Comment: Teo Salfinger is a German composer who crafts neoclassical landscapes with a minimalist touch, where his melodies often carry a melancholic beauty reminiscent of evocative film scores. Just before Christmas, he released “Petite Dances“, his third studio album, with ten little gems encapsulating this. “Shy” is just one example, and the main reason why I chose it as the featured track over the others is that it is cello-based, and I have not written about many cello tracks here. If you enjoy the work of Max Richter and Ludovico Einaudi, two of Teo’s influences, I highly encourage you to check out the whole album.
“Shy” appears to have been crafted specifically for contemplative moments, when the entire world fades away and you are left with your own thoughts. Each cello strum paints a dream, a velvety realm of calmness and quiet understanding. This isn’t a song about grand pronouncements; rather, it’s a composition that celebrates the beauty of introspection. Close your eyes and enjoy!
Fueled by the fantastic year-end charts of Mr. Keith Law and Eclectic Music Lover, I was inspired to craft my own list of the 25 songs that soundtracked my 2023. To streamline things (and maybe sneak in a bit of personal indulgence), I’m focusing solely on releases after October 2022. It’s not strictly a “most played” list, but that undoubtedly cast a long shadow here. You’ll recognize some familiar tunes that were featured here this year, but I’ve sprinkled in some hidden treasures too. So buckle up and dive into my sonic journey through the past year! (scroll down for the Spotify widget with all these songs).
“We Can Be Anything“ by Baby Queen. This is a total earworm that appeared here in September. Sadly, despite being a high point, it overshadowed everything else on her new album.
“Goodmorning” by Crusoe. Another familiar gem that’s bound to resonate with regular readers. In the realm of wordless electronica, this track sets the bar impossibly high.
“Primary Colors” by Baseball Game. This song snuck its way into my top tracks without me even realizing it. It might not be the one I actively pick to play, but whenever it pops up, I can’t help but get completely drawn in. It’s that subtle magic you know?
“We Are One” by Wild Youth. Wild Youth represented Ireland with “We Are One” in this year’s Eurovision contest. As you can expect from that show, it didn’t even reach the finals.
“When We Were Young” by blink-182. I really loved blink-182’s self-titled album and this song wasn’t even the one I featured on this blog earlier this year. It’s also not the last one from that record on this list.
“Godzilla” by Nanna. This solo offering from Of Monsters and Men‘s vocalist envelops you in a warm embrace of swirling melodies and ethereal vocals, proving that sometimes, the quietest roar can be the most captivating.
“Bug Like an Angel” by Mitski. I didn’t love the Japanese-American artist’s latest album, other than this stunning tune, which I wrote about here before.
“Sunbeams” by Michael FK. I didn’t have time to write about this enchanting song earlier, but I did write about this Moldovan artist back in 2020. I highly recommend checking out his work.
“How Many Dreams?” by DMA’s. I’m gutted this Australian act has toured the UK quite a lot recently and I still haven’t been able to see them live. I mean, this isn’t even the track from their latest album I liked the second-most.
“Childhood Eyes” by Yellowcard. As you can tell, I have a soft spot for punk-rock acts from the early 2000s. This release didn’t grab me initially, but it’s definitely grown on me.
“Girls Are Mean” by Boyish. Lead vocalist India Shore and vocalist and guitar player Claire Altendahl founded this indie rock duo when they auditioned at Berklee College of Music. On “Girls Are Mean”, the mix of pop, rock, and electronic elements created a soundscape that was both familiar and fresh, keeping me engaged throughout the track.
“Egyptian Summer” by Good Strangers. This is a song I raved about back in August, and honestly, my feelings haven’t faded a bit. This stunning debut track from their equally remarkable EP cemented my love for this Irish band. It’s truly special.
“Under The Influence(r)” by The Summer Set. It isn’t all smooth sailing here- lines like “You made me want to call my mom” have me scratching my head. But the sheer energy and infectious melody are undeniable, and it is pure pleasure to have them back making music together.
“Where Do I Sign?” by Weathers. When Weathers dropped “Where Do I Sign?” as their lead single, I expected it to be the crown jewel of their new album. Boy, was I wrong.
“Nothing Is Perfect” by Metric. I feel I could listen to this song’s intro on repeat the whole day. It appears on their latest album, Formentera II, a follow-up to their successful record from 2022.
“Jai Alai” by DMA’s. And there you have it! As I was saying, these guys are quickly climbing the ranks of my favorite bands. They got one more song in this list.
“Trastevere” by Måneskin. I didn’t like this Italian band when they won Eurovision in 2021: their glam rock excess not quite clicking with me. But “The Loneliest” started chipping away at those walls, and “Trastevere” has brought the whole damn building down. This stripped-down masterpiece, with its achingly beautiful melody and Damiano’s raw vocals, is everything I ever wanted in an acoustic rock anthem. This is how you weave storytelling and raw emotion into a sonic tapestry that leaves you breathless.
“Cool About it” by boygenius. It is not a groundbreaking track, but I just love this song. I can’t quite put my finger on it. Maybe it’s the comfort it brings? Whatever it is, I keep hitting repeat.
“Nothing To Say” by Weathers. Not quite my top spot on Weathers’ latest album, but “Nothing To Say” comes awfully close. The catchiness is practically contagious.
“Amnesia” by M83. A truly impressive comeback from the French act. I loved it when it was released and I still love it now.
“In One Ear & Out the Other” by Chicane. The eletronic music legend knows how to create ethereal soundscapes to lose yourself in. This one is no exception.
“Kill Ur Vibe” by All Time Low. I just love this song’s rhythm. It’s a punk-infused chill pill. Not mosh pit, but midnight drives and quiet defiance.
“21 Year Vacancy” by DMAs.Unsurprisingly, this was my favorite track from their latest album. A beautiful and emotionally resonant indie rock ballad about revisiting the past, acknowledging lost dreams, and finding peace with the journey taken.
“One of a Kind” by Weathers. Here it is: my most played song of 2023. The soaring melody grabs me every time, and the lyrics pack a punch that keeps me hitting repeat.
“Blink Wave” by blink-182. I never expected blink-182 to drop a synth-drenched, 80s-inspired track like “Blink Wave.” When I heard the rumors about it, I was skeptical, but let me tell you, this song blew me away. Who knew these pop-punk legends had an 80s synth masterpiece in them? It’s so good, the only reason it wasn’t my most played of 2023 is the album’s late November release.
Comment: In the ever-changing landscape of music, it’s refreshing to stumble upon an artist who dares to tread a different path. Enter Grecco Buratto, a Latin Grammy-nominated producer and seasoned guitarist, who has graced the stage with iconic artists such as Lionel Richie, k.d.lang, and Gwen Stefani. “Last Days,” is the first track from his second album, “Sem Palavras” (Wordless), released this month. This record also finds its place within a larger project, complementing Buratto’s first collection of poems, “Só Palavras” (Words Only).
“Last Days” is a minimalist masterpiece, drawing its emotional power solely from the gentle strumming of an acoustic guitar. It embarks on a contemplative voyage, offering an intimate exploration of yearning, reflection, melancholy, and serenity. The song feels like a lullaby that lets you disconnect from a world that sometimes feels overwhelming. So, sit back, relax, and enjoy the music!
Comment: Today’s song played during the end credits of the 5th episode of the second season of The Bear, and I was absolutely mesmerised by it. A quick Google search told me that it was called “Welcome”, and the artist was Harmonia & Eno ’76. I found this curious, as the track had indeed reminded me of legendary music product Brian Eno, and I wondered if he had been involved with the track. (Narrator: He was).
Harmonia was a German supergroup formed in 1973 as a collaboration between members of two prominent krautrock bands. Brian Eno was a fan and described them in the mid-1970s as “the world’s most important rock group.” The band dissolved in 1976 after releasing two albums, but reformed briefly for 11 days in September 1976 to record some tracks with Mr. Eno himself. These tunes became the “Tracks & Traces” album, which remained unreleased until November 1997 due to lost tapes. In 2009, the album was reissued with additional tracks and credited to Harmonia & Eno ’76.
“Welcome” is the opening track of the album, and it has a minimalist and meditative quality. If you appreciate the art of soundscaping and the beauty of simplicity, you will find “Welcome” to be a captivating and rewarding listen. I can’t get enough of it.
Comment: Kirsten Agresta Copely is no stranger to this blog. I have featured her stunning harp music before, in Sweet Disposition and Tableaux, and I’m happy to report that she has a new album, Aquamarine, released in July.
Aquamarine is a deeply personal and emotional album, dedicated to Kirsten’s late mother, who shared her love of the ocean and music. Each of the nine tracks has a water theme and a special meaning for Kirsten, reflecting her memories of her mother and her own artistic vision. The album is a beautiful tribute to the woman who inspired and supported Kirsten’s musical journey from an early age.
The title track, “Aquamarine”, is a perfect introduction to the album. It starts with a gentle harp melody that evokes the calmness and clarity of the sea. The song gradually builds up with layers of sounds created by the mixing engineer, Kirsten’s husband: Marc Copely, creating a rich and dynamic soundscape that captures the power and mystery of the ocean. The song is both soothing and uplifting, inviting the listener to dive into Kirsten’s deep blue world. If you are looking for a song that will soothe your soul and inspire you, here it is:
Comment: Allow me to introduce you to the mesmerizing instrumental piece, “Lilium,” composed by the talented artist Gav Moran and featured on his excellent debut album, “Broken Pieces”. “Lilium” is a musical journey that effortlessly blends simplicity and elegance. The piano melody, at its core, is delicate yet profound, guiding the listener through a cascade of emotions that gradually intensify, culminating in a powerful crescendo accompanied by lush violins and cellos. This piece possesses a captivating quality that lingers long after its last note fades away.
The significance of the song’s title, “Lilium,” holds deeper meaning within its Latin origins, translating to “lily.” The lily, renowned as a symbol of purity and innocence, serves as a fitting representation for Moran’s composition. “Broken Pieces”, which was recorded in Gav’s home studio in Ireland, is full of hauntingly beautiful tracks. I highly recommend that you listen to the entire album in addition to “Lilium”. You will not regret it.
Comment: Happy New Year! Let’s begin 2023 with an enchanting tune from Juliano, a neoclassical composer from Germany. Inspired by an array of related topics such as loss, grief, loneliness and inner conflict, the artist created Torn hoping it would mesmerize the listener with its beautiful melody. It is indeed a captivating piece.
Comment: There’s no much I can tell you about A Tree On A Hill. I don’t even know the artist’s real name. What I can tell you, though, is that this Swiss artist feels a deep connection with nature, which inspires him to compose moving pieces such as Blue Dahlia. The track represents the lifecycle of that beautiful flower, from the moment it is planted to the moment it gives way to a new cycle. In a way, listening to Blue Dhalia makes this interconnected world feel alive.
Comment: I used to live next to a small cemetery. It was one of those green areas that happened to have some old graves in them. You would think it was a creepy experience, but, actually, taking walks there was extremely peaceful and serene, no matter what your mood was. I felt something similar when I listened to Cemetery Walk, the second track in The Aquaerials’ hauntingly beautiful new EP: After the Apocalypse. If you’ve been paying attention, you may remember then that The Aquaerials is the moniker of multi-instrumentalist Mark Swanson. who keeps composing gorgeous neoclassical melodies, just as the five tracks that make this record.
With all that is happening in the world nowadays, from the war in Ukraine to Twitter’s implosion, it comes in handy to have the soundtrack for what comes after the end of times.
Influences:Cigarettes After Sex, Deftones, Cocteau Twins
Release date: July, 2022
Comment: Simon Pipe is a musician, songwriter, producer, and overall artist from Barbados, who has built a career out of writing and producing music for other artists, including the famous reggae act Shaggy. However, that did not fill Simon’s needs as an artist, which is why he decided to make and share his own music as well, hoping someone could relate to it.
Over the last three years, Simon has struggled with his mental health and addiction multiple times. His survival mechanism and the way he prefers to deal with his issues is making music, and Leave The Light On, in particular, is an example of that. It is a song about true love and how small gestures, such as leaving the light on for your partner when they’re late, can mean so much to them, What I enjoy the most about this lovely track is its soothing vibe, helped by Simon’s extremely appealing voice. I honestly feel I could listen to Leave The Light On all day. I hope you can enjoy it too.