Collective Soul – Needs

As I shared yesterday on Facebook, this great album, Dosage, was released 22 years ago on February 9, 1999. If you only know a few songs from Collective Soul (if you know them at all), chances are those songs are all from the band’s first two albums, as those were their biggest hits: Shine, December and The World I Know. All great songs, hands down. However, this band from Georgia is much more than those 3 tracks, as they consistently released good albums all the way through 2009. The pace slowed down after that year (two albums since then) as they focused on some side projects but they will probably release another album soon as they just dropped a small EP a couple of months ago. I will always have a soft spot for Collective because they were the first band I ever saw live and it was a heck of a live show. Seriously, if have never seen them live, you should prioritize that once rock concerts are a thing again. Ed Roland is one of the best performers I have ever seen.

Anyway, I’m digressing. Dosage was a great album and even though it had a couple of big hits in Heavy and Run, and contains several little gems, the record itself is not as famous as its predecessors. One of those gems in Needs, which, in my opinion, is just as good as any of the band’s bigger hits. Ed Roland’s vocals are great as usual but each component of this song (the strings, in particular) is just stunning. Please enjoy this #musicalcrush of mine as this week’s #ThrowbackThursday entry.

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teepee – closer

Every year, tens of artists from over 15 countries from  the Central and Eastern European region travel to Hungary for the Budapest Showcase Hub, aka BUSH Festival. Usually, the bands play live shows across multiple venues and prizes are awarded to some of them. In 2020, however, for obvious reasons, the festival had to be changed at the last minute to a virtual edition through a video extravaganza series in which some light is shed about each band, including fun facts and what make them unique. The musical genres covered on this festival are broad and you are sure to find bands that will catch your attention, whatever kind of alternative music you’re into. You can watch the whole series on the festival’s Youtube channel here.

Out of the 31 artists who participated in last year’s edition of the BUSH Festival, the one that really caught my attention was teepee, a Czech dream-pop duo consisting of Miroslav Patočka and singer-electric guitarist ​Tereza Lavičková. They got two studio albums already, with the most recent one released in 2020, Where The Ocean Breaks, which includes the song being featured here today. Closer is a stunning song that blends indie folk and dream pop. Its soulful vocals elevate it to the next level. If that wasn’t enough, they made a really nice music video as well.

I probably wouldn’t have discovered this talented band if the BUSH Festival organizers hadn’t reached out to me. For that, they got my gratitude.

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TROUBLESHOOT – Worst Bad Habit

Songs like Worst Bad Habit are not that popular nowadays, even within alternative rock circles, but they used to be very popular about 15 to 20 years ago, around the time I was a student, which is why I got a soft spot for them. I’m referring to tunes from bands like American Hi-Fi and Sugarcult. Maybe it is time these songs make a comeback.

With regards to TROUBLESHOOT, that is the stage name chosen by York-based artist Ben Jones, who dreams about becoming the “upbeat Lewis Capaldi“. Time will tell about that but as you can see in Worst Bad Habit, Ben is influenced by alt-rock and even pop-punk music, which consist mostly of guitar-driven songs and catchy riffs, with some synth melodies here and there. He’s released two EPs already as TROUBLESHOOT, with some of the tracks even getting featured on some editorial playlists from Spotify. Definitely check him out if you re or used to be a fan of early 2000s alternative rock bands.

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The Jobs – The Sunrise Over The Hill

The Sunrise Over The Hill is my favourite track from The Jobs‘ new EP: Sailing Upon The Thames, which is on itself a really good album. In case you are wondering who they are, we are talking about an alternative rock band from Cleveland, Ohio that should definitely be on your radar. They started when its two primary songwriters, Trevor Meyer and Thomas Heun, who played on competing bands in high school, decided to join efforts after college. Drawing inspiration from all around the world and adding tones of punk, emo and surf rock to their alt-rock base, they deliver outstanding music with their own distinctive style.

What I love about The Sunrise Over The Hill in particular is, quite simply, its magnetic melody. However, the band added enough rhythmic changes to keep it interesting from beginning to end. The hook-ridden song got the whole package including quality lyrics. See it by yourself below.

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Republica – Ready To Go

While doing some research for yesterday’s post, I got reminded of this classic from the 90s. Ready To Go was an international hit in 1997 (even though it was originally released in 1996) and it is by far the most well-known song from the English band Republica. I can’t say I know much about them, but according to Wikipedia (which of course is always right), they were formed in 1994 and are still active despite releasing their only two albums before the new millennium (they’ve released some compilations afterwards). As an interesting piece of trivia, Saffron, their lead singer, was born in Nigeria.

Anyway, enjoy this week’s #ThrowbackThursday entry!

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Stranger Girl – Bad Side

Stranger Girl sounds a lot like a female-fronted and improved version of The Strokes (I’m not a big fan of Julian Casablancas‘ vocals), which makes sense because that band is one of their influences. This British band has released 5 singles since 2017 but 4 of them since 2019, with Bad Side dropping late last year. A song about confronting your inner bad thoughts, highlighted by an anthemic chorus, this tune really showcases how talented Stranger Girl are.

With recurrent themes such as neuroticism and geekiness, it’s not hard to understand the origin of the band’s name. However, there is nothing strange about Stranger Girl‘s music. It is catchy, relevant and distinctive. Please do check them out.

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Foo Fighters – Waiting On A War

Today was one of those days with meetings back-to-back non-stop, which is something that drains my energy levels. For that reason, I’m going to feature today a great band that everybody is aware of. There isn’t much I can tell you about the Foo Fighters you don’t already know.

They’re about to release a new album soon and have dropped 3 song so far, with the latest one being Waiting On A War, released last week. If you haven’t heard it already, do so now. It rocks. I hadn’t liked a new song from the Foo Fighters this much since Walk from 2011’s Wasting Light, so I’m not a diehard fan who will simply love everything Dave Grohl and company do. Believe me when I say that I think this new track is stunning. I love everything about it, from its lyrics (inspired by Grohl’s daughter) to the intro with the soft guitar strums and the strings to its amazing in crescendo finish.

There’s got to be more to this than that!

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The Trusted – Criminals

The first time I listened to Criminals, the latest single from British band The Trusted, it immediately reminded me of some pretty good alternative rock bands from the 2000s, like Vega4 and Carolina Liar (bands that you definitely should check out if they don’t ring a bell to you). This act from Southend-on-Sea started out of secondary school around 2017, when the band members bonded over their admiration of melodic and atmospheric pop-rock. It’s no wonder then that they’ve managed to craft such a great song like Criminals.

Mixed by Grammy nominated Andy Bradfield (Elbow, David Gray), Criminals features hypnotic synth-strings and guitar loops that complement very well the smooth vocals of Tom Cunningham. Sad, honest and beautifully uplifting are adjectives that The Trusted use to describe the track, and they are spot on. The band have garnered acclaim from several magazines and publications and got a strong following in Italy after two successful tours. After listening to Criminals, it’s easy to see why.

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Nate Adamson – Grace

At 5:32, Vancouver-born Nate Adamson‘s debut single, Grace, might appear to be too long but it is not because at 04:06 it switches up a gear and goes from being a good song to an outstanding one. I simply love those guitar riffs that complement the song so well. And did I mention that Nate did absolutely everything related to this song? Besides writing the song, singing and playing each instrument; he also recorded and produced every element using the studio he built from the ground up. Pretty impressive, if you ask me, for somebody who is just starting.

This singer-songwriter started listening to legends like Johnny Cash but later discovered more contemporary acts like Kings of Leon and Phoebe Bridgers, which is what ended up motivating him to create his own music. That being said, Grace reminds me a lot of Duncan Sheik, not just in style but also because of the soothing vocals. A bright song the artist wrote for the daughter he would like to have someday, it brings us hope by telling us that no matter how dire things might look right now, everything will be all right in the end. With more songs like Grace, I could totally believe that.

P.S: Since I wasn’t able to write a post on Monday and Wednesday this week, there won’t be a #ThrowbackThursday entry this week. Hopefully, it will return next time.

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Middle Part – Busy

After experiencing a major adversity, Brooklyn-based singer Andrew Selkōw moved to Alaska for a while to find himself. Being alone and surrounded by nature rekindled his love for literature and music and planted the seed for Middle Part to be born. Inspired by both 1990s and early 2000s alternative bands, Andrew composes sincere music that connects with you at many levels. On December, Middle Part released his debut EP, I Wish I Was Alive, which compiles the singles he had published already.

One of those singles is Busy, a laid-back tune that relies on hazy vocals, acoustic guitars, and soft synths to deliver a message of vulnerability. Influenced by artists like Natalie Imbruglia and Michelle Branch, Middle Part wrote Busy to warn us about the problems ego brings to friendships. I don’t know if it is because of the guitar, the vocals or the steady beat, but somehow this song reels you in and doesn’t let go until long after it’s ended.

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