Comment: If you just listened to Canadian alt-pop quartet The Royal Foundry‘s latest single, the extremely infectious Little High Little Low, you would never guess that they were once a folk duo, with real life couple Jared Salte and Bethany Schumacher at its core. The band has achieved certain recognition in their home country but this track about the importance of mental health and learning how to handle high and lows, could be the one that puts them firmly on the radar at an international level. It you like The Strumbellas (I do, a lot), you are going to love this. Enjoy!
Comment: Having received classical training in percussion and after years performing as a drummer in live gigs or as a DJ/electronic music artist, it makes absolute sense that the work of Keeka The Brave –the musical project of American musician, producer, and songwriter: Elon Hiers–, sounds so cool and fresh. The Messenger, for instance, blends post-rock guitar lines with ambient synths and sophisticated beats. Inspired by the beaches near Jacksonville, this mesmerizing track will be part of Keeka The Brave‘s debut EP. Check it out!
Comment: With the sad news of the passing of legendary and Oscar-winning composer Vangelis (R.I.P.) earlier this week, I thought it would be fitting to feature today a song that will certainly remind you of him: the alliteratively titled: The Beacon Beckons. Actually, South Africa born composes Jarp du Plessis, aka antinode, didn’t use to make synth-based music but he decided to step away from his usual melodic piano tunes when he started to work on his symphonized EP. The result was nothing short of mesmerizing.
Comment: I hadn’t done one of these (#ThrowbackThursday entries) in a while, mostly due to a lack of time, not a lack of songs. In fact, I wanted to feature Sugarcult last week, after they kindly liked a tweet in which I mentioned them, but alas, I ran out of time. This band from Santa Barbara, California, started in 1999 and had a pretty successful debut studio album in 2001, during the hey-day of early 2000s punk-rock –by the way, last year they re-release that album in its 20th anniversary–. However, something I liked about them was that they were not afraid to experiment and try new sounds: none of their three studio albums sound alike.
Despite still being active (after a hiatus), they have not released a new album since 2006’s Lights Out, which is the one that features today’s track: Do It Alone. This song was the first single off that album and probably ahead of its time, because it wasn’t even as successful as the second single (Los Angeles). I think part of the reason why was that it sounded closer to the music of bands that were becoming popular then, like The Killers, than what Sugarcult had released before. It was our loss, though, because the single was really outstanding and perhaps, in a parallel world in which both track and album were a massive success, we would have had many more Sugarcult albums.
Comment: MONOWHALES were featured here more than one year ago and now they’re back with a new single that, while sounding different and fresh, is also very good. This time they delight us with a bedroom pop tune centered about coming of age as an adult.
Comment: This sweet and gorgeous song goes hand in hand with its quirky music video, which is basically a short film directed by Andrew Sowka. The song, part of Rose-Erin’s upcoming LP, When The Sun Goes Away, is a guitar-based indie-folk tune that somehow reminded me of Regina Spektor‘s Us, even though the two songs don’t sound alike. I guess it is the way how Rose-Erin sings “all along”. Anyway, please enjoy this magical song/music video.
Comment: Inspired by the eponymous 1850 poem by Henry Wadsworth Longfellow (sampled at 1:16), Twilight is a relaxing and melancholic lo-fi single from London-based producer Rosehip. The poem describes the ocean though the eyes of a child who’s looking at it, in the middle of a storm, from the comfort of home, and that’s the feeling Rosehip wanted to evoke in the listener too: feeling comfortable during turbulent times.
Twilight is part of Stargaze, the new EP by this talented artist. Despite starting pushing the boundaries of lo-fi recently (2020), Rosehip has already achieved over 8 million streams on Spotify. Once you listen to Twilight, you will see why.
Comment: Norwegian singer Sigrid got an international pop hit with Sucker Punch, from her eponymous debut album. That song was catchy and I did like it, but the young artist still managed to surprise me when I listened to It Gets Dark, a lead single off her brand new sophomore album: How To Let Go. This song is next level good. Check it out.
Comment: If you live in Ireland, you might have seen Ian Moloney busking on the streets, playing at a gig or participating at a music competition. He’s involved with the local Irish gig scene like that. I hope those who have seen him play could appreciate how talented he is because it would be a shame if they didn’t. Influenced by The 1975’s debut album and MCR’s The Black Parade, Ian has released the second part to his debut EP, The Insomniac’s Dream, back in December, and it got quite a few good songs in it. I chose Polaroid today simply because Ian recorded a music video for it (see below) but I could have chosen any track. The album, which was recorded by Ian and a friend at their own houses during the pandemic, is that consistent.
I believe this record is just Ian’s starting point, but listen to Polaroid below and you will see how good a starting point it is.
Comment: WTF got some rather depressing lyrics but I fell in love with it anyway. As soon as Alexandra Artourovna Yatchenko, aka Sasha Alex Sloan (and formerly: Sasha Sloan), started singing: “Same shit, different year”, I was spellbound. One of the lead singles off Sasha’s sophomore album, I Blame The World (which is going to be released next week!), this honest track is definitely a #musicalcrush. Hopefully, there will be a few of those in the new album.