Astralign is an Australia-based ambient/cinematic/downtempo project from Gavin Foo, a sound designer with a passion for music. Fragments is Astralign‘s first EP, released independently and which has now become available on Spotify.
The First Time I Saw You is the most downtempo track in Fragments, to the point that I was unsure about the most appropriate mixtape for it. In the end, I chose the Chill-Out Mixtape but it could have been the Relaxing Mixtape as well. It is a soothing track that somehow manages to express in music that feeling you get the first time you see someone special. You can find this track below and, if you like it, please support/follow the artists in any of the hyperlinks above.
I”m always amazed by the amount of talented musicians that are out there just waiting for an opportunity to be heard. Here we have another example of that with Joey Westerlund, a multi-instrumentalist from Portland, Oregon, who is the person behind Darkfield. The music he creates as Darkfield is catalogued as post rock, with some songs leaning on the heavier side and others, like A New Beginning, on the mellower one. All of them, however, are definitely cinematic.
In fact, A New Beginning –which is part of Darkfield’s second EP, Carry Us Away, released in June– certainly feels like the score of an epic movie about space travel. At the very least, this beautiful track could be the perfect score for this Sunday afternoon. And you can enjoy it here:
I think Tom DeLonge is the type of person who gets easily bored by routine and repetition. One of the reasons he got into arguments with Mark Hoppus and Travis Barker, was that he wanted to experiment with a more “atmospheric” sound while his friends wanted to keep doing what had been successful for them so far. The bad news is that this is what eventually caused him to leave Blink-182, but –luckily for us– that is also what prompted him to form Angels & Airwaves (stylized AVA). The group is basically a cinematic rock band with a punk-rock flavour, and there is nothing wrong with that.
AVA had been relatively quiet since 2017, partly because DeLonge had been busy looking for UFOs (for real, he co-founded this company), but they are now back on track to drop a new album soon, having released three new singles already since December. All That’s Left is Love is the latest one of them and is also the one that resembles the most the band’s previous work (this is not a complaint, I liked the other two singles as well, especially Rebel Girl). All the proceeds the band makes from this single will be donated to the charity Feeding America to help with the economic impact of COVID-19.
All in all, it is a great song from one of the most curious minds in the music business today.
In yesterday’s entry, I mentioned why I liked cinematic (post-rock) music. Well, I probably have to thank Lights & Motion for that. Reanimation, the debut album of this Swedish one-man band, founded in 2012 by the talented Christoffer Franzén, hooked me in. The “band” is one of the main references in the genre and its songs have been featured in multiple tv commercials, tv shows and movies. Funnily enough, the song I’m recommending here today, from the Lights & Motion‘s latest album: The Great Wide Open, is perhaps the band’s less cinematic songs.
It’s not that I See You lacks Lights & Motion‘s trademark atmospheric vibes and amazing soundscapes –it doesn’t–, but I think it has more elements of indie rock, especially with the hauntingly beautiful vocals of Swedish singer Frida Sundemo. I particularly love the guitars that start playing at 1:42. All in all, it is a mesmerizing track that closes perfectly another great album by Lights & Motion and Deep Elm Records.