Alex Urwicz is a classically trained pianist and composer based out of Paris. In 2020, he co-created a label called WUCA Records that specializes in classical and neoclassical music, on which he released his debut EP, Couleurs, earlier this year. In addition to that, Alex has worked a composer, arranger, and producer on films, documentaries and advertising for the past 5 years. He clearly knows a thing or two about making music.
Couleurs consists of four tracks inspired by colors. Ardoise, for example, is the French word for a bluish shade of gray. It is the first song in the EP and also my favorite. You could say this of the four tracks but Ardoise is particularly soaked in sweet nostalgia that will transport you to your childhood or another time that you remember with fondness. It reminded me of the stunning soundtrack of the great movieAmélie (I should write about Yann Tiersen at some point). The bottom line is that Alex Urwicz is a talented composer that you should follow if you like sweet piano-based melodies. You won’t regret it.
I was busier than expected this week, which is the reason for the short amount of updates here. I hope I can compensate for that by featuring here a great song that was totally overlooked at this year’s Eurovision Song Contest.
If you have never heard of that contest (it is not very popular in North America), our friend Jeff from the great Eclectic Music Lover blog, offered a concise summary when he reviewed the winning song from this edition, which wasn’t my favorite but I didn’t dislike. There is something you need to understand about Eurovision: most people watch it –and we’re talking about more than 200 million worldwide– not because of the quality of the contestants but to laugh at some of the over-the-top and often ludicrous acts that some countries send to this contest each year (for example, this one). A jury from each country awards points to 10 other countries, which accounts for half of the total amount of points. The other half comes from popular vote (people can’t vote for the act representing their own country). However, quite often political reasons influence how the country juries vote and the general public regularly selects the most extravagant acts, which means that the winning song is rarely the most deserving one (I mean, this song won in 2018). Therefore, if you don’t hate the winning song, you can consider yourself satisfied.
All that being said, this year’s edition was better than expected in terms of the quality of the contestants. Most of them were at least decent and a few were even more than good. In my opinion, by far the best entry was the act representing Portugal: The Black Mamba, and their song Love Is On My Side. It finished in 12th place but as I explained above, that doesn’t mean much. What really matters is that the tune, which was the first Portuguese song in the contest performed entirely in English, is outstanding. It starts with bluesy undertones reminiscing of rock tracks from the 1970s, which contrasts very well with the catchy chorus more typical of an #indierock track. It also helps that the band’s frontman’s, Pedro Tatanka, voice is really distinctive and perfect for this kind of music.He wrote the song inspired by a sex worker the band met during a trip to Rotterdam in 2019. Written from her perspective, it reflects how all hope is not lost even when life does not go as planned.
I hope you enjoy Loves Is On My Side as much as I did.
If you have heard of SR-71 at all (the band, not the aircraft), it’s probably because of their 2000’s hit single Right Now, which got a lot of airplay back then. It was their only hit from their underrated debut album, Now You See Inside, but I consider it to be barely the fourth best song on that record. The band from Baltimore, Maryland, went on to release two additional studio albums before calling it quits in 2004 (they had a brief reunion playing some shows together around 2009) and SR-71‘s frontman, Mitch Allan, is still active today as a pretty successful music producer. While they never had another hit as big as Right Now, it could be argued that one track from their last studio album was even bigger because the version of 1985 played by Bowling For Soup became a huge hit without most people even being aware that it was a cover.
Anyway, going back to SR-71’s debut album, the song I tend to play again and again is usually Last Man On The Moon. I love those drums and the overall melody of the track, as well as the way the bridge transitions back into the chorus. The lyrics are enjoyable although not as good as the lyrics for another track in that album: Alive, but I will leave that for another post. Meanwhile, I hope you enjoy this week’s #ThrowbackThursday entry as much as I do.
Raosaheb Ramteke is an IT professional from India with a passion for music production. After struggling for a while to find the right balance between his day job and spending time making music, he finally self-released his first single in 2020 under theVinCrux moniker. He has since dropped a few other singles, including today’s featured song, Within, earlier this year. While he’s still trying to establish himself as a music artist, the quality of his work is generating some buzz already not only in his home country but all over the world as well.
Unfortunately, Vincrux lost his dear sister due to cancer in 2019, but the silver lining of that terrible experience is that it sparked a flame within Raosaheb for pursuing his dream. Most of his songs are inspired by conversations and memories he had with his sister and Within is no exception. With this tune, Vincrux wants to express that the solution to most, if not all, of our troubles lies within ourselves. Listen to this excellent track below and get lost in its enchanting melody. You will also find it hard to believe that everything related to making this song, even the music video below, was made by himself: an artist who is just getting started. Impressive.
Earlier this week, I mentioned My Favorite Highway as an “obscure” reference. That’s because after one album and a couple of EPs as independent releases, they only released one full album, How To Call a Bluff –in 2008, and then re-released with a couple of extra songs in 2009 under a different label–, as signed artists before quickly disbanding in 2010. Some of their songs from that album appear on some popular shows around that time and they toured with artists such as Hellogoodbye and Kelly Clarkson; but, nevertheless, chances are that you have never heard of them. They never became that popular.
That is a shame, though. This band, originally formed in 2004 by two brothers from Fairfax, Virginia, was really good at writing infectious #poprock tunes that you simply could not get enough of. I think the best example of that was their single Getaway Car, which has a chorus to die for. I really mean it. No matter what mood you are in on any given day, as soon as that chorus starts, it is impossible to remain neutral to it. As this week’s #ThrowbackThursday entry, please let me introduce you to a #musicalcrush of mine from the late 2000s. Hope you like it!
Lost In Japan is a Canadian band whose members have never actually being lost in that Asian country. That being said, I dig that band’s name and, more importantly, their indie rock music. With a sound reminiscing of Arkells and My Favorite Highway (obscure reference), Lost In Japan have received plenty of support in their hometown of London, Ontario, and even amassed over 500k streams for their debut album (2018). They’re getting ready to release a sophomore EP and Lonely is its latest leading single.
Frontman Addison Johnson wrote Lonely three years ago while he was on tour. He wanted to channel the loneliness he was feeling while away from his family. Eventually, after other band members added their input to it, the tune morphed into the version we can listen to now. What I really love about Lonely is the infectious chorus that Addison delivers flawlessly. It’s a really catchy tune that I’m sure you will enjoy.
For a long time, London-based multi-instrumentalist Jack Beech has been producing music for other artists, but after contracting COVID-19 in January this year, Jack felt the need to create his own music and started writing an EP. That record, called Noctilucent, is available to stream everywhere already and consists of four delicate ambient tracks of different textures. One of them is the eponymous track that we’re adding to our mixtapes today.
The word noctilucent means something that glows or shines at night, and that’s what Jack tried to convey with this song and the whole EP album. Even our darkest times can result in something bright that gives us purpose. An atmospheric ambient song with a beautiful piano melody at its core, Noctilucent takes us on a haunting journey through the most gorgeous landscapes of our imagination. Please do give it a listen because you are not going to regret it.
Formed in 1999, Rise Against has been one of the most revered and influential #punkrock bands of the last 20 or so years, often singing about political injustice, animal rights, environmentalism and other social issues. That being said, I got to admit that I’ve never been a big fan of their music. It is usually too hardcore for me. This is why the fact that I liked their latest single –and first since 2017–, Nowhere Generation, so much actually means something. I guess longtime fans of the band will consider it too mellow or ‘mainstream’ for their liking, but one person’s loss is another person’s gain.
Don’t get me wrong though, Nowhere Generation got plenty of oomph. From the moment frontman’s Tim McIlrath starts singing the overture to the moment the full band starts playing, the song’s energy level is never too low. The track is a tribute to the current generation, which despite technological prowess , does not have the same opportunities previous generations had for achieving the ‘American dream’. The combination of the song’s message with the catchy melody results in a powerful track well worth a listen. Perhaps even on repeat mode.
Two days ago, on my post about Moon Museum, I compared their single to Bros from Wolf Alice, so, naturally, it makes sense to feature that track as this week’s #ThrowbackThursday entry. Bros was released initially as a demo in 2013 but the British band included a reworked version in their debut album, My Love Is Cool, in 2015, and re-released Bros as its second single. A tribute to childhood friendships –as evidenced by its music video, which you can watch below–, it was the only song from that album to enter the main UK Singles chart. With its soft guitar riffs and lead singer’s Ellie Rowsell‘s sweet vocals, Bros is, without a doubt, a great indie track.
Formed originally as an acoustic duo in 2010, Wolf Alice quickly became a fully-fledged alternative rock band. They have released two studio albums since then and are about to drop their third one in June. Three of the new songs are available already and they sound really nice. While we wait for the rest of the new album to drop, let’s enjoy Bros again.
Yume means ‘dream’ in Japanese and that is the reason why YumeMike chose that moniker, even though he’s actually Italian. He grew up playing bass in multiple #punkrock bands but, as a solo artist, he traded the bass for synths, creating an interesting variant of #indiepop with a strong #poppunk flavour. He cites The Naked And Famous and The Killers as influences, but if you want to have an idea of what he sounds like, think Owl City meets Angels & Airwaves. YumeMike’s ‘dream’ is to inspire and elicit warm feelings through his music. If you like positive messages, this is the artist for you.
Dream Out Loud is part of YumeMike‘s debut album, Light In The Mirror, released in February but that he started working on back in 2019. The track is perfectly on-brand with the artist’s style of uplifting synthpop music but I have to say that the overall production/musical arrangement is really impressive considering he worked on it alone. In fact, YumeMike just released an instrumental version of his debut album that is just as good too. This Italian artist is seriously talented and deserves to be on our radars. Check him out.
