Comment: Me Nd Adam, the dynamic duo hailing from Austin, Texas, has carved an impressive path through the music industry, captivating audiences with their heartfelt anthems, engaging accessibility, generous merch giveaways, and their spirited, unapologetic demeanor. They’ve earned the moniker of pioneering trailblazers in the genre they call trash-wave.
Their latest offering, “Worse Than This,” is a standout track from their album “American Drip Part II (ADP2).” This sophomore release marks a significant evolution in their musical journey, weaving a tapestry of influences into a sound that’s unmistakably their own. The duo deliberately shifted towards a more organic instrumental approach, toning down the electro-pop elements that adorned their debut album, obviously: “American Drip Pt. I (ADP1).”
Back in November 2020, Me Nd Adam caught our attention with the release of “The More I Grow Up,” a single that swiftly amassed over two million streams. It also piqued the interest of the underdog indie label, Handwritten Records, based in Las Vegas. Since then, they’ve continued to garner acclaim and support from devoted fans and even rock icons like The Killers.
I highly recommend giving “Worse Than This” a listen. If you want to check out their new album afterwards, you can find it here.
Comment: Some songs are truly special. From the moment you hear them for the first time, you know that they will become a fixture of your daily soundtrack for months to come. That was the case when I listened to “Egyptian Summer” by Good Strangers. The mind-blowing thing is that this is the band’s first ever single, released ahead of their forthcoming debut EP, ‘Adult Teenage Novels’, coming out this fall.
Good Strangers came into existence as a collaboration of Irish musician friends, united by their shared passion for music and a history of playing together in various bands and projects. The band’s two lead singers, Niamh Kirby and Conor Quinn, who are best friends since they were 3, formed the group in 2022 after returning from Berlin, where they were inspired by the vibrant indie folk scene in the German capital. They chose the act’s name as a celebration of community and the many good strangers the band has met throughout their time touring, travelling and attending festivals.
In “Egyptian Summer,” the Irish band paints a raw and poetic portrayal of the moment when a beautiful relationship begins to unravel. Connor wrote it after going through a tough breakup, reminiscing about a summer in Egypt and searching for signs that everything would go downhill afterwards. Musically, the track has a similar vibe to Of Monsters And Men‘s debut album, without sounding exactly the same. What it really sets it apart for me are two things: first, how well Connor and Niamh’s voices fit together, and second, the emotion that they are able to transmit with their heartfelt vocals.
In conclusion, “Egyptian Summer” by Good Strangers is a sublime testament to the power of storytelling through music. It delves into the complexities of love, loss, and self-discovery, wrapped in an indie soundscape that feels both familiar and fresh. I honestly can’t wait for the debut EP!
“Remember that Egyptian Summer The fork lightning over the bay When we forgot everything We forgot our troubles When love was kind And the silence was noise But Underneath a marble sky I never seen you look so happy In your life.
And you were always cracking jokes And laughing at my funny ways And as the thunder rolled Well so did my sorrow We told lies We told them all the time But underneath a marble sky Nothing mattered.
I need a thunderstorm To distract from the pain Cause tomorrow might be the same damn sorrow I need something to happen The heavens to burst The sky to tear open The passion to run and flow like a river Out of my eyes Once it’s out of my heart It’s such a cold and desolate Happy ever when It’s such a cold and desolate Happiness never came.
We sat at the bar and we talked about the things we used to like And romanticised the pain Always remember it’s a crying shame Like reaching for the heavens but the heavens never came And I’ve played the victim long before you arrived These are not my people It’s not my scene not my style So I’m going back I’m going back to the city Please forgive me”
Comment: If you are a fan of indie folk and rock, you probably know who boygenius are. The supergroup, formed by Julien Baker, Phoebe Bridgers and Lucy Dacus released their self-titled debut EP in 2018 and it was full of harmonies, emotions and exquisite songwriting. Since then, each member has been busy with their own projects, but somehow they still found time to release a new album, aptly titled ‘the record’, earlier this year. Even though it probably won’t be released as a single, “Cool About It” is my favorite new track and I’ve been meaning to feature it here for a while now.
The song is a slow-burning ballad that showcases the trio’s vocal chemistry and their ability to create a captivating atmosphere with minimal instrumentation. The lyrics are about trying to act nonchalant in front of an ex-lover, but feeling the pain and regret underneath. It’s a simple yet beautiful track.
Regular readers will probably remember that I’ve written about Phoebe before, but Julien and Lucy are just as talented and compelling, and together they form a powerful and unique musical force.
Comment: Brendan Scott Friel is a Canadian singer-songwriter who has been making waves in the indie scene with his honest and heartfelt folk songs. His new single, “Simon the Doubter,” is a catchy and clever tune that tells the story of a man who questions everything, even his own faith. The song features acoustic guitar, piano, harmonica, and subtle percussion, creating a warm and organic backdrop for his smooth and expressive vocals. The lyrics are witty and clever, using biblical references and metaphors to describe the protagonist’s doubts and struggles.
“Simon the Doubter” is the first single from his upcoming second album, Summer Moons, which is set to be released later this year. The song showcases his talent for blending folk elements with pop sensibilities, creating a sound that is both familiar and fresh. If you like artists like Passenger, Ed Sheeran, or Vance Joy, you might want to give this song a listen.
Comment: M. Byrd is a German-based singer, songwriter, multi-instrumentalist and producer who has been making waves with his debut album The Seed, a collection of songs that blend intimate moments with wide horizons, inspired by the Laurel Canyon sound and shoegaze aesthetics. The album is meant to plant a seed and encourage listeners’ evolution.
One of the standout tracks from The Seed is “Pyrrhula”, a song that showcases M. Byrd‘s ability to create atmospheric and emotional soundscapes with his guitar, synth and bass playing. The song starts with a gentle acoustic guitar strumming and M. Byrd’s soft vocals, singing about a fire in someone’s eyes and a longing for connection. The song is named after a genus of birds, also known as bullfinches, which are known for their bright colors and monogamous relationships. M. Byrd uses this metaphor to express his desire for a lasting bond with someone who can light up his world.
“Pyrrhula” by M. Byrd is a song that will make you feel something, whether it’s joy, sadness, nostalgia or hope.
Comment: Housewife is a Toronto-based indie rock project led by 20-year-old Brighid Fry (she/they), who has been making waves in the Canadian music scene with their catchy and clever songs. After touring with Paolo Nutini and releasing the hit single “Fuck Around Phase” earlier this year, Housewife is back with another great track: “King of Wands”.
The song is a fiery anthem of female empowerment and intuition, inspired by the tarot card of the same name. Housewife sings about resisting the patriarchal attempts to silence and undermine women’s voices and wisdom, and reclaiming their power and agency. The lyrics are sharp and witty, with lines like “I wish I was the king of wands / But really, I’m Cassandra / The girl that I’ll ignore / When she’s got all the answers”.
The music is equally energetic and explosive, blending pop melodies with rock instrumentation. The song features heavy drums, distorted guitars, and soaring vocals that create a contrast between the verses and the choruses. By the way, the vocals during the verses remind me of Amelia Meath from Sylvan Esso. The song was co-written with Gabe Simon (Lana Del Rey, Noah Kahan) and JT Foley (GAYLE, Maddy Hicks), who helped Housewife craft their mature and intentional indie-rock sound.
If you live in North America and like what you hear, you can catch Housewife live on their upcoming tour dates across Canada and the US.
Comment: Nat Vazer is a Melbourne-based singer-songwriter who has been making waves with her confessional indie-rock and dream-pop songs. After a successful US tour and SXSW appearance, she is back with a new single, “Strange Adrenaline”, which also serves as the title track of her upcoming album.
“Strange Adrenaline” is a song that captures the feeling of chasing a vision and having the courage to pursue the unknown. Inspired by a Patti Smith novel, the song combines powerful guitar riffs, drum machines, and Vazer’s striking vocals to create an engaging sound. The chorus is catchy and anthemic, while the verses are introspective and poetic.
The song showcases Vazer’s talent as a storyteller and a musician, as well as her ability to blend different genres and influences. It will appeal to fans of boygenius and/or any of its talented members (Julien Baker, Phoebe Bridgers, and Lucy Dacus), and other young gifted singer-songwriters who are shaping the new generation of indie-rock.
Comment: “Get To Know You Game” by Chloé Sautereau is a refreshing and authentic take on the modern dating landscape. Sautereau’s robust vocals and clever lyrics aptly portray the frustration and weariness that come with searching for love in the digital age. Despite her struggles, the Swiss artist remains hopeful, singing about not giving up and holding out for something better.
This powerful and poignant acoustic ballad showcases Chloé’s gorgeous voice and marks her first release under her full name, after previously releasing music under the monikers “Cee” and “sautereau” in 2019 and after she moved to New York, respectively. It’s clear that Chloé is quite talented, and “Get To Know You Game” is a testament to that.
Comment: 18 by Jonah Kagen is a heartfelt and emotional exploration of the ups and downs of young love. With his acoustic-driven sound and honest lyrics, Kagen captures the essence of falling in love as a kid and the rollercoaster of emotions that often come with it.
As a talented singer and songwriter, Kagen brings a level of depth and authenticity to his music that is truly captivating. His passion for the acoustic guitar and finger-style technique is evident in his music, and it’s clear that he is dedicated to creating something special for his listeners.
Following his debut EP, ‘georgia got colder,‘ Kagen has already made a name for himself in the music industry, with over 130+ million global streams, a US tour supporting Maisie Peters, and nearly 2 million Spotify monthly listeners. He was even included on Shazam‘s 2023 predictions list, cementing his status as an artist on the rise.
Comment: Gracie is the daughter of successful movie director J.J. Abrams, and she’s currently supporting Taylor Swift on her ERAS tour; so she’s not the kind of artist who would need any help promoting her music. However, she’s so genuinely talented and got such a beautiful voice, that I had to feature Gracie on this humble website. If you like folksy indie music, you are going to love “Amelie”, which is part of Gracie’s debut LP “Good Riddance”.
The track is stripped down to its bare essentials, featuring only an acoustic guitar and an occasional piano melody playing delicately in the background. However, what sets it apart is Gracie’s vulnerable vocals, which convey the emotional depth of the lyrics. “Amelie” centers around the familiar subject of falling for someone you’ve just met, and Gracie’s delivery captures the intensity of that experience. The gorgeous track, which was co-written and produced by Aaron Dessner from The National, is a true gem that should not be missed.
