It’s hard to believe that we’re already in June. It was more than 6 months ago when we were introduced to alternative act almost sex back in January. Since then, they have released a few more singles and even an acoustic EP so to say that they have been very active in 2021 would be an understatement. Each new song has been considerably different to the previous ones and their latest single, Blue Heaven, is no exception. I think it is the one I have liked the most since Charmer, but that does not mean that their others releases are not worth your time. They are.
What I really enjoy about Blue Heaven is its groovy backing track. I don’t know how Nick and Warren do it but it is kind of addictive. You can’t get enough of it. The vocals match the infectious rhythm perfectly well, resulting in a well-rounded song that you will want to play on repeat. Again and again. Check it out below.
Alex Urwicz is a classically trained pianist and composer based out of Paris. In 2020, he co-created a label called WUCA Records that specializes in classical and neoclassical music, on which he released his debut EP, Couleurs, earlier this year. In addition to that, Alex has worked a composer, arranger, and producer on films, documentaries and advertising for the past 5 years. He clearly knows a thing or two about making music.
Couleurs consists of four tracks inspired by colors. Ardoise, for example, is the French word for a bluish shade of gray. It is the first song in the EP and also my favorite. You could say this of the four tracks but Ardoise is particularly soaked in sweet nostalgia that will transport you to your childhood or another time that you remember with fondness. It reminded me of the stunning soundtrack of the great movieAmélie (I should write about Yann Tiersen at some point). The bottom line is that Alex Urwicz is a talented composer that you should follow if you like sweet piano-based melodies. You won’t regret it.
I had been wanting to feature Chvrches here for a long time now but I was waiting for the right opportunity. They they have just released the second single off their forthcoming fourth album, Screen Violence, and I really liked it, so I decided to take the plunge. I’m a big fan of Chvrches’ first two albums but not so much of the third one, Love Is Dead: it was not a bad album but it wasn’t at the same level as the other two. I thought that He Said She Said, the lead single for Screen Violence, could have been in their previous album but this new song, which features the legendary Robert Smith from The Cure, is something else completely. In a sense, it sounds exactly as you would expect from combining the two bands’ styles, while, at the same time, it’s kind of surprising to see how great that hybrid sounds.
How Not To Drown is a song about coping with everything that’s going on in your life and how sometimes you might feel like you just want to go away. If features Chvrches’ electronic soundscapes they got us used to, and, as usual, great vocals from lead singer Lauren Mayberry, one of the coolest and more down-to-earth music artists out there today. Having Robert Smith as well is just the cherry on top. Check this great song out below and start your weekend with a bang.
Back in September 2020, British #singersongwriter Jacko Hooper was featured here with his single Beg, Steal or Borrow. I emphasized then how Jacko was able to easily transmit his emotions when he sang and after listening to his latest single, This Was The Earth, I’m happy to report that the above mentioned skill remains intact. Even though the new track sounds very different: there are no Indie Folk traces here, it’s still very intimate and emotional. Jacko’s great vocals really stand out.
This Was The Earth was written and recorded from Jacko’s bedroom with help from producer Josh Trinnaman. Jacko got inspired by how chaotic our lives have been since the pandemic started, especially for people with mental health problems, such as Jacko himself. That being said, the lyrics are generic enough so that everybody could really relate to them, regardless of time and space. It’s impossible not to feel something while listening to Jacko’s emotional vocals on this song. What exactly? That’s up to you but, above all things, I feel in awe of how talented Jacko Hooper is.
Shaun Riley is a solo #indiepop artist from Minneapolis that has just released his debut EP: Drive, written, recorded, and mixed by him at home. He also has a Youtube channel where he uploads acoustic covers of popular songs. In a nutshell, that’s all there is to know about Shaun in terms of biographic details, and, quite frankly, that’s all we need. Well, that and the facts that he got a really good voice for pop songs and can write a great hook or two.
Secret, the first track in Drive, is a great example of that. It’s an unpretentious song about feeling infatuated at the beginning of a relationship but good luck getting that chorus out of your head afterwards. On these short track reviews, rather than describing each element of the featured song, I just try to give the reader reasons for spending 3 minutes of your valuable time listening to a song. For Secret, I can’t think of better reasons than flawless vocals and how catchy the chorus is. Everything else is secondary.
We should definitely keep Shaun Riley in our radars.
I was busier than expected this week, which is the reason for the short amount of updates here. I hope I can compensate for that by featuring here a great song that was totally overlooked at this year’s Eurovision Song Contest.
If you have never heard of that contest (it is not very popular in North America), our friend Jeff from the great Eclectic Music Lover blog, offered a concise summary when he reviewed the winning song from this edition, which wasn’t my favorite but I didn’t dislike. There is something you need to understand about Eurovision: most people watch it –and we’re talking about more than 200 million worldwide– not because of the quality of the contestants but to laugh at some of the over-the-top and often ludicrous acts that some countries send to this contest each year (for example, this one). A jury from each country awards points to 10 other countries, which accounts for half of the total amount of points. The other half comes from popular vote (people can’t vote for the act representing their own country). However, quite often political reasons influence how the country juries vote and the general public regularly selects the most extravagant acts, which means that the winning song is rarely the most deserving one (I mean, this song won in 2018). Therefore, if you don’t hate the winning song, you can consider yourself satisfied.
All that being said, this year’s edition was better than expected in terms of the quality of the contestants. Most of them were at least decent and a few were even more than good. In my opinion, by far the best entry was the act representing Portugal: The Black Mamba, and their song Love Is On My Side. It finished in 12th place but as I explained above, that doesn’t mean much. What really matters is that the tune, which was the first Portuguese song in the contest performed entirely in English, is outstanding. It starts with bluesy undertones reminiscing of rock tracks from the 1970s, which contrasts very well with the catchy chorus more typical of an #indierock track. It also helps that the band’s frontman’s, Pedro Tatanka, voice is really distinctive and perfect for this kind of music.He wrote the song inspired by a sex worker the band met during a trip to Rotterdam in 2019. Written from her perspective, it reflects how all hope is not lost even when life does not go as planned.
I hope you enjoy Loves Is On My Side as much as I did.
If you have heard of SR-71 at all (the band, not the aircraft), it’s probably because of their 2000’s hit single Right Now, which got a lot of airplay back then. It was their only hit from their underrated debut album, Now You See Inside, but I consider it to be barely the fourth best song on that record. The band from Baltimore, Maryland, went on to release two additional studio albums before calling it quits in 2004 (they had a brief reunion playing some shows together around 2009) and SR-71‘s frontman, Mitch Allan, is still active today as a pretty successful music producer. While they never had another hit as big as Right Now, it could be argued that one track from their last studio album was even bigger because the version of 1985 played by Bowling For Soup became a huge hit without most people even being aware that it was a cover.
Anyway, going back to SR-71’s debut album, the song I tend to play again and again is usually Last Man On The Moon. I love those drums and the overall melody of the track, as well as the way the bridge transitions back into the chorus. The lyrics are enjoyable although not as good as the lyrics for another track in that album: Alive, but I will leave that for another post. Meanwhile, I hope you enjoy this week’s #ThrowbackThursday entry as much as I do.
Ennui is the word used to refer to that feeling of dissatisfaction you get when you have nothing to do. I suppose Michigan-based artist Aaron Senor, aka Dawning, really hates feeling ennui because he wasted no time between releasing his debut EP, Petals, back in March, and his new single, Ennui. As it was the case before, the great Eclectic Music Lover wrote a flawless review of the single well worth your time. All I can add now is that this is an upbeat indie pop track that can be part of our summer’s soundtrack. You won’t want to miss it!
Raosaheb Ramteke is an IT professional from India with a passion for music production. After struggling for a while to find the right balance between his day job and spending time making music, he finally self-released his first single in 2020 under theVinCrux moniker. He has since dropped a few other singles, including today’s featured song, Within, earlier this year. While he’s still trying to establish himself as a music artist, the quality of his work is generating some buzz already not only in his home country but all over the world as well.
Unfortunately, Vincrux lost his dear sister due to cancer in 2019, but the silver lining of that terrible experience is that it sparked a flame within Raosaheb for pursuing his dream. Most of his songs are inspired by conversations and memories he had with his sister and Within is no exception. With this tune, Vincrux wants to express that the solution to most, if not all, of our troubles lies within ourselves. Listen to this excellent track below and get lost in its enchanting melody. You will also find it hard to believe that everything related to making this song, even the music video below, was made by himself: an artist who is just getting started. Impressive.
Earlier this week, I mentioned My Favorite Highway as an “obscure” reference. That’s because after one album and a couple of EPs as independent releases, they only released one full album, How To Call a Bluff –in 2008, and then re-released with a couple of extra songs in 2009 under a different label–, as signed artists before quickly disbanding in 2010. Some of their songs from that album appear on some popular shows around that time and they toured with artists such as Hellogoodbye and Kelly Clarkson; but, nevertheless, chances are that you have never heard of them. They never became that popular.
That is a shame, though. This band, originally formed in 2004 by two brothers from Fairfax, Virginia, was really good at writing infectious #poprock tunes that you simply could not get enough of. I think the best example of that was their single Getaway Car, which has a chorus to die for. I really mean it. No matter what mood you are in on any given day, as soon as that chorus starts, it is impossible to remain neutral to it. As this week’s #ThrowbackThursday entry, please let me introduce you to a #musicalcrush of mine from the late 2000s. Hope you like it!
