Comment: 19-year-old Nashville-based artist Caroline Romano has just dropped this pop-punk banger that sounds really refreshing. She’s young but wise beyond her years and you just have to listen to The Hypothetical to know that she’s going places. No doubt.
The Camel City Blackouts were featured here back in May with their single Another Night and now they’re back with a new EP, Wild Card, featuring three brand new tunes. Swing or Sway is the one that kicks things up with three minutes of this fine blend of energetic #punkrock music and #alternativerock. The vocals are also pretty enjoyable, which is not something you can say about most songs within the same genre. I should give a special mention as well to the second track: Memory, which got a great chorus as well.
The bottom line is that if you like punk-influenced music, you should give this band from Winston-Salem, North Carolina, a chance. They won’t disappoint.
A little over a year ago, I featured French #punkrock band Back On Earthand since then they have released track after track with remarkable consistency, both in frequency and quality. Just recently, they dropped a small little EP called Anybody that consists of three previously released songs and a brand new one, the eponymous track. All four songs are really good but I particularly liked Anybody. This song is the whole package: it got a captivating melody, flawless production, and lyrics worth writing home about. If you have ever questioned the purpose of everything, this song is for you.
Comment: The first single from Mid-Century Modern, Canadian trio’s Talk Show Host‘s debut album. The tune is an anthemic alternative rock song that flirts with punk rock without becoming overwhelming. It’s a fun track for fans of bands like MxPx and Weezer. Also, its music video got nothing to do with Blood In The Sand, but if you are a cat person, you’re going to love it.
If you have heard of SR-71 at all (the band, not the aircraft), it’s probably because of their 2000’s hit single Right Now, which got a lot of airplay back then. It was their only hit from their underrated debut album, Now You See Inside, but I consider it to be barely the fourth best song on that record. The band from Baltimore, Maryland, went on to release two additional studio albums before calling it quits in 2004 (they had a brief reunion playing some shows together around 2009) and SR-71‘s frontman, Mitch Allan, is still active today as a pretty successful music producer. While they never had another hit as big as Right Now, it could be argued that one track from their last studio album was even bigger because the version of 1985 played by Bowling For Soup became a huge hit without most people even being aware that it was a cover.
Anyway, going back to SR-71’s debut album, the song I tend to play again and again is usually Last Man On The Moon. I love those drums and the overall melody of the track, as well as the way the bridge transitions back into the chorus. The lyrics are enjoyable although not as good as the lyrics for another track in that album: Alive, but I will leave that for another post. Meanwhile, I hope you enjoy this week’s #ThrowbackThursday entry as much as I do.
Formed in 1999, Rise Against has been one of the most revered and influential #punkrock bands of the last 20 or so years, often singing about political injustice, animal rights, environmentalism and other social issues. That being said, I got to admit that I’ve never been a big fan of their music. It is usually too hardcore for me. This is why the fact that I liked their latest single –and first since 2017–, Nowhere Generation, so much actually means something. I guess longtime fans of the band will consider it too mellow or ‘mainstream’ for their liking, but one person’s loss is another person’s gain.
Don’t get me wrong though, Nowhere Generation got plenty of oomph. From the moment frontman’s Tim McIlrath starts singing the overture to the moment the full band starts playing, the song’s energy level is never too low. The track is a tribute to the current generation, which despite technological prowess , does not have the same opportunities previous generations had for achieving the ‘American dream’. The combination of the song’s message with the catchy melody results in a powerful track well worth a listen. Perhaps even on repeat mode.
Ryan Sizemore and Derek Gilreath are both from Winston-Salem, North Carolina –also known as “The Camel City”–with a shared love for punk rock and having a good time. This prompted them to form their own band in 2015, The Camel City Blackouts, with their debut album being published in late 2019. This year, they released an EP titled 13 that consists of 2 tracks: Angels and Another Night, plus an acoustic version of the latter. All in all, this EP showcases what The Camel City Blackouts are about.
Another Night is a fun and energetic punk song about being addicted to something (alcohol, in particular) and not being able to keep it under control. The Camel City Blackouts grab your attention from the start with this track and never let it go. What I really like about Another Night is that the band found the right balance between a vibrant rhythm and noise (which is something many punk songs don’t achieve), and the result is quite an enjoyable rock song delivered flawlessly. In addition to that, as you can perceive in their self-made music video below, it is evident that they have lots of fun playing music and that has a positive impact over what they do. Also, is it just me or there is a hint of The Strokes in this song? Anyway, don’t sleep on this fun band.
To me, there are two sides to Sum 41: a lighter, punk-rock embracing one and a darker, guitar-heavy, metal-flirting side. They used to oscillate from one side to another with each album but after switching to the darker side on the album that followed 2009’s excellent Underclass Hero, they seem to have decided to stay there. This coincides with the return of lead guitarist and founding member Dave Baksh to the band in 2013, after a 9-year break. They have released a handful of songs that I like during this time, but the above mentioned Underclass Hero was their last album I truly loved. What can I say? I don’t enjoy metal that much.
That record includes several standout tracks but I’ve decided to feature today one that I didn’t love right away. I don’t know why though, because With Me is truly a great song. As with a few other tracks from Underclass Hero, it’s likely based on frontman’s Deryck Whibley failing relationship with Avril Lavigne, his wife at the time. Besides Deryck’s ability to transmit his raw emotions, what sets this song apart is the great drum part from former band member Steve Jocz. It’s really hard to get those drums out of your head.
Anyway, here’s this week’s #ThrowbackThursday entry: With Me by Sum 41.
Pop-punk is far less popular today than 15 years ago but that doesn’t mean that there aren’t young artists exploring that genre. We have featured a few here already and today’s artist is another example. Mystery Rose is a 17-year-old indie artists from L.A who writes and records her own music, which ranges from Amy Winehouse-style blues ballads to the genre mentioned earlier. Unlike most teenagers in the music business today, she is not interested in fame, which is why she chose the Mystery Rose moniker. She can show her face from time to time but, for the most part, she prefers to remain largely a mystery.
Mystery Rose‘s debut album, the cleverly titled Socially Distant, will be released this year and its first official single is Stability. A catchy tune about feeling vulnerable after a break-up, it reminisces early ‘00s indie rock tracks, While it doesn’t get bonus points for innovation, it delivers way more than enough in terms of quality rock music. Definitely, check this young artist out.
Accurately self-described as genre-fluid, 30 is a versatile singer/songwriter from Massachusetts with over 220k monthly listeners on Spotify. In his latest EP, The Introspects Of A Psycho, which is a philosophical introspection into the life of a girl spiralling out of control who is important to the narrator, the artist moves swiftly from rap and hip-hop to alternative rock. While the former genres aren’t really my cup of tea, I certainly dig 30‘s rocker side, such as in the appealing Lost In Colorado.
This tune is a stripped down, guitar-based track with metaphorical lyrics and an engaging melody. The chorus, in particular, is one of those that keeps playing in your head long after the song has ended. It is obvious that 30 got a creative mind that will push him to explore different styles. Hopefully, he will keep a balanced approach and continue embracing his alternative side from time to time.