Flawes – What’s A Boy To Do

British #altpop band Flawes have been around since 2016 but they didn’t release their debut album until early last year. Then the pandemic hit the world and changed everything. Rather than complaining about their tough luck, they embraced lockdown and went back to work, which resulted in a six-track EP called Reverie, which includes What’s A Boy To Do. Quite simply, this single is a stunning piece of uplifting indie pop.

After a brief acoustic intro, Flawes keeps things relatively quiet during the first verse before erupting into one of the catchiest choruses you will find in an alt-pop song this year. It could become a huge hit with proper airplay. What’s A Boy To Do is that good. Don’t miss it!

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Sum 41 – With Me

To me, there are two sides to Sum 41: a lighter, punk-rock embracing one and a darker, guitar-heavy, metal-flirting side. They used to oscillate from one side to another with each album but after switching to the darker side on the album that followed 2009’s excellent Underclass Hero, they seem to have decided to stay there. This coincides with the return of lead guitarist and founding member Dave Baksh to the band in 2013, after a 9-year break. They have released a handful of songs that I like during this time, but the above mentioned Underclass Hero was their last album I truly loved. What can I say? I don’t enjoy metal that much.

That record includes several standout tracks but I’ve decided to feature today one that I didn’t love right away. I don’t know why though, because With Me is truly a great song. As with a few other tracks from Underclass Hero, it’s likely based on frontman’s Deryck Whibley failing relationship with Avril Lavigne, his wife at the time. Besides Deryck’s ability to transmit his raw emotions, what sets this song apart is the great drum part from former band member Steve Jocz. It’s really hard to get those drums out of your head.

Anyway, here’s this week’s #ThrowbackThursday entry: With Me by Sum 41.

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Palma Louca – Stationary Life

Stationary Life, one of two singles released in 2021 by Newcastle-based #indierock band Palma Louca, is a song that critiques the way modern society is constructed. Most people repeat the same routine day in and day out without any hope for breaking that cycle. Despite alluding to such a deep and somber theme, musically the song is actually far from depressing. It’s very atmospheric, with layer after layer of different sounds, including some great drums, cool guitar riffs and spot-on vocals. That being said, it doesn’t feel overproduced at all. Stationary Life should sound just as great live.

With regards to Palma Louca, the British band recently signed with their local label Pillar Artists and continue releasing singles at a steady pace. I hope there is a debut EP or full-length album coming soon because I’m sure it will deserve our attention. The band is formed by Cameron Snow (Drums), Daniel Bailey (Keys/Synth & Backing Vocals), Joe Norton (Guitar & Vocals), Richard Norton (Guitar), and Andrew Thompson (Bass). Please do check them out!

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We Wander – Rock And A Hard Place

I talked about Canadian #indiefolk act We Wander back in November (time flies), and they are back now with a new single, Rock And A Hard Place, that’s just as good, if not better. Drums and strings take a more prominent place on this song, which is nice, but just as with Can’t Save You, the secret weapon here is Maddie Little‘s vocals. She’s able to transmit emotions of longing, anger or despair in line with the lyrics, which are about a relationship falling apart. I particularly like the chorus because that’s where the songwriter is coming to terms with what is going on and, in some way, that’s exactly how that section of the tune makes you feel.

I would also say Rock And A Hard Place is a grower: a song that you enjoy more and more each time you listen to it. And if you needed further proof that We Wander was going places, watch the song’s music video below . It’s really well made and worth watching.

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Maggie Lindemann – Knife Under My Pillow

Being a young woman dangling with alternative rock and pop-punk, it is inevitable that Maggie Lindemann gets compared to the likes of Avril Lavigne and Hayley Williams (Paramore). However, in this case, that comparison actually makes sense because her tone of voice is not far from Avril‘s and some of her songs do have a Paramore vibe. There is nothing wrong with that, though. Those two are really talented and successful musicians and, on top of that, Maggie is also able to stand on her own. She could become just as big pretty soon.

She’s not a complete unknown either. In 2016, her breakout single Pretty Girl reached the top ten in several countries including Sweeden, Netherlands and the United Kingdom. I didn’t know her by name back then but that song does sound familiar to me. Early this year, this artist from Dallas, Texas, released her debut EP, Paranoia, which features Knife Under My Pillow as its lead single. This pop-rock banger is a song about fear and paranoia inspired by early 2000s horror movies (which also explains the music video, see below).

With grungy guitars, resounding drums, and a catchy chorus, this tune announces us that Maggie Lindemann has arrived and is here to stay.

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Louis & The Shakes – How Badly Do You Want It?

Jack White meets The Killers meets Queens of the Stone Age. That’s what I think How Badly Do You Want It? sounds like and, somehow, it still works. This fast-paced indie/Americana tune from British quartet Louis & The Shakes is the first single off their forthcoming album of the same name. Lead singer Louis Antoniou wrote this song with the purpose of encouraging the listener to keep going no matter what and with such an infectious rhythm, no one will be able to keep still. A problem I usually have with this type of music is that often the artists seem to care more about being noisy than having a good melody, but that’s not the case at all here. Don’t get me wrong, this track rocks hard but in a way that lets you appreciate the nice vocals and the craftsmanship of every band member.

In addition to Louis, the band is made up of Jamie Lawson on lead guitar, Manny O’Donnell as drummer and Will Finnerty on bass. Louis & The Shakes started in 2019 with a bluesy 60s influenced debut EP that got support from BBC Introducing and some radio stations in the United Kingdom. Fresh off a new distribution deal, this new single represents the start of the quartet’s exciting new chapter. Hopefully, the new album will help them expand their audience on time for the return of rock concerts. Their music is perfect for live gigs.

I mentioned above that no one will be able to keep still while listening to this track. I dare you to prove me wrong.

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Five Days North – Colours (In My Mind)

Five Days North are not strangers to T.A.M. and now they’re back with a new single called Colours (In My Mind), which is totally on brand with the sound of this indie pop band from Manchester, UK. It combines elements of 1980s synth pop with modern indie rock a la The 1975 to delight us with a tune that is cheerful and nostalgic at the same time. The lush synths and  buoyant  guitars set the scene for Darryl Messer‘s vocals to lifts us all with the anthemic chorus.

If you’re a fan of 1980s-infused music, Colours (In My Mind) will be right up your alley. Listen to it below.

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Andrew Land – Defects

Andrew Land is a British multi-instrumentalist, producer and composer who was classically trained through his youth and then studied contemporary music on his own. This has resulted in a style of music that combines elements of both approaches, neoclassical music with traces of ambient and electronic sounds. It is not surprising then that one of his main influences is Oláfur Arnalds, who regular visitors should be familiar with. This year, Andrew is releasing his debut album, Relevant Matters, and he has given us some appetizers with a few singles and even an EP: (Making Good) Defects, all recorded and produced by the artist in his home studio in the Midlands, UK.

This EP contains three gorgeous tracks, including two versions of Defects: a stripped down version that you can listen to in the video below, and the regular, more atmospheric version, which you can find in the mixtapes mentioned after the video clip. Both versions are stunning and well worth your time. The track (s) got a cinematic vibe that evokes a feeling of peace and tranquillity. I fell in love with it and, hopefully, you will too.

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Sultan + Shepard – Assassin

Sultan + Shepard - Assassin

I stumbled upon Sultan + Shepard (not the Australian band Sheppard) when Youtube decided to play this song, Assassin, automatically after it had finished playing another video and I was too busy to stop it. The tune was so good that it grabbed my attention almost immediately even though I was focused on work. It is a charming electronic offering with a synth line you simply cannot get enough of.

Sultan + Shepard are a Canadian duo with several EPs under their names and even collaborations with artists such as Tiësto. They have just released their first full-length album Something, Everything, which includes today’s featured track. Sultan, born Ossama Al Sarraf, lived in Kuwait, Cyprus and Egypt before moving to Montreal in 1996 to study mechanical engineering, where he met Ned Shepard and almost immediately started producing music together.

If you like good, melodic electronic music, you really cannot miss Assassin. You are going to love it.

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Mokita & Stand Atlantic – I’m Sorry

To say that I’m Sorry was a catchy song would be a massive understatement. It’s hard not to get hooked with it after just a couple of seconds in. Nashville-based chill-pop singer and producer Mokita wrote it after a conversation with his brother about past relationships and how regretful they felt about mistakes they made. Trying to make it sound even more nostalgic, he decided to make it a duet and managed to convince Bonnie from Stand Atlantic (remember them?) to join forces with him. I’m glad this happened because her voice gives the tune a really nice touch that makes it even more haunting.

Don’t miss this great tune out. It’s really good.

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