MidlifeMix – Continental Drift

Say what you want about how terrible 2020 has been, but it has also allowed plenty of people to reinvent themselves in a way that probably wouldn’t have happened in a normal year. Take for example the case of Helen Meissner, who like many others, decided during lockdown to start creating music. Unlike them, she did so at 54; hence her moniker MidlifeMix (MidlifeCrisis was taken!). To make her story even more unusual, her genre is electronic music and did I mention that when the whole pandemic started, she didn’t know much about music production? I particularly love Helen’s slogan: “Old enough to know better, young enough not to care”.

MidlifeMix recently released her eponymous debut EP, which consists of six diverse tracks. Continental Drift is the most chilled one but also my favorite. It feels like drifting away while floating in the air or the sea. However, if you’re looking for something more active, make sure to check the whole EP out. You’ll find what you’re looking for.

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Bedside Manners – What It Seems

This five-piece band from Merseyside, Bedside Manners, epitomizes British rock. Creating what they describe as dirty indie rock/punk, their style feels like an amalgamation of many British bands such as Arctic Monkeys, the 1975 and even Oasis, resulting in riffs-heavy energetic rock. After starting out in 2018 with the release of their first EP, they have quickly garnered a following, with one of their singles gaining over 200k streams on Spotify. As with any other artist this year, Bedside Manners has been impacted by the Covid situation, but that hasn’t stop them from releasing a new single, What It Seems, which is also –in my opinion– their best one yet.

This banger consists of nearly three minutes of shimmy-inducing rock & roll. A song of multiple meanings, it manly deals with the subject of reminiscing about the past and wondering what would have happens if we had made different decisions. One decision you won’t have to regret though, is listening to What It Seems now. It will bring some energy to your Tuesday.

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Oasis – Champagne Supernova

Oasis - Champagne Supernova

Speaking of iconic albums celebrating 25 years this month, Oasis‘ legendary album, (What’s The Story) Morning Glory? also fits the bill. It featured hit after hit and if you ask different people what their favorite song from this record is, you will likely get different answers each time. For example, Some Might Say that it is that song; or Wonderwall, which usually tops ‘Best of’ chats and lists; or Don’t Look Back In Anger, recently crowned as the greatest song of the 1990s by listeners of Absolute Radio. However, if you ask me, the best track is one that wasn’t even released as a single in the UK (it was a single in the US though), Champagne Supernova, which is why I chose it as this week’s #ThrowbackThursday entry.

At “just” 07:30 minutes, I love the way this song starts. People complain about the lyrics being psychedelic –i.e: making no sense–, but I think they are great. You give them the meaning you want . You can complain about the track being too long (up to you), but everything else is spot on. Oasis might not exist as a band anymore, but thankfully, we’ll always have this record and, in particular, Champagne Supernova.

This writer, he was going on about the lyrics to “Champagne Supernova”, and he actually said to me, “You know, the one thing that’s stopping it being a classic is the ridiculous lyrics.” And I went, “What do you mean by that?” And he said, “Well, Slowly walking down the hall, faster than a cannonball — what’s that mean?” And I went, “I don’t know. But are you telling me, when you’ve got 60,000 people singing it, they don’t know what it means? It means something different to every one of them.

Noel Gallagher, Oasis

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The Chronicles of Manimal and Samara – Mata Hari

Mata Hari

I admit I’m not a big fan of experimental music, but when the result is something this interesting, I’ll listen. The Chronicles of Manimal and Samara, or TCOMAS, are a London-based duo formed in late 2019 by Andrea Papi (Manimal) and Daphne Ang (Samara); and when you have a musical act listing as influences the innovative works of Kraftwerk, Depeche Mode, and Tool, and the poetry of Sylvia Plath, Virginia Woolf and Jim Morrison; you know that the resulting music will be anything but conventional. They want to bring music, literature, art and history together while defying musical genres boundaries, and their fourth and latest single, Mata Hari, is no exception to that. I warn you, this will not suit everyone, but I really dug it.

Mata Hari was an exotic Dutch dancer who was convicted and executed during World War I for being a German spy, but it also means ‘sun‘ in Malay, and that is the meaning it has on this track, which is told through the eyes of an artist who declared his love for somebody through a painting. The song, with its atmospheric soundscapes, mixes poetry and the spoken word with electronic music and rock, aiming to reimagine how 80s music will sound 60 years from now. Trust me, you are extremely unlike to find something else resembling TCOMAS and Mata Hari.

Give a chance to this immensely creative band. Worst-case scenario, you’ll hear something pretty unique; and best-case, you’ll dig it just like me.

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Sour Honey – Snub

Sour Honey is a four-piece alternative rock band from Manchester that had to swim against the current pretty much from the start. Formed out of two other bands: Young Monarch and Cosmo Calling, their debut gig and launch party had to be cancelled due to the lockdown. This didn’t prevent them from releasing their first single then and a series of cover videos just to keep the momentum going. Set on maintaining the ball rolling during these trying times, Sour Honey is back with a second single, Snub, a clear statement telling the world that this young band is going places.

I really love the guitar riff during the pre-chorus and the overall soundscape created by the misty vocals and the multiple layers of music coming together. It is another example of the amount of talented musicians who are out there waiting for a chance to be heard. Something tells me we’ll keep hearing from Sour Honey.

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Bush – Glycerine

We mentioned Bush last week and they recently released a new album as well (unfortunately, it didn’t move the needle for me), and since I’ve been away until now, it makes sense to feature them as today’s #ThrowbackThursday entry. After all, this British band got several legendary rock songs plenty of people love.

I actually wanted to write about Swallowed, but it is impossible to find the album version of that song on Spotify/Apple Music. Anyway, Glycerine is not a bad substitute at all. Bush released this track as the fourth single from Sixteen Stones, their debut album, in November 1995. It reached number one on the modern rock charts and is, to date, the band’s biggest pop hit, peaking at number 28 on Billboard’s Hot 100. As with most of their songs, Glycerine‘s lyrics are cryptic but it is an accepted fact that Gavin Rossdale wrote this tune about his girlfriend at the time (no, it wasn’t Gwen Stefani yet). The track is basically just Gavin’s raspy voice with a guitar and some strings here and there, yet it gets stuck on your head pretty much for the rest of your life.

Without a doubt, this is one of the greatest rock tracks from the 90s. Enjoy it again, here.

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beabadoobee – Care

beabadoobee - Care

Beatrice Laus, aka beabadoobee, took the alternative rock scene by storm after she started uploading her songs to Youtube and they became viral. Taking inspiration from Kimya Dawson and the soundtrack of the movie Juno, this Filipino-born British singer-songwriter has released several singles and EPs already, but her debut album is slated to drop later this year. She was predicted as one of the breakthrough acts for 2020, which is actually coming true despite the pandemic. Don’t lose track of her.

Care is the first single from Fake It Flowers, Bea‘s debut album. It got a strong 90s grunge rock fragrance, complete with guitar riffs and a rebellious attitude. From the moment the muted guitars start playing during the intro, this catchy tune will hook you in and not let you go until it’s over. After you listen to such a great song, you simply won’t be able to believe beabadoobee is just 20 years old. She’s just getting her feet wet.

Enjoy this stunning track here.

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Freedom of the City – Turn It Up

In the same way not all bands from Liverpool sound like The Beatles, not all bands from Manchester sound like Oasis. That being said, I can’t help but get a Gallagher brothers vibe in Turn It Up, the latest single from Manchester-based band, Freedom Of The City. Mind you, it’s just a vibe, but that’s enough to result in an anthemic, alternative rock track full of energy that is ideal for live shows, whenever live music happens to be a thing again.

Freedom Of The City are a four-piece band founded by lead vocalist, George Brown. They have been playing together for a few years now, hitting the music festivals circuit all around the UK and getting a lot of attention and a fan base in the process. FOTC‘s debut album should drop anytime now, and if it is full of bangers just as Turn It Up, it will be a massive success.

I dare you to listen to this track and remain quiet. Can you do it?

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Lachlan – Lax

Indie songs produced and recorded pretty much on your own are not supposed to sound this good. There’s usually something that would give it away, but that’s not the case with Lax, the second single of singer/songwriter Lachlan, released last Friday. The song is a radio-friendly tune with nice guitar riffs and an infectious chorus. Lachlan’s voice is a perfect fit as well.

After being part of several Edinburgh-based bands such as Lost In Vancouver, Lachlan decided to try a career solo. Earlier this year he put his debut single, Too Bad, out. Now with Lax, a song about overcoming your own insecurities, he is letting us know that he’s here to stay. Give this song a listen on the mixtapes below and keep him on your radar. He absolutely deserves it.

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London Grammar – Baby It’s You

Out of the blue and without any indication of a new album coming out soon, London Grammar simply dropped a new single yesterday, Baby It’s You, after posting a tease on Instagram on Monday. The young band from Nottingham, UK, had last released an album, their sophomore record, in 2017. Both of the band’s studio albums were massive successes in the UK and if this new track is an indication of what’s coming next, their third full-length will hit the jackpot too, and deservedly so.

As it was the case with all of London Grammar‘s previous songs, Baby It’s You is driven by the stunning and powerful vocals of Hannah Reid. In a way, it’s fitting that this entry comes right after the one about Mazzy Star, because not unlike Hope Sandoval, Hannah is an introvert who suffers from stage fright. And just like Hope. she got an angelic voice capable of leaving any audience absolutely mesmerised.

On this new track, the ethereal vocals are surrounded by the band’s trademark atmospheric sounds. What is new this time around is a certain balearic vibe: just the right amount to make things interesting without overpowering the tune. All in all, Baby It’s You is a nice new song from London Grammar and you can enjoy it in the mixtapes below.

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