Comment: Emerging from the Gold Coast, Australia, 19-year-old singer-songwriter Georgia Hoareau is a name to add to our radar. With her latest single “Only One”, released this month, it becomes obvious that Georgia knows how to craft and deliver a catchy indie tune. I think this skill is what truly sets talented artists apart from those who merely have a nice voice.
Georgia’s musical odyssey commenced with her debut single ’17’ in 2021, when she was, you guessed it, just 17 years old. Since then, she has made waves in her local scene, garnering media recognition and leaving a lasting impression with her compelling live band performances. As the young artist gears up to share more new music, her journey is undoubtedly one to watch closely.
If you like indie pop tunes with folksy vibes, ‘Only One’ will be right up your alley.
Comment: The Pulltops, a duo from Milwaukee, just dropped their latest song, ‘Make Me Smile,’ which reminds me quite a bit of Semisonic — never a bad thing. It captures the simple yet sweet message: “You’ll always be the one to make me smile.” Hopefully, we all have someone like that in our lives.
Mark Pierret and Tom Crowell form the core of The Pulltops. With diverse musical tastes but always rooted in classic pop and indie rock, they bring in flavors from a wide array of styles, blending it all together to make a timeless sound that goes beyond genres. “Make Me Smile” is their seventh song this year, showing they’re all about putting out music. In fact, they are planning to release a new song every six weeks for the next two years and an EP every fourth single.
“I particularly enjoy the big chorus; it has a great melody that makes you sing along in no time. Between that and the sweet lyrics, it’s hard not to enjoy “Make Me Smile.” It’s one of those songs that can lighten up your mood whenever you need it. [Insert here a cheesy pun about how this song makes you smile.]
Comment: Caroline Romano is back with a new single, “girl in a china shop”, and it’s, as they say in the UK, a ‘banger.’ Having written about her twice before, it’s clear that Romano is not just a passing phase, but a force to be reckoned with in the alt-pop scene.
The Nashville-based singer-songwriter has once again demonstrated her knack for capturing the essence of young adulthood in her music. “girl in a china shop” is an emotional rollercoaster, with an explosive chorus that contrasts beautifully with its reflective verses. In the lyrics, Caroline admits to feeling like she breaks everything she touches, and this song is her way of acknowledging that feeling.
With millions of streams already under her belt, and more music on the way, it’s clear that Caroline Romano is an artist whose star will only continue to rise. We can’t wait to see what she does next.
Comment: David Rhodes, known by his stage name RHODES (stylized in all caps), is an English singer and songwriter born in 1988 who embarked on his musical journey in 2013. He had a successful duet with Birdyand was featured on Kygo‘s debut album, “Cloud Nine“, but I don’t think he is that well-known yet. Chances are, this is the first time you’ve heard about him.
RHODES has been on my radar for a while, and he recently released a single called “Sunlight” that quickly became my favorite song of his. It’s one of those rare tracks where you might find the verses more captivating than the chorus. From the moment the first note hits, you’re drawn into a world of ethereal melodies and heartfelt lyrics that make you stop and listen. RHODES’ vocal performance is nothing short of mesmerizing. His voice, rich and emotive, carries the song, and the lyrics are relatable yet profound.
In short, I think this song shines as bright as its title suggests. Check it out!
Comment: The Lockyer Boys, a project by brothers Will and Charlie Lockyer, have released their new single, “DRIVE!”, which is now available on all streaming platforms. The song is a vibrant, fast-paced production that brilliantly highlights the duo’s invigorating and uplifting pop style. DRIVE!” revolves around seizing opportunities, conveying themes of confidence, courage, and giving one’s utmost effort.
Hailing from Thunder Bay, Canada, the Lockyer Brothers have been immersed in musical collaboration since their early years. At the youthful ages of 19 (Charlie) and 21 (Will), this multi-talented duo has accumulated substantial studio experience, and that’s evident with “DRIVE!” production-wise. Their future is bright!
Comment: Desert Life, a musical duo hailing from Tenby, Wales, has recently captured my attention with their debut album titled “Let It All Pass,” released last month. The album opens with “Future Dead,” a track that sets the tone for the entire album beautifully. It commences with acoustic folk instrumentals that set a tranquil tempo, soon followed by the melodic vocals.
The songwriting partnership, composed of the singer-songwriter Chris Swales and the multi-instrumentalist Tom Jordan, has expertly fashioned a sound that reverberates with their influences, particularly R.E.M (in my humble opinion). This is particularly palpable in “Future Dead,” where the emotionally charged musical arrangements and poetic lyricism delve into the shadowy recesses of the heart.
If you’re a fan of R.E.M. or similar bands, I wholeheartedly recommend giving “Future Dead” by Desert Life a listen. And if it resonates with you, I encourage you to explore the rest of their debut album as well; you’ll discover plenty more of what you love within.
Comment: The Maine, whose song “Face Towards The Sun” was featured here in July 2021, released “How to exit a room” in July this year, and it is a shining example of the band’s consistent ability to deliver fresh and engaging music. Featured on their self-titled album, this track has garnered praise from both fans and critics alike. It kicks off with an attention-grabbing rhythm and boasts introspective and relatable lyrics, tackling the universal experience of desiring an escape from a situation or place.
Musically, “How to Exit a Room” is a finely-crafted pop-rock gem that doesn’t overstay its welcome, offering a delightful listening experience with its melodic chorus and well-balanced instrumentation. The production is polished, ensuring that each element of the track shines without overshadowing the others.
Whether you’ve been a longtime fan of the band or are just discovering their music, this track is unquestionably worth a listen.
Comment: I was aware of the existence of Everything Everything, but I hadn’t really cared about them until a friend of mine made me listen to “No Reptiles” a few weeks ago. When the song started playing, I have to say that I wasn’t enjoying it very much, but by the time it finished, I knew right then that it was a stroke of genius and one of those tracks that grows on you with each listen. Considering I’ve been overplaying this track since then, I suppose I wasn’t wrong.
In a musical landscape often dominated by formulaic melodies and predictable lyrics, “No Reptiles” emerges as a refreshing revelation. The song is a brilliant confluence of art-rock, pop, and unbridled emotion. With an arresting, pulsating beat that serves as the foundation, the song immediately commands attention. The bassline then adds depth and groove, ensuring that this song isn’t just an auditory experience but a visceral one too. Jonathan Higgs’ vocal range and intensity are staggering, and the lyrics, although cryptic, are highly evocative. Supposedly, Higgs wrote this song after a few of his friends became conspiracy theorists, and the title refers to the Reptilian theory.
That being said, what truly elevates “No Reptiles” is its ability to create an atmosphere that’s both hypnotic and liberating. As the song progresses, it swells, cascading into an intricate sonic tapestry that refuses to be confined by any genre or structure. The seamless interplay between the band members showcases not only their musical chemistry but also their innate understanding of their craft. This is why I had to feature it here as a #ThrowbackThursday post. What a masterpiece!
Comment: In the ever-changing landscape of music, it’s refreshing to stumble upon an artist who dares to tread a different path. Enter Grecco Buratto, a Latin Grammy-nominated producer and seasoned guitarist, who has graced the stage with iconic artists such as Lionel Richie, k.d.lang, and Gwen Stefani. “Last Days,” is the first track from his second album, “Sem Palavras” (Wordless), released this month. This record also finds its place within a larger project, complementing Buratto’s first collection of poems, “Só Palavras” (Words Only).
“Last Days” is a minimalist masterpiece, drawing its emotional power solely from the gentle strumming of an acoustic guitar. It embarks on a contemplative voyage, offering an intimate exploration of yearning, reflection, melancholy, and serenity. The song feels like a lullaby that lets you disconnect from a world that sometimes feels overwhelming. So, sit back, relax, and enjoy the music!
Comment: For those who are not familiar, Sundara Karma is an English indie rock band that originated in Reading, England back in 2011. The group comprises Oscar Pollock as the lead vocalist, guitarist, and songwriter, along with Ally Baty as the lead guitarist, Dom Cordell on bass, and Haydn Evans handling the drums. Their band name, derived from Sanskrit, translates to “Beautiful Karma.” In the years since their formation, they have been consistently active and have treated listeners to a series of albums, each offering a refreshing perspective on indie rock. Sundara Karma‘s distinctive musical identity is characterized by the fusion of emotionally charged lyricism with captivating rhythmic melodies, resulting in compositions that are not only enthralling but also profoundly relatable.
Sundara Karma‘s most recent offering, “Wishing Well,” is a good example of that. It presents an uplifting composition juxtaposed with verses that articulate the torment of dwelling on “what ifs.” It’s a track that leaves you contemplative, humming along, and eagerly hitting the replay button. Enjoy.