Max Richter – All Human Beings

Max Richter

According to Wikipedia, Max Richter “works within postminimalism and in the meeting of contemporary classical and alternative popular musical styles”, and I totally agree with that description. This German-born British musician is one of my favorite composers out there today. He’s not an unknown artist, with over one billion (yes, with a b) streams and after having worked on the soundtrack of popular movies such as Ad Astra, but just in case this is the first time you hear about him, let me tell you that you have probably heard Spring 1 from his album Recomposed by Max Richter: Vivaldi – The Four Seasons (2012), as it’s been used in plenty of TV ads, like this one from LinkedIn.

This month, Richter returned with a conceptual album, Voices, which is based on the Universal Declaration of Human Rights. This peculiar records consists of 2 discs: the first one features recordings of people in over 70 countries reading articles from that document, perfectly intertwined with Richter’s mesmerizing compositions played by his orchestra (which has an unusually high number of cellists). The second disc got the voiceless versions of the same compositions. Both versions are beautiful and interesting. The piece I liked the most is the one called All Humans Beings, and in the video below you can listen to the original version with the “voices” in it. However, the version I added to the mixtapes listed after the video was the “voiceless mix“. I highly recommend you try both versions. Enjoy!

Featured on the following mixtapes:

Toys In The Attic – Where Giants Sleep

Where Giants Sleep

There’s no much background info I can give you on Toys in the Attic. All I know is that this project consists of one person, based in Rhode Island and that he is pretty active on Twitter. According to his songs’ writing credits on Spotify, his name seems to be Alexander, but the fact that really matters here is that this artist is really passionate about making music of all genres, but mostly alternative and synth-based tunes. His catalogue is small but varied, with some songs flirting closely with dance music while others, like Where Giants Sleep, are mellower.

Where Giants Sleep is a catchy track that takes you on an auditive journey. It’s easy to imagine that you are driving through a scenic route when listening to this tune, and the destination is your happy place. By all means, check Toys in the Attic out and you can start right here, right now with this addictive track.

Update: Due to legal reasons, Alexander has had to change his stage name. While old songs will remain under the Toys in the Attic moniker on streaming platforms, new music will be released as Dreddbeat.

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London Grammar – Baby It’s You

Out of the blue and without any indication of a new album coming out soon, London Grammar simply dropped a new single yesterday, Baby It’s You, after posting a tease on Instagram on Monday. The young band from Nottingham, UK, had last released an album, their sophomore record, in 2017. Both of the band’s studio albums were massive successes in the UK and if this new track is an indication of what’s coming next, their third full-length will hit the jackpot too, and deservedly so.

As it was the case with all of London Grammar‘s previous songs, Baby It’s You is driven by the stunning and powerful vocals of Hannah Reid. In a way, it’s fitting that this entry comes right after the one about Mazzy Star, because not unlike Hope Sandoval, Hannah is an introvert who suffers from stage fright. And just like Hope. she got an angelic voice capable of leaving any audience absolutely mesmerised.

On this new track, the ethereal vocals are surrounded by the band’s trademark atmospheric sounds. What is new this time around is a certain balearic vibe: just the right amount to make things interesting without overpowering the tune. All in all, Baby It’s You is a nice new song from London Grammar and you can enjoy it in the mixtapes below.

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Mazzy Star – Fade Into You

Mazzy Star - Fade Into You

Earlier this week, I mentioned that Teen Idle was going to get compared to Mazzy Star. Now, depending on your age, you might not be aware of who they were (I love ’90s music and I wasn’t aware of them until the late ’00s!), which is why I thought it fitting to feature Fade Into You as this week’s Throwback Thursday entry. A song that is widely considered one of the best tracks of that decade.

This song was a huge hit for the band in 1994, reaching number 3 on Billboard‘s Modern Rock chart (back when that chart meant something) and peaking at #44 on the Hot 100 chart. No other song from the band appeared on that Hot 100 chart and only two other tracks charted on the Modern Rock Top 40 (Halah and Blue Flower), which in part explains why people who were not active music listeners at the time might not know about this band. That and the fact that the band broke up in 1997 and didn’t regroup until 2012.

Mazzy Star consisted of Hope Sandoval, as lead singer and lyricist; and David Roback, as composer and main producer, who also played most of the instruments. Hope has a reputation for being shy, which made her focus on her singing while on stage instead of interacting with the audience. When you have a voice as angelic and beautiful as hers, I don’t see the problem in that. Sure, having a charismatic singer is nice, but we don’t need every single lead singer to be like that. Anyway, I guess that was another reason preventing the band from achieving super stardom.

Unfortunately, David Roback died earlier this year but he and Hope (who’s still active) left behind a legacy of great music that won’t be forgotten. Isn’t that the ultimate goal for any artist?

Watch a live performance of this iconic song here, or find it in the mixtapes below.

Featured on the following mixtapes:

Monroe Moon – New American Housewife

Sometimes you got dreams to chase and other times, the dreams are the ones chasing you. You could say this is what happened to Heather Monroe when, one Christmas, her husband bought a full set of instruments for their children, hoping to get them into music. Instead, it was her who got that itch to start creating music. Before long, she was writing songs and becoming the lead singer for a 4-piece band out of Michigan that they decided to call Monroe Moon.

Last month, the band dropped a new EP, Joy, that features New American Housewife as its lead single. Within the alternative umbrella, this song got elements of rock, indie and synth-based pop, without falling entirely into any of those brackets. The track starts slowly with an eclectic but intriguing soundscape that explodes into a fantastic kind of chorus (the song structure is not the traditional one) at 1:43. The fact that it’s not repeated over and over in the way that conventional choruses are, leaves you wanting for more.

Don’t sleep on this great track. It is worthy of your attention. Check it out in the mixtapes below.

Featured on the following mixtapes:

Bronze Radio Return – Still Wandering

Given these options only, would you rather have several successful singles with millions of streams and TV placements while remaining relatively unknown, or international stardom without any successful single? I think most people would rightfully choose the former option and that’s precisely what Bronze Radio Return got going, to the point where they have been dubbed: “the band you’ve probably heard, but haven’t heard of.” Well, I hope that changes soon because this indie/roots rock band from Connecticut is actually pretty good.

With over 80 million streams on Spotify, quite a few high-profile placements like in the 2014 film St. Vincent , a few tv shows and commercials as well as playing the festivals circuit; this band can’t really complain about the level of success they’ve had since they started in 2007. Last month, Bronze Radio Return released this stunning single called Still Wandering (and they’re about to release a new one next week). The track reels you in from the very start and doesn’t let you go until its last chord. It is a song about being constantly searching for a dream, especially when you have none.

And if what you’re searching for is your next musical crush, stop looking. It’s right here.

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Teen Idle – In The Morning

Teen Idle

Sara Abdelbarry is a 23 year-old music artist of Egyptian heritage who greg up in the suburbs of New Jersey. The boredom of suburban life and everything she went through growing up led her to start writing songs in 2018 as a mean to emotional catharsis, giving birth eventually to Teen Idle, her musical project.

Back in June, Teen Idle released her first EP, Insomniac Dreams, which consists of 6 tracks of what could be categorised as indie/dream-pop, with my favourite one being In The Morning. What I like about this song is that Sara’s ethereal vocals and pop flavour get infused with hints of alternative rock from the 90’s. I think Sara will inevitably get compared to Hope Sandoval/Mazzy Star and I can certainly see why, but I also think that she injects enough of her own identity to Teen Idle’s music to be able to stand on her own.

Listen to this rising star below and let me know if you disagree.

Featured on the following mixtapes:

Holly Jones – Believe

Few instruments are as capable of giving you calm and peace as a piano, and when it comes to piano compositions, I favor heavily the melody over everything else. This is why I like Holly Jones‘ latest piece, Believe, so much. The song’s beautiful melody takes you on a journey to the Sea of Tranquility and back, which is very much in line with what Holly had in mind when she composed the song. Her aim was to bring relief, reassurance and comfort during these uncertain times.

This contemporary classical pianist and composer is originally from Kentucky but now lives in Oklahoma. Her debut piano album was released in 2003 but it wasn’t until 2016 when she released her sophomore record. Since then, Holly has been getting new music out regularly, including Believe just this week.

Check her work out on your favorite streaming platform. In the meantime, you can relax on this Sunday afternoon listening to Believe here.

Featured on the following mixtapes:

Gib – Daylight

Some artists are so passionate about their art that they have to be constantly creating something. Otherwise, they feel empty. Lost.

When it comes to music, these artists can take inspiration from anything and cannot be restrained by any single genre or style. When they receive inspiration from a muse goddess, they just need to work on it. They don’t dream about massive stardom. Just being able to do what they love for a living would be enough.

Gib is such an artist. After playing bass in several projects for a good while, he decided to give it a try on his own, following his imagination without worrying about bandmates or genres. It’s a hard task to count how many tracks he has published on Spotify since 2018 but it wasn’t until recently that he decided to start promoting himself. He doesn’t have a website or even a Facebook page yet. Just a Twitter account (he’s pretty active there) as far as social media goes (of course, he got Bandcamp and Soundcloud accounts). His total focus has been on creating music, not on the business side of that.

And here’s the thing: Gib‘s music is actually pretty good. Even though it is mostly instrumental music, the styles are very diverse. His bio on Spotify lists the following genres: rock, indie, soundtrack, chill, pop, and dance. In other words, pretty much everything. The song I’m recommending today is an ambient track from his latest EP, Lights, and it was an automatic add to the Chill Out mixtape. I strongly suggest you check it out and then listen to other tracks from this UK-based multi-instrumentalist. With so many genres, you’re guaranteed to find more songs you’ll like.

Featured on the following mixtapes:

Neck Deep – What Took You So Long?

Neck Deep

Last month, Welsh punk-rock band Neck Deep released their fourth studio album, All Distortions Are Intentional, and even though I didn’t find it ground-breaking, I thought it was a solid effort with several good tracks and a few gems. What Took You So Long? is my favourite one despite not being released as one of the singles yet. Hardcore fans might not like it because it’s not a “pure” punk-rock track, but that’s precisely the reason why I think it is the best song in the album. The band dared to take some chances without changing its essence and it worked out. The sweet lyrics don’t hurt either.

If you follow this genre at all, you probably know Neck Deep already, as their previous album, The Peace and the Panic, debuted at #4 in both the UK and the US (at least according to Wikipedia) and they opened several concerts for Blink-182 in 2019. And If you don’t know them, definitely check them out. That previous record was outstanding and the new one is a worthy follow-up. In the meantime, listen to What Took You So Long below.

Featured on the following mixtapes: