Comment: Emerging from the Gold Coast, Australia, 19-year-old singer-songwriter Georgia Hoareau is a name to add to our radar. With her latest single “Only One”, released this month, it becomes obvious that Georgia knows how to craft and deliver a catchy indie tune. I think this skill is what truly sets talented artists apart from those who merely have a nice voice.
Georgia’s musical odyssey commenced with her debut single ’17’ in 2021, when she was, you guessed it, just 17 years old. Since then, she has made waves in her local scene, garnering media recognition and leaving a lasting impression with her compelling live band performances. As the young artist gears up to share more new music, her journey is undoubtedly one to watch closely.
If you like indie pop tunes with folksy vibes, ‘Only One’ will be right up your alley.
Comment: “Ellis Island” is a new song by Actve Captve, a versatile band led by multi-instrumentalist and songwriter Justin Han. The track draws its inspiration from Han’s personal experiences, expertly portraying the juxtaposition of bidding farewell to a beloved world while nurturing aspirations for a fresh start. As you may already know, Ellis Island, located in New York Harbor, served as the first port of entry for countless immigrants arriving in the United States by boat from Europe in pursuit of the “American Dream.” Over time, it became a symbol of hope and new beginnings.
“Ellis Island” features soulful vocals by Cassie Brandi, lending a gospel-like richness to the composition. This song effortlessly combines captivating melodies, powerful vocals, and anthemic choruses, resulting in a sonic gem that’s hard to ignore. Additionally, the inclusion of 1980s-like synthesizers completes the song flawlessly.
This track is the second release from Actve Captve‘s upcoming EP, ‘Saudaze.’ With Justin Han’s diverse musical background—he’s a classically trained pianist—I’m sure the EP will be filled with interesting tracks well worth a listen. After all, the band’s ultimate goal is to create music that resonates deeply with audiences.
Comment: Me Nd Adam, the dynamic duo hailing from Austin, Texas, has carved an impressive path through the music industry, captivating audiences with their heartfelt anthems, engaging accessibility, generous merch giveaways, and their spirited, unapologetic demeanor. They’ve earned the moniker of pioneering trailblazers in the genre they call trash-wave.
Their latest offering, “Worse Than This,” is a standout track from their album “American Drip Part II (ADP2).” This sophomore release marks a significant evolution in their musical journey, weaving a tapestry of influences into a sound that’s unmistakably their own. The duo deliberately shifted towards a more organic instrumental approach, toning down the electro-pop elements that adorned their debut album, obviously: “American Drip Pt. I (ADP1).”
Back in November 2020, Me Nd Adam caught our attention with the release of “The More I Grow Up,” a single that swiftly amassed over two million streams. It also piqued the interest of the underdog indie label, Handwritten Records, based in Las Vegas. Since then, they’ve continued to garner acclaim and support from devoted fans and even rock icons like The Killers.
I highly recommend giving “Worse Than This” a listen. If you want to check out their new album afterwards, you can find it here.
Comment: “Get To Know You Game” by Chloé Sautereau is a refreshing and authentic take on the modern dating landscape. Sautereau’s robust vocals and clever lyrics aptly portray the frustration and weariness that come with searching for love in the digital age. Despite her struggles, the Swiss artist remains hopeful, singing about not giving up and holding out for something better.
This powerful and poignant acoustic ballad showcases Chloé’s gorgeous voice and marks her first release under her full name, after previously releasing music under the monikers “Cee” and “sautereau” in 2019 and after she moved to New York, respectively. It’s clear that Chloé is quite talented, and “Get To Know You Game” is a testament to that.
Comment: Gracie is the daughter of successful movie director J.J. Abrams, and she’s currently supporting Taylor Swift on her ERAS tour; so she’s not the kind of artist who would need any help promoting her music. However, she’s so genuinely talented and got such a beautiful voice, that I had to feature Gracie on this humble website. If you like folksy indie music, you are going to love “Amelie”, which is part of Gracie’s debut LP “Good Riddance”.
The track is stripped down to its bare essentials, featuring only an acoustic guitar and an occasional piano melody playing delicately in the background. However, what sets it apart is Gracie’s vulnerable vocals, which convey the emotional depth of the lyrics. “Amelie” centers around the familiar subject of falling for someone you’ve just met, and Gracie’s delivery captures the intensity of that experience. The gorgeous track, which was co-written and produced by Aaron Dessner from The National, is a true gem that should not be missed.
Comment: Indie/alternative artist Dylan Grantham, aka Young Ritual, is back after having been featured on T.A.M. a while ago with a new track called Ages, which is a noteworthy departure from the artist’s previous style of soft, folk rock tracks. This song was the product of the artist’s attempt at writing rock music and it starts off strong with a powerful guitar riff that immediately sets the tone for the rest of the track. Overall, “Ages” is a strong showing of Dylan’s versatility and a promising glimpse into the future of Young Ritual‘s musical journey.
Comment: Australia-based artist Gabriel Paris is no stranger to T.A.M., having been featured here in November 2020. This time, he’s back with a terrific song that is meant to feel “like a warm hug on a rainy day”. Gabriel won a competition whose prize was to work with a fame production company in Australia, who helped him write and record “I Cried”. Highly recommended!
Comment: Muti-instrumentalist OrangeG is back with a new EP called The Void Bereft, which contains a few tracks that will be part of his upcoming album. Out of those, the first single is the introspective “Burn Both Ends“, a song about finding balance in life, especially when you are trying to do multiple things in parallel. As this talented artist put it: ““The song came together in the studio with gang vocals, rootsy percussion, and a singable melody that I hope alleviates those competing pressures, at least for a little while”. It truly is a fine indie track.
Comment: A little over a year after they were first featured here with their delightful single The Sinner, French and German four-piece indie band Sacropolis are back with another banger in Venice, after experimenting with synths, amongst other sounds. Emotionally, the band describe this song as “happy melancholy”, as they wrote it after meeting someone during a trip to Venice and realizing later that it had been just a summer fling. The track got killer bass riffs and an a great chorus that is hard not to enjoy. If you liked The Sinner, you won’t be disappointed with Venice!
Comment: One of my favorite tracks in Third Eye Blind’s new album, which we have discussed before, is Funeral Singers, which I thought was an original song until the band shared their influences for the new album on instagram and one of them was Sylvan Esso‘s Funeral Singers. It turns out that Sylvan Esso‘s version is also a cover, with the original being from experimental rock band Califone. Each version is different but if I had to pick just one, I think I’d choose Sylvan Esso‘s. There’s something about lead singer Amelia Meath‘s voice and the acoustic strums in the background that I find mesmerizing.
If, like me, you were not aware of Sylvan Esso before, I hope you enjoy this cover from 2018 (which features American musical ensemble Collections of Colonies of Bees) as much as I do.