Sour Honey is a four-piece alternative rock band from Manchester that had to swim against the current pretty much from the start. Formed out of two other bands: Young Monarch and Cosmo Calling, their debut gig and launch party had to be cancelled due to the lockdown. This didn’t prevent them from releasing their first single then and a series of cover videos just to keep the momentum going. Set on maintaining the ball rolling during these trying times, Sour Honey is back with a second single, Snub, a clear statement telling the world that this young band is going places.
I really love the guitar riff during the pre-chorus and the overall soundscape created by the misty vocals and the multiple layers of music coming together. It is another example of the amount of talented musicians who are out there waiting for a chance to be heard. Something tells me we’ll keep hearing from Sour Honey.
Kat Victoria is a young and multifaceted artist that cannot really be tied to any genre in particular. She has released six singles so far and each one of them is different. I mean, one of them is even categorised as freestyle rap. However, the song I’m featuring today, Tell Him, lies in the grey area between alternative rock and pop-punk.
Tell Him is an interesting track with an infectious chorus that I’m sure many listeners will enjoy. I think it’s really impressive what Kat can do pretty much by herself, including shooting a music video for her song (which you can watch below). As her bio on social media pages say, this talented songwriter makes music from her bedroom. I can only imagine what she would be able to do in a top-notch music studio. Definitely, check her out.
Tom Gallo, the guy behind the Look At My Records! podcast and music blog, and his pal Nick Lafalce (who plays in the band Atlas Engine), have launched a new record label called Favorite Friend Records. Their first ever release is this lovely tune from Jersey City-based project, CR and the Nones, which is led by songwriter Chris Gennone, whose previous band, CR Ant The Degenerates, became popular around New Jersey.
Judgement Day will be part of CR and the Nones forthcoming album, Living In Fear. It is a sweet blend of folk and rock that results in a great melody that suits Chris’ vocals really well. The song talks about the experience of going through hardships and persevering in order to overcome them. If this song is a sign of what’s coming in the album, we should keep it in the radar because it is going to be a refreshing blast. This is a great start for both the band and Favorite Friend Records and we look forward to more music from them. Please check them out.
I don’t know much about either Nox Vahn or Mimi Page, but I heard their collaboration, Dream Of Love, the other day and thought it was pretty good. What I could gather is that Nox Vahn, formerly known as Fairchild, is part of the lineup of Above & Beyond‘s record label, Anjunadeep, whereas Mimi is an American singer/songwriter whose trademark is blending ethereal vocals with atmospheric soundscapes, which is exactly what you will find in today’s tune. I’m keeping it short today, so enjoy this new addition to the Chill Out mixtape.
Manchester band Cultures, which you should know already if you’ve been paying attention ;-), are back with, in my humble opinion, an even better single than its predecessor (which was pretty good on its own). Shake is a catchier single with hooks from beginning to end that will probably still play on your mind long after the song has finished. Lyrically, it pertinently talks about how everything is better when you have good company, even being stuck in one place.
If Shake is a glimpse of where Cultures is headed now, then they’re going in the right direction. Here we are looking forward to more singles from this promising band.
Hopefully, by now, you are familiar with the work of The 93 after we featured them here back in June. I hadn’t been in contact with them before writing that entry but since that entry was published, I’ve got to know Sylwester (one of the two brothers who form this awesome duo) quite a bit and I can say he is one of the kindest and coolest person I have met (as well as one of the most active supporters of T.A.M!). This has allowed me, in some way, to be part of the process behind the release of their new EP, Space, which got out across all platforms in the last 2 days. They worked incredibly hard to get everything ready on time, from composing and making arrangements, to producing the songs, all of this while also taking care of their day jobs/occupations.
Now, something you have to understand about these two brothers is that they aren’t doing this for fame or money, but pure love of music. Their main goal is actually finding people who can connect with them, using music as a language. And that brings me to Space, inspired by their passion for sci-fi movies about space travel. I had an opportunity to listen to the whole EP before it was mastered and I can tell you that even then, the whole record -which consists on five tracks, an intro and an outro- sounded amazing. The 93 tried hard to make it sound as close to audiophile-grade as possible and you can certainly notice it. I simply cannot get enough of the guitar riffs on these songs.
We are familiar already with one of the tracks in this EP, 03, as it is the one featured here before. What I didn’t know then was that the theme of this song was mysticism in the future through sound. Even cooler, however, was what inspired the Intro and Outro, which was basically what you would feel if you were travelling in a space ship, looked out the window and saw a nebula for the first time. 12 is a great track about the current state of the world (2020, hi!) and how we should focus more on peace and prosperity. I was close to featuring this track today but, in the end, I opted for 09, because, quite simply, it is my favorite track in the EP.
From the intro that would make Tom DeLonge jealous for not coming up with it himself for Angels & Airwaves, to the surreal vocals and atmospheric soundscape of the track; everything in this song is flawless. Written as a letter to our architect (or God), The 93 meant to express with it their fears and doubts while respecting said architect. I assure you, you will want to put this song, and the whole album, on repeat.
These two brothers came from a small village in Poland to the UK a few years ago chasing the dream to do music, as they believed they had something to say. I personally think the whole world got lucky because of that. Don’t believe me, just give them a chance.
I got a request last week for this week’s #ThrowbackThursday entry: “If You Could Only See” from American alternative rock powerhouse, Tonic. So, naturally, I complied by featuring a different song from the same band (=. I got nothing against “If You Could Only See”. It’s a great song, possible Tonic’s best and undoubtedly their most iconic track to date (after all, it was 1997’s most-played song in rock radio), but that is precisely the reason I opted to talk about a different, lesser known gem included in their 2002 album, Head On Straight, Do You Know.
This song is a guitar-driven alternative rock song with a melodic chorus, but the reason why I’ve always liked it so much is that it got terrific lyrics, which shine the most during the great chorus. I don’t think this tune got much attention back then when it came out, but it’s not too late to give an overlooked outstanding song a second chance. Tonic and Do You Know certainly deserve it.
Remember that Egyptian Summer The fork lightning over the bay When we forgot everything We forgot our troubles When love was kind And the silence was noise But Underneath a marble sky I never seen you look so happy In your life.
And you were always cracking jokes And laughing at my funny ways And as the thunder rolled Well so did my sorrow We told lies We told them all the time But underneath a marble sky Nothing mattered.
I need a thunderstorm To distract from the pain Cause tomorrow might be the same damn sorrow I need something to happen The heavens to burst The sky to tear open The passion to run and flow like a river Out of my eyes Once it’s out of my heart It’s such a cold and desolate Happy ever when It’s such a cold and desolate Happiness never came.
We sat at the bar and we talked about the things we used to like And romanticised the pain Always remember it’s a crying shame Like reaching for the heavens but the heavens never came And I’ve played the victim long before you arrived These are not my people It’s not my scene not my style So I’m going back I’m going back to the city Please forgive me
Blame Baby are a Los Angeles trio that produces catchy indie rock with strong late 90s/early 2000s vibes. They only got three songs in their catalogue, but they got an EP on the way. Silhouette is their most recent release and, in my humble opinion, the best so far. A song about incomplete relationships, it got a nice combination of distorted guitars, good vocals and a chorus that gets stuck in your head. They recently made public the tune’s music video (you can watch it here), which is deliberately bad, in that so-bad-it-is-good kind of way.
I hope they do well enough to keep making music without having to change their sound and feature rappers or K-Pop groups as guest vocalists. They know how to write a good alternative rock song. They should keep doing just that.
in earnesthas the peculiarity of having not one but two lead singers: front-couple Sarah and Thomas, who are also the songwriters. As such, they aim for getting the listeners to connect with them through their honest and raw lyrics, in which they talk about their battles with mental illnesses, loneliness and other difficult subjects. This indie band from Southend-on-Sea, UK, is about to release its debut self-titled EP next month, but three of the tracks are available already, including the song we’re featuring today.
Put Me Under was written by Sarah, who also sings her heart out on this track. Talking about her struggles with anxiety and depression, her ethereal vocals are complemented outstandingly well by ambient soundscapes and acoustic guitars. With this song, in earnest managed to create a mesmerizing track that offers us just a glimpse of what they are capable of. Keep them on your radar and listen to their EP when it’s out.
As you may be aware now, the one condition I have for featuring songs here is that I have to genuinely like them. The bar is a bit higher for established musicians, but I can certainly say that I have liked every song featured so far. Sometimes, the decision isn’t easy. I’ve received songs from independent or up-and-coming artists that I don’t necessarily dislike, but do not love either; and then I have to ask for a 2nd opinion (usually my wife’s) just to make a decision. On the opposite side of that street, we have something far more unusual, which is hearing a song that I instantly like or even love. There’s something magical about those moments and it is a feeling I wish I could get every single day. Sadly, it is actually rare but the good news is that this happened to me with today’s song, Rotten Love, as it got a really enjoyable melody, a crisp production, great lyrics and sweet vocals. In short, it got the whole package.
It is scary to think that this piece is 21-year-old singer/songwriter Lucy Eaton‘s debut single. Can you imagine what she will be able to do with more experience? This talented artist was born and raised in Australia but then moved to California to study at UC Berkeley. There, she joined the songwriting club almost by chance and eventually became its vice-president, winning a few awards int he process. However, she never envisioned performing the pieces herself. That happened almost by chance but all the better for us because Lucy got a nice dulcet voice.
Musically, Rotten Love is a folksy ukulele-based tune, in the same vein as Grace VanderWaal when she won America’s Got Talent a few years back. Grace’s songs were good and catchy for somebody her age, but Rotten Love is just as catchy and got better lyrics. Even if you hate folk music and the sound of ukuleles, give this terrific song a chance. Lucy‘s talent cannot be denied.
