To say that I’m Sorry was a catchy song would be a massive understatement. It’s hard not to get hooked with it after just a couple of seconds in. Nashville-based chill-pop singer and producer Mokita wrote it after a conversation with his brother about past relationships and how regretful they felt about mistakes they made. Trying to make it sound even more nostalgic, he decided to make it a duet and managed to convince Bonnie from Stand Atlantic (remember them?) to join forces with him. I’m glad this happened because her voice gives the tune a really nice touch that makes it even more haunting.
If you enjoyed recently featured bands such as Rivals, Monowhales and Fireflight, then you’re in for a treat because Ashland is right there in the same league as those bands, delivering guitar-led tracks with powerful choruses. After flirting with pop in their last full-length album, the extra spare time caused by the pandemic made them go back to their rock roots and return with a new EP, I, that leans more towards rock. In Your Head is exhibit A of that.
A song about how we often make things worse than they are in our own heads, In Your Head is filled with all the repressed energy from a year without proper live gigs. As it must be evident by now, Ashland is a band fully deserving of our attention. Led by such a talented vocalist as Asia Marie Dupuy, they got what it takes to reach new highs after each release.
You might have heard this week’s news on The Wallflowers releasing their first album in 9 years next month. They even released its lead single already, which is okay, I guess, but nothing to write home about. While I’m not a die-hard fan of Jakob Dylan‘s band (I wasn’t even aware they had made an album in the last decade), they do have some really great songs that were very popular during the The Wallflower‘s heyday. Their most famous –and probably best– song is One Headlight, which won two Grammys and became the first song to top all three of Billboard‘s rock charts: modern rock, mainstream and adult alternative.
All that being said, I do have a soft spot for a far more modest single from the same Bringing Down The Horse album: Three Marlenas. It peaked at number 51 on the Hot 100 chart and is not the song most people immediately think about when they hear this band’s name, but it is that song for me. Take a walk with me down memory lane with this week’s #ThrowbackThursday song.
Back From The Dead is one of those genre-defying eclectic songs that you just like. Think Parklife from Blur with a catchier chorus and you will have a pretty good idea of how this tune sounds. As an artist, Lewca just wants to do what he feels like doing while having fun as well, not worrying about conventions or what people think they like. I mean, this song mentions going to the barber and having eggs with bacon for breakfast, not your typical lyrics stuff, yet it still works. It does so because the contrast between the chorus (did I mention that it was extremely catchy?) and the verses is high enough to highlight how infectious the former is, and also because the production, in charge of Lewca himself, is top-notch.
With regards to the artist, Lewca is quite a funny character, as evidenced by the bio on his website. Originally from London but living in France since he was 19, he now has 3 Kids & a Mortgage, which is also how he decided to call his debut EP (whose cover art is a drawing his kids made). He has always been involved with arts, studying Fine Arts and working on films, but got as well a passion for making music that he wanted to explore before he was “too old to die young“. Here we hope he achieves his mission of conquering the world.
Check this artist out. Maybe he will be your cup of tea or maybe not, but I guarantee you will have fun.
Mallorca, in case you’re not familiar with it, is one of Spain‘s Balearic islands in the Mediterranean. It’s very beautiful, with sandy beaches and perhaps the warmest water you are likely to find in the Mediterranean Sea. Mallorca is also the home of Rotten Kings, a young alternative rock band that just released their debut EP, Raindrops, last month. The fact that they found the time to write, practice, and record songs pretty much in the middle of paradise is testament of the passion they have for music.
Old Town was released as a single ahead of the EP and it showcases very well how promising this band is. A guitar-driven song about a relationship going cold, it will remind you of late 90s/early 2000s alternative rock tracks. Do not expect to find something groundbreaking here, just a really good rock tune that should establish this young Spanish band firmly on your radar. They are just getting started.
I love the way Drift starts. Those jangly guitars do a marvellous job at reeling the listener in and inviting them to stay until the end, and while that intro is definitely my favorite part in that song, the rest of it holds its ground rather well too. It is the lead single off Lay The Armor Down, the debut album from Los Angeles-based alternative/indie rock band: A Darker Bright.
Unfortunately, there’s no much more I can tell you at this point in time about this Californian band. I’m not even sure if they have three members or four, but the important thing here is that they make really good rock music and we should definitely keep them in our radars. Definitely check them out!
Talk Shivi is the musical project of Jacob Henry, a singer-songwriter, actor, and journalist based out of New York City. I cannot tell you much about him in terms of bio or the meaning behind that moniker, but I can tell you that he is a talented musician whose songs got a really unique feeling to them. He has released just two songs so far as Talk Shivi: Shadow Monster, his debut single back in January, and Let You Slide, just yesterday. Both very good but also different to each other. These are not your typical ‘guy with a guitar’ busking tunes, these are layered songs that will leave you wanting more.
Shadow Monster is a groovy alternative rock track with a sprinkle of psychedelic elements to make it interesting. Lyrically, it has a message about getting through dark times, probably inspired by the global pandemic. Before covid, Jacob used to perform live in NY all the time, which obviously changed last year. This has prompted him to shift his focus to the digital side of things, resulting in these two releases. There’s something magnetic in Shadow Monster that makes it easy on the ears. Check it out below but please do yourself a favour and listen to Let You Slide too. It is even catchier.
You can love them or hate them but you can’t deny Twenty One Pilots is one of the biggest musical acts out there. They hit it big in 2015 with their albumBlurryface and basically every single song they have released since then has become a success. Until not that long ago, I thought that record was their debut album but, as probably know, I was very wrong: it was their third. In 2019, I decided to watch some of the performances from that year’s Reading Festival on video-on-demand, which included this musical duo from Columbus, Ohio. That was the first time I listened to Trees, a little gem from their second album, Vessel (2013), and that they used to close their show (which made me think it was a fan favorite). They put an amazing spectacle performing this track then (you can watch it below) and it blew me away. It immediately became a #musicalcrush.
Tyler Joseph and Josh Dunn are releasing a new album, Scaled And Icy, in May. While we wait for it, please enjoy this week’s #ThrowbackThursday entry: Trees.
I Really Like You is a post-punk track, a genre I had heart before but wasn’t really familiar with. When you entered that into Google, this is the definition that you get: “a style of rock music inspired by punk but less aggressive in performance and musically more experimental”. I Really Like You is definitely experimental but in a groovy and compelling way. It doesn’t sound close to punk or even punk-rock to me, which is why I chose the Alternative (Rock) mixtape for it, but I certainly liked it. I’m sure it won’t be everybody’s cup of tea but, worst-case scenario, you will find it interesting.
The tune is a collaboration between Portuguese singer-songwriter Juline Costa and British act Six Four Zero Two. The latter is the independent, not-for-profit musical project of Rob Howsam, who joined the Royal Air Force in his youth and had 6402 as part of his Service Number. He enjoys the irony of using something that represents such as restrictive environment as the moniker of his creative endeavour. He was looking for a good vocalist to collaborate with and a contact suggested Juline to him. She was obviously what Rob was looking for.
Now, this is actually the first official release form Juline Costa. She got some songs posted on her Youtube channel and Soundcloud profile, but no studio albums or singles. Hopefully, I Really Like You, which she wrote based on a single acoustic guitar riff on repeat, will help her record an EP or something, because even though it might not be super evident on this track (other than her great tone of voice), she’s really talented and versatile (seriously, check her Youtube channel out). When you add Six Four Zero Two‘s production skills to the mix, the result is really fascinating.
I wasn’t planning to feature What’s Up as this week’s #ThrowbackThursday song when I mentioned it in the Marcelo Deiss‘ entry, but I’ve stumbled upon it quite a few times since then, I even listened to a nice cover I might feature in the near future. It is a great and extremely catchy song, don’t get me wrong, but chances are you know that already. After all, it’s a classic.
4 Non Blondes are considered one-hit-wonders but that’s basically because they didn’t give themselves another chance. The band broke up shortly after What’s Up became an international hit, and it was just the second single off their first and only album. However, lead singer/songwriter Linda Perry remained active within the music industry, founding record labels and writing and producing hits for other artists, including Beautiful by Christina Aguilera. By the way, Linda hated how What’s Up was produced for the commercial version we all know. She preferred her demo version but it hasn’t been released.
One final piece of trivia: the song’s title is never mentioned in the lyrics. What is mentioned, quite prominently, is “what’s going on“. However, there is a classic Marvin Gaye song with that name, which is why, in order to avoid any confusion, they went with What’s Up instead.
