Winehouse-style blues ballads to the genre mentioned earlier. Unlike most teenagers in the music business today, she is not interested in fame, which is why she chose the Mystery Rose moniker. She can show her face from time to time but, for the most part, she prefers to remain largely a mystery.

Mystery Rose‘s debut album, the cleverly titled Socially Distant, will be released this year and its first official single is Stability. A catchy tune about feeling vulnerable after a break-up, it reminisces early ‘00s indie rock tracks, While it doesn’t get bonus points for innovation, it delivers way more than enough in terms of quality rock music. Definitely, check this young artist out.

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OrangeG – Orion’s Arrow

Some people make music for fame and money and others do it because it is their passion. OrangeG, a multi-instrumentalist based in Pittsburgh, PA, falls into the latter category. He makes music because he enjoys the process and also because songwriting helps him to cope and process the ups and downs of life. You can feel his raw emotions and the love he has for his craft in his songs and that is what I particularly liked in his latest single, Orion’s Arrow. One of four tracks he has released, not including collaborations with other artists.

As is usually the case with OrangeG, he sings and plays all the instruments here. The tune was supposed to be an acoustic, ukulele-only track but he ended up adding a harmonica, trumpets and percussion. All are nice but the harmonica, in particular, elevates the song to another level with the heartfelt emotions it is able to transmit. The track’s subject is time, and the pressure we often feel to spend it wisely while pursuing fulfilment in our lives and careers. I, for one, can relate to that.

If you enjoy indie-folk, Americana or even a bit of blues, please give this independent artist a chance. He deserves it.

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Tape Runs Out – Hospital

Hospital is not an exciting song and that is totally fine. Not every song must be a banger or a party starter. Sometimes what you need is just a song that can help you switch off for a while and that is exactly what you get with this tune from Tape Runs Out, a seven-piece band from Cambridge, UK. Their style revolves around alt-indie and dreampop and they use a wide variety of instruments, from violin to a hammered dulcimer. The band started in 2012 and are about to release their sixth EP, Ghost Fruit, for which Hospital, released last month, is the lead single.

Written by main songwriter Liam Goodrum-Bell during lockdown and recorded at home, Hospital is a tune we can all relate to after 2020. It’s a gorgeous little indie track that lets you get immersed into its soothing notes. Just give it a try and check Tape Runs Out.

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Allison Lorenzen feat. Midwife – Vale

Denver-based artist Allison Lorenzen is one half of the synth / percussion duo School Dance, which allowed her to learn the tropes of composing beautiful vocal melodies across minimalistic backgrounds. In January, Allison put all those skills on display with her first release as a solo artist, Vale, for which she got the help of slowcore multi-instrumentalist Madeline Johnston, aka Midwife.

I really like the deceiving simplicity of the track but I also find the main melody quite catchy. Vale is another word for valley, which is often used metaphorically to describe feeling low or depressed, which is the meaning the word has on this ethereal song. Luckily, that’s far from the feeling you get when listening to Vale: the elation of having found a great tune. Check it out below.

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BILYK & Endless Melancholy – Far Away

BILYK & Endless Melancholy - Far Away

Far Away is a really captivating track. Musically, it is reminiscing of the works of acts like Morcheeba, Massive Attack, and even Mazzy Star; which makes sense because Canada-based singer/songwriter BILYK grew up listening to all of them in Western Ukraine. She has been collaborating with Ukrainian ambient/downtempo project Endless Melancholy, resulting in several stunning songs. One Day You Will Be Free, one of their previous collaborations, got featured in one of the renowned Buddha Bar compilation albums. I honestly think that Far Away is even better.

The combination of Endless Melancholy‘s chill ambient electronic background and BILYK‘s gorgeous and soothing vocals result in a truly spellbinding tune. I should also mention the equally outstanding music video, filmed on the shore of the Baltic Sea on Rugen Island by Roman Hense, which you can find below. Watching the beautiful cinematography with Far Away playing in the background is indeed a fascinating experience.

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Misao McGregor – She Was Worlds Above Me

At a minimum, what you should know about Misao McGregor is that she’s a singer/songwriter who composes charming music that has roots in indie, pop and soul. You don’t need to know that she’s based in Los Angeles, California or that she was classically trained as singer and pianist, but it adds a little bit of context to her story and it is always nice to have context. Similarly, we absolutely don’t need to know that she’s openly gay, mixed-race American-Japanese and non-binary femme in order to appreciate her music, but it is nice that she generously shares that info because it helps us put everything in perspective. It gives us another lens through which interpret her lyrics and plays and connect with what she’s trying to say.

Misao recently self-released her debut album, Kid In The Corner, which is an autobiographical look into her first 24 years of life and the experiences that made her who she is today, good and bad. The whole album is worth your attention but I particularly liked She Was Worlds Above Me. Not only does it have stunning hooks and great vocals but also a deep meaning. I’ll let Misao explain it herself in the video below. All I can add to that is that I hope you give this talented artist a chance.

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Collective Soul – Needs

As I shared yesterday on Facebook, this great album, Dosage, was released 22 years ago on February 9, 1999. If you only know a few songs from Collective Soul (if you know them at all), chances are those songs are all from the band’s first two albums, as those were their biggest hits: Shine, December and The World I Know. All great songs, hands down. However, this band from Georgia is much more than those 3 tracks, as they consistently released good albums all the way through 2009. The pace slowed down after that year (two albums since then) as they focused on some side projects but they will probably release another album soon as they just dropped a small EP a couple of months ago. I will always have a soft spot for Collective because they were the first band I ever saw live and it was a heck of a live show. Seriously, if have never seen them live, you should prioritize that once rock concerts are a thing again. Ed Roland is one of the best performers I have ever seen.

Anyway, I’m digressing. Dosage was a great album and even though it had a couple of big hits in Heavy and Run, and contains several little gems, the record itself is not as famous as its predecessors. One of those gems in Needs, which, in my opinion, is just as good as any of the band’s bigger hits. Ed Roland’s vocals are great as usual but each component of this song (the strings, in particular) is just stunning. Please enjoy this #musicalcrush of mine as this week’s #ThrowbackThursday entry.

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teepee – closer

Every year, tens of artists from over 15 countries from  the Central and Eastern European region travel to Hungary for the Budapest Showcase Hub, aka BUSH Festival. Usually, the bands play live shows across multiple venues and prizes are awarded to some of them. In 2020, however, for obvious reasons, the festival had to be changed at the last minute to a virtual edition through a video extravaganza series in which some light is shed about each band, including fun facts and what make them unique. The musical genres covered on this festival are broad and you are sure to find bands that will catch your attention, whatever kind of alternative music you’re into. You can watch the whole series on the festival’s Youtube channel here.

Out of the 31 artists who participated in last year’s edition of the BUSH Festival, the one that really caught my attention was teepee, a Czech dream-pop duo consisting of Miroslav Patočka and singer-electric guitarist ​Tereza Lavičková. They got two studio albums already, with the most recent one released in 2020, Where The Ocean Breaks, which includes the song being featured here today. Closer is a stunning song that blends indie folk and dream pop. Its soulful vocals elevate it to the next level. If that wasn’t enough, they made a really nice music video as well.

I probably wouldn’t have discovered this talented band if the BUSH Festival organizers hadn’t reached out to me. For that, they got my gratitude.

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Ellinor with Dylan Gorini – In Other Arms

If you have been following this little blog since August, then you might remember that I really loved Ellinor‘s debut EP, River Lee. I’m glad to report that she’s back with a new “mini” EP consisting of two tracks co-written, co-composed and co-performed with fellow French artist Dylan Gorini. The two tracks are intimate and heartwarming folk ballads, with In Other Arms being my favorite. Ellinor’s voice is so good that she could simply sing super boring scientific journal papers and the end result would still be mesmerizing.

If you like 60’s and 70’s folk music, please do check this EP out. It will be right up your alley.

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TROUBLESHOOT – Worst Bad Habit

Songs like Worst Bad Habit are not that popular nowadays, even within alternative rock circles, but they used to be very popular about 15 to 20 years ago, around the time I was a student, which is why I got a soft spot for them. I’m referring to tunes from bands like American Hi-Fi and Sugarcult. Maybe it is time these songs make a comeback.

With regards to TROUBLESHOOT, that is the stage name chosen by York-based artist Ben Jones, who dreams about becoming the “upbeat Lewis Capaldi“. Time will tell about that but as you can see in Worst Bad Habit, Ben is influenced by alt-rock and even pop-punk music, which consist mostly of guitar-driven songs and catchy riffs, with some synth melodies here and there. He’s released two EPs already as TROUBLESHOOT, with some of the tracks even getting featured on some editorial playlists from Spotify. Definitely check him out if you re or used to be a fan of early 2000s alternative rock bands.

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