Comment: “Athene” by The Velveteins is a laid-back track that was inspired by Homer’s Iliad. The track emits an easy and relaxed tone with warm, effortless vocals, breezy guitars and a steady beat, creating an overall comforting atmosphere. The song also reminds me a bit of Augustana (songs like “Meet You There”, for example), which is never a bad thing. It’s easy to get lost in the mesmeric sounds of The Velveteins, where you’ll find yourself hitting repeat and staying along for the journey.
Nestled at the crossroads of past and present, The Velveteins emerged onto the scene in 2014, anchored by the creative partnership of frontman Spencer Morphy and co-songwriter Addison Hiller. “Athene” emerges as the third jewel from their forthcoming sophomore album, and it comes accompanied by a cool music video that features an excellent choreography and performance by Anya Allegra Saugstad. You can watch it below!
Comment: Shuzhen is a neo-classical pianist and multifaceted producer from Malaysia. She has has taken the emo rock hit “Desert” by ARVAN, a band that has won the “Best Band” award at the 2020 Malaysia AIM Chinese Music Awards and performed at various festivals in Malaysia and Taiwan, and turned it into a sleek and classy deep house gem. The remix, aptly titled “Desert (Shuzhen’s Oasis Rework)”, is part of the musical project “ARVAN’s Rework”, curated by the independent music label mü-nest.
I had never heard of ARVAN before, which is a shame because they seem really talented. But when you contrast the original version of “Desert” with Shuzhen’s version, you can really appreciate her talent as well. Shuzhen transforms the dark and emotive original into a warm and vibrant sonic atmosphere that invites listeners to dance in harmony with the music. The pairing of Aki’s soulful vocals (ARVAN’s lead singer) with Shuzhen’s electronic soundscapes fits like a glove.
With this stylish remix, Shuzhen demonstrates her ability to blend the fluidity and contemporary appeal of electronic music with the distinctive emotional essence of emo rock. People in America and Europe should take a closer look at what’s happening in Southeast Asia’s music scene, starting with this collaboration between ARVAN and Shuzhen, and exploring Shuzhen‘s small yet impressive back catalogue.
Comment: If the name Kristian Montgomery and the Winterkill Band sounds familiar, that might be because almost exactly 3 years ago, I featured his single “Razor Wide Heart” on this website. “The 4th of July” is my favorite track from the band’s new album, Lower County Outlaw, and it showcases how Kristian and his bandmates keep getting better and better at what they do. The track is a delightful blend of country and rock that narrates a heart-warming love story.
From the very beginning, Kristian Montgomery’s masterful composition and emotional vocals take listeners on a captivating ride, mirroring the excitement and anticipation of that special moment when he and his wife, April, first connected. The lyrics beautifully capture the comfort and chemistry shared between the two, as if destiny had finally brought them together in the right place and time.
The song’s peak moment comes with a gripping guitar solo and a final chorus sung with an urgent passion that’s impossible to ignore. If you listen to this track and feel nothing at all, do you even truly feel alive?
Comment: Some songs are truly special. From the moment you hear them for the first time, you know that they will become a fixture of your daily soundtrack for months to come. That was the case when I listened to “Egyptian Summer” by Good Strangers. The mind-blowing thing is that this is the band’s first ever single, released ahead of their forthcoming debut EP, ‘Adult Teenage Novels’, coming out this fall.
Good Strangers came into existence as a collaboration of Irish musician friends, united by their shared passion for music and a history of playing together in various bands and projects. The band’s two lead singers, Niamh Kirby and Conor Quinn, who are best friends since they were 3, formed the group in 2022 after returning from Berlin, where they were inspired by the vibrant indie folk scene in the German capital. They chose the act’s name as a celebration of community and the many good strangers the band has met throughout their time touring, travelling and attending festivals.
In “Egyptian Summer,” the Irish band paints a raw and poetic portrayal of the moment when a beautiful relationship begins to unravel. Connor wrote it after going through a tough breakup, reminiscing about a summer in Egypt and searching for signs that everything would go downhill afterwards. Musically, the track has a similar vibe to Of Monsters And Men‘s debut album, without sounding exactly the same. What it really sets it apart for me are two things: first, how well Connor and Niamh’s voices fit together, and second, the emotion that they are able to transmit with their heartfelt vocals.
In conclusion, “Egyptian Summer” by Good Strangers is a sublime testament to the power of storytelling through music. It delves into the complexities of love, loss, and self-discovery, wrapped in an indie soundscape that feels both familiar and fresh. I honestly can’t wait for the debut EP!
“Remember that Egyptian Summer The fork lightning over the bay When we forgot everything We forgot our troubles When love was kind And the silence was noise But Underneath a marble sky I never seen you look so happy In your life.
And you were always cracking jokes And laughing at my funny ways And as the thunder rolled Well so did my sorrow We told lies We told them all the time But underneath a marble sky Nothing mattered.
I need a thunderstorm To distract from the pain Cause tomorrow might be the same damn sorrow I need something to happen The heavens to burst The sky to tear open The passion to run and flow like a river Out of my eyes Once it’s out of my heart It’s such a cold and desolate Happy ever when It’s such a cold and desolate Happiness never came.
We sat at the bar and we talked about the things we used to like And romanticised the pain Always remember it’s a crying shame Like reaching for the heavens but the heavens never came And I’ve played the victim long before you arrived These are not my people It’s not my scene not my style So I’m going back I’m going back to the city Please forgive me”
Comment: Kirsten Agresta Copely is no stranger to this blog. I have featured her stunning harp music before, in Sweet Disposition and Tableaux, and I’m happy to report that she has a new album, Aquamarine, released in July.
Aquamarine is a deeply personal and emotional album, dedicated to Kirsten’s late mother, who shared her love of the ocean and music. Each of the nine tracks has a water theme and a special meaning for Kirsten, reflecting her memories of her mother and her own artistic vision. The album is a beautiful tribute to the woman who inspired and supported Kirsten’s musical journey from an early age.
The title track, “Aquamarine”, is a perfect introduction to the album. It starts with a gentle harp melody that evokes the calmness and clarity of the sea. The song gradually builds up with layers of sounds created by the mixing engineer, Kirsten’s husband: Marc Copely, creating a rich and dynamic soundscape that captures the power and mystery of the ocean. The song is both soothing and uplifting, inviting the listener to dive into Kirsten’s deep blue world. If you are looking for a song that will soothe your soul and inspire you, here it is:
Comment: Rachel Bochner is an alt-pop artist who has delivered tracks with funny titles like “If I’m Gunna Be Sad (I Might As Well Look Hot Doing It)” and “Here For The Drama.” These tracks will be part of her 6-track EP, aptly named “It’s Not Me, It’s U,” set to be released next week. “Hard To Please” is the latest single she has dropped from the new record, and I have to say that it is my favorite so far.
It is a dynamic alt-pop track that skillfully blends gritty guitars with graceful melodies. The song delves into the pressures placed on women in today’s society. It begins with Rachel contemplating getting a nose ring, hoping that a simple change in the form of a “shiny piece of metal” might solve her problems. The lyrics then progress as Rachel vents her overall frustrations, expressing lines like: “I’m getting sick of it / Targets I’ll never hit / How can I reach the end of it / When there’s no finish line?” The track takes an unexpected turn just as we anticipate a heavy rock chorus, surprising us instead with sweet-sounding vocals and lively guitar strums. Check it out below!
Comment: I have written about the talented Toronto-based band Nerimatwicebefore, but, after listening to their recent single “Penance”, I knew I had to do a third time. It’s a stunning piece of music that explores the themes of guilt, regret and forgiveness, and I seriously think this is their more mature-sounding track.
The song starts with a gentle acoustic guitar and Alexi delicately singing the first few verses, but by the time the chorus starts, the full band has come in to increase the energy levels. The contrast between the verses and the chorus creates a dynamic and captivating sound that keeps you hooked until the end. The song also features some beautiful harmonies.
“Penance” by Nerima is a song that you should definitely listen to if you enjoy indie rock with a touch of punk-rock. It will make you feel something. Even happiness for witnessing the evolution of such a talented band.
Comment: Brendan Scott Friel is a Canadian singer-songwriter who has been making waves in the indie scene with his honest and heartfelt folk songs. His new single, “Simon the Doubter,” is a catchy and clever tune that tells the story of a man who questions everything, even his own faith. The song features acoustic guitar, piano, harmonica, and subtle percussion, creating a warm and organic backdrop for his smooth and expressive vocals. The lyrics are witty and clever, using biblical references and metaphors to describe the protagonist’s doubts and struggles.
“Simon the Doubter” is the first single from his upcoming second album, Summer Moons, which is set to be released later this year. The song showcases his talent for blending folk elements with pop sensibilities, creating a sound that is both familiar and fresh. If you like artists like Passenger, Ed Sheeran, or Vance Joy, you might want to give this song a listen.
Comment: If you’re looking for some chill and atmospheric electronica to soothe your soul, you might want to check out the work of Jakliu, an Irish producer based in Dublin. His debut EP, Don’t Forget, is a two-track record that explores the complex emotions that arise when one realizes their love for someone is temporary, yet profound.
The title track, “Don’t Forget,” is a captivating blend of ambient textures and delicate plucks that create an immersive soundscape. The vocal chops glide effortlessly over the ethereal backdrop, expressing the urgency and yearning not to let the ephemeral nature of their love slip away. The track evokes a sense of bittersweet longing and introspection, allowing listeners to connect deeply with its emotional core. The second track, “Not For Long, But I Know,” is just as mesmerizing.
Drawing inspiration from a variety of sources, including classical music, nature, and electronic music, Jakliu has developed a unique sound that blends together different genres and styles to create something uniquely his own. Listen to “Don’t Forget” below.
Comment: M. Byrd is a German-based singer, songwriter, multi-instrumentalist and producer who has been making waves with his debut album The Seed, a collection of songs that blend intimate moments with wide horizons, inspired by the Laurel Canyon sound and shoegaze aesthetics. The album is meant to plant a seed and encourage listeners’ evolution.
One of the standout tracks from The Seed is “Pyrrhula”, a song that showcases M. Byrd‘s ability to create atmospheric and emotional soundscapes with his guitar, synth and bass playing. The song starts with a gentle acoustic guitar strumming and M. Byrd’s soft vocals, singing about a fire in someone’s eyes and a longing for connection. The song is named after a genus of birds, also known as bullfinches, which are known for their bright colors and monogamous relationships. M. Byrd uses this metaphor to express his desire for a lasting bond with someone who can light up his world.
“Pyrrhula” by M. Byrd is a song that will make you feel something, whether it’s joy, sadness, nostalgia or hope.
