Category: Mixtapes

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Frou Frou – Let Go

I mentioned this great song recently in another entry and I think it makes sense to feature it as this week’s #ThrowbackThursday song. Frou Frou was a British electronic duo that released only 1 album, Details, back in 2002. They disbanded in 2004 but Wikipedia claims that they reunited in 2017. I don’t know if that is true or not but Imogen Heap, the lead singer, has had a successful career as a solo artist that predates Frou Frou. Her voice is one of those you can recognize right away.

Anyway, Let Go, which was part of the Details album, gained notoriety in 2004 when Zach Braff chose it as the key track on the award-winning soundtrack of his hit indie movie Garden State. The song was also featured prominently in one of its trailers (which you can watch below). The lush electronic strings and Imogen’s distinct vocals are impossible to resist in what ended up being one of the best tracks of that decade.

Featured on the following mixtapes:

  • Everything
  • Electronic

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The Chronicles of Manimal and Samara – At The Worlds Ends

Continuing with this week’s trend of featuring songs a bit “out of left field” for me, today I have “At The World’s End,” the latest single from The Chronicles of Manimal and Samara. Now, I do like TCOMAS, don’t get me wrong. I even featured them here back in October. But as you will notice when you listen to this track, it is much heavier than the kind of music I usually feature here. It is probably the heaviest one yet. What can I say? There’s something about the way Daphne delivers her spoken word parts that I can’t resist.

The fact that this song’s theme is related to climate change and the impact that our actions have on the planet also helps. This is reflected very well in the accompanying music video, which you can watch below. Check this tune out, particularly if you enjoy loud guitars. It will be worth it.

Featured on the following mixtapes:

  • Everything
  • Alternative

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Tobisonics feat. Costi – Eye of The Storm

Eye Of The Storm is the latest track from Tobisonics, the musical project of Luxembourg-based electro-synthwave artist Toby Davis. For this tune, he got the collaboration of London-based hip hop artist and rapper Costi and mixes in samples of President John F. Kennedy’s famous inaugural speech. Now, I’m usually not keen on tracks so close to the rap and hip-hop genres but the truth is that I really dig this one. I find the chorus extremely catchy and the sampling of Kennedy’s speech (as well as its message) was a master stroke. For an in-depth review and description of the track, please visit this post written by our friend Jeff from Eclectic Music Lover. As usual, it’s excellent form start to finish.

Toby created Tobisonics in his mid-30s after losing nearly two decades to chronic anxiety and depression. I’m glad he rediscovered his love for making music because he’s obviously talented enough to create interesting pieces. It’s never too late to do what you love.

Featured on the following mixtapes:

  • Everything
  • Pop

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Jenny Kern – Coming Back For Me

Coming Back For Me is an introspective indie pop track about solitude and self-acceptance. What I really like about it is the fragile atmosphere that Canadian-born singer/songwriter Jenny Kern surrounded the track with. The layered production and the ethereal vocals make the whole listening experience a very appeasing one.

Jenny Kern is based out of Brooklyn, NY these days. She’s been active since 2019 and got invited to tour Europe after her 2019 single Slow Burn got some global attention. She started 2021 on a roll, releasing Coming Back For Me in January and getting ready to drop another single in March. If you enjoy dreamy altpop and honest songwriters, you should check Jenny out. Her music will definitely be up your alley.

Featured on the following mixtapes:

  • Everything
  • Pop

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ˈKōdəh feat. KEANA – Swerve

Kōdəh (pronounced as Kodah) is the Slovenian word for codes. Koda, on the other hand, is a Native American term for friend or companion. It makes sense then that Shakthi Prasad, a Spain-based  indie electronic music artist from India, chose ˈKōdəh as his stage name. He’s been active in the music scene since 2008 as the drummer of different progressive rock bands in Bangalore. In 2019, Shakthi decided to pursue a Master of Music in Music Production, Technology, and Innovation at the Berklee College of Music in Valencia, Spain, which started his journey into ambient and experimental electronic music. He is preparing his debut album as a solo artist to be released earlier this year.

His debut single, Swerve, was released already last month. It features Los Angeles-based singer KEANA, who has received training in classical and jazz vocals and met Shakthi at the college mentioned above. The track is a call for humanity to wake up and care more about each other and has been covered by Rolling Stone India. Musically, I’m not sure if it is because of the lush electronic background or Keana‘s vocas but the track reminds me a lot of Let Go from Frou Frou, a song that deserves its own feature as a #ThrowbackThursday post. Anyway, Swerve is a great debut single that flags ˈKōdəh as someone that we should really pay attention to. The best is yet to come.

Featured on the following mixtapes:

  • Everything
  • Electronic

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Taylor Castro – Breathe

Ignore for a moment the picture above. If you just listened to Miami-based singer/songwriter Taylor Castro‘s voice, you would find it hard to believe that she’s only 21. She really got a strong voice that will prevent her from sounding like your typical female pop artist. Knowing how to write a hook does help her too. She’s been active in the music business for 3 or 4 years already but was particularly successful last year, with nearly all of her singles from 2020 reaching over 1 million views on Youtube. She’s dropping a 10-track album, Girl, Afraid later this year featuring those songs along with new tunes.

Breathe is one of Taylor‘s new tunes for 2021. Written during quarantine (shocking, I know) in the midst of a rage, it gave Taylor a way to deal with the frustration and calm herself down. It got a catchy melody and a crisp production, as it’s usually the case with any good alt-pop song, but makes this tune particularly interesting is Taylor‘s powerful voice. I think the future is extremely bright for this young talented artist.

Featured on the following mixtapes:

  • Everything
  • Pop

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Tape Runs Out – Hospital

Hospital is not an exciting song and that is totally fine. Not every song must be a banger or a party starter. Sometimes what you need is just a song that can help you switch off for a while and that is exactly what you get with this tune from Tape Runs Out, a seven-piece band from Cambridge, UK. Their style revolves around alt-indie and dreampop and they use a wide variety of instruments, from violin to a hammered dulcimer. The band started in 2012 and are about to release their sixth EP, Ghost Fruit, for which Hospital, released last month, is the lead single.

Written by main songwriter Liam Goodrum-Bell during lockdown and recorded at home, Hospital is a tune we can all relate to after 2020. It’s a gorgeous little indie track that lets you get immersed into its soothing notes. Just give it a try and check Tape Runs Out.

Featured on the following mixtapes:

  • Everything
  • Folk/Indie

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Allison Lorenzen feat. Midwife – Vale

Denver-based artist Allison Lorenzen is one half of the synth / percussion duo School Dance, which allowed her to learn the tropes of composing beautiful vocal melodies across minimalistic backgrounds. In January, Allison put all those skills on display with her first release as a solo artist, Vale, for which she got the help of slowcore multi-instrumentalist Madeline Johnston, aka Midwife.

I really like the deceiving simplicity of the track but I also find the main melody quite catchy. Vale is another word for valley, which is often used metaphorically to describe feeling low or depressed, which is the meaning the word has on this ethereal song. Luckily, that’s far from the feeling you get when listening to Vale: the elation of having found a great tune. Check it out below.

Featured on the following mixtapes:

  • Everything
  • Alternative
  • Folk/Indie

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BILYK & Endless Melancholy – Far Away

BILYK & Endless Melancholy - Far Away

Far Away is a really captivating track. Musically, it is reminiscing of the works of acts like Morcheeba, Massive Attack, and even Mazzy Star; which makes sense because Canada-based singer/songwriter BILYK grew up listening to all of them in Western Ukraine. She has been collaborating with Ukrainian ambient/downtempo project Endless Melancholy, resulting in several stunning songs. One Day You Will Be Free, one of their previous collaborations, got featured in one of the renowned Buddha Bar compilation albums. I honestly think that Far Away is even better.

The combination of Endless Melancholy‘s chill ambient electronic background and BILYK‘s gorgeous and soothing vocals result in a truly spellbinding tune. I should also mention the equally outstanding music video, filmed on the shore of the Baltic Sea on Rugen Island by Roman Hense, which you can find below. Watching the beautiful cinematography with Far Away playing in the background is indeed a fascinating experience.

Featured on the following mixtapes:

  • Everything
  • Folk/Indie
  • Chill Out

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Misao McGregor – She Was Worlds Above Me

At a minimum, what you should know about Misao McGregor is that she’s a singer/songwriter who composes charming music that has roots in indie, pop and soul. You don’t need to know that she’s based in Los Angeles, California or that she was classically trained as singer and pianist, but it adds a little bit of context to her story and it is always nice to have context. Similarly, we absolutely don’t need to know that she’s openly gay, mixed-race American-Japanese and non-binary femme in order to appreciate her music, but it is nice that she generously shares that info because it helps us put everything in perspective. It gives us another lens through which interpret her lyrics and plays and connect with what she’s trying to say.

Misao recently self-released her debut album, Kid In The Corner, which is an autobiographical look into her first 24 years of life and the experiences that made her who she is today, good and bad. The whole album is worth your attention but I particularly liked She Was Worlds Above Me. Not only does it have stunning hooks and great vocals but also a deep meaning. I’ll let Misao explain it herself in the video below. All I can add to that is that I hope you give this talented artist a chance.

Featured on the following mixtapes:

  • Everything
  • Folk/Indie
  • Pop