Comment: It’s been a while –fourteen months, to be precise– since the last time incredibly talented band The 93 released new music, so I’m happy to report that they are back with a superb new track that certainly ticks all the boxes. Their sound is evolving without changing too much either. They still have their dreamy guitar lines and distinctive soundscapes we enjoy so much, but Welcome got full lyrics now delivered via muffled vocals that make you feel as if you were listening to the song in the middle of a dream. A dream about space travel.
Enjoy this Christmas present we got from brothers Mazur: The 93.
Comment: The Haven is a hauntingly beautiful neoclassical piano piece named after the house in Northumberland where its composer, Steve Luck, spent most of his childhood holidays. This British artist has been composing and releasing music since 2014 and will release an album in October. Definitely keep him on your radar. In the meantime, enjoy the tenderness of this nostalgic piece.
As it happened to many others, Kyle Wright lost his job in the middle of the pandemic. After graduating college, he had to work as an Uber driver to make ends meet. However, he never stopped dreaming about a better future. Just one year earlier, he had started a solo musical project called Away From The Earth, inspired by his time as a guitar player during worship events and on local bands around Memphis. The events during 2020 motivated him to compose and self-record an EP he named Paint With Grey, See In Color that reflected what he was feeling at the time. Kyle defines AFTE’s music style as “somewhere between post-rock energy and ambient vibes”. I couldn’t agree more with him.
The EP is really good but I fell in love with its first track: The Secret Is To Begin, which is simply mesmerizing. Kyle says that it was based on the sound made by “taping bubble wrap to a fan and laying it over the strings of an electric guitar”, which I would never have guessed on my own given such a beautiful piece of #postrock music. The bottom line is that it is a spellbinding song that you will want to inject into your veins. Listen to it at your own peril.
When I listened to MiddleHill for the first time, it reminded me of the work of Ólafur Arnalds, so seeing him listed as one of the influences of British multi-instrumentalist and composer Edward Cross wasn’t a surprise. What starts as a piano piece recorded on an old, creaky instrument, quickly ends up immersed in a full-blown soundscape that includes strings, electric guitars and woodwind. This results in a mesmerizing neoclassical song that evokes nostalgia, hope and a little bit of sadness. Written and recorded during the first lockdown, MiddleHill will keep us company for years to come.
Korea is a country with a long history of hardships: from Japanese occupation to many wars and losing family members when the country got divided, among other things. Korean people have a word, Han, that has no direct translation to English and is, actually, difficult to explain. It comes from the Chinese Character 恨 (Han) which means resentment, hatred, or regret; but its meaning is much more complex in Korean. It is associated with families that were separated when Korea split and linked to the concept of ‘the beauty of sorrow‘. It is a form of sadness or longing that’s become part of the Korean identity.
American composer David Baron‘s wife is Korean and they often talk about the concept of Han and how it applies to modern life. I mean, the whole world has been in a state of Han since early 2020. All of this inspired David to compose a beautiful waltz-based piano piece that “aims to capture the duality of sadness/hope”. He managed to achieve that astonishingly well because you can definitely perceive beauty and sadness impregnating The Han. It’s a hauntingly charming composition.
With regards to the artist, as an arranger, engineer and producer, David Baron has worked with artists such as Lenny Kravitz, The Lumineers, Shania Twain and Phoebe Bridgers. He’s also successfully scored films, tv shows and ads over the years. Baron releases his solo work on Woking-based UK label Here & Now Recordings, often collaborating with other artists on that label like Donna Lewis.
Alex Urwicz is a classically trained pianist and composer based out of Paris. In 2020, he co-created a label called WUCA Records that specializes in classical and neoclassical music, on which he released his debut EP, Couleurs, earlier this year. In addition to that, Alex has worked a composer, arranger, and producer on films, documentaries and advertising for the past 5 years. He clearly knows a thing or two about making music.
Couleurs consists of four tracks inspired by colors. Ardoise, for example, is the French word for a bluish shade of gray. It is the first song in the EP and also my favorite. You could say this of the four tracks but Ardoise is particularly soaked in sweet nostalgia that will transport you to your childhood or another time that you remember with fondness. It reminded me of the stunning soundtrack of the great movieAmélie (I should write about Yann Tiersen at some point). The bottom line is that Alex Urwicz is a talented composer that you should follow if you like sweet piano-based melodies. You won’t regret it.
For a long time, London-based multi-instrumentalist Jack Beech has been producing music for other artists, but after contracting COVID-19 in January this year, Jack felt the need to create his own music and started writing an EP. That record, called Noctilucent, is available to stream everywhere already and consists of four delicate ambient tracks of different textures. One of them is the eponymous track that we’re adding to our mixtapes today.
The word noctilucent means something that glows or shines at night, and that’s what Jack tried to convey with this song and the whole EP album. Even our darkest times can result in something bright that gives us purpose. An atmospheric ambient song with a beautiful piano melody at its core, Noctilucent takes us on a haunting journey through the most gorgeous landscapes of our imagination. Please do give it a listen because you are not going to regret it.
For most people, buying a house is an important achievement that requires plenty of sacrifices. For Michigan-based artist Mark Swanson, that meant selling all of his instruments (he had been playing music for years). Well, all but his keyboard, which he tried to sell as well but could not find a decent offer for it. A few years later, when Mark felt the itch to play music again, he had to use the only instrument he still had: the keyboard, which not only explains how The Aquaerials started but also his sound. Influenced by artists who should be familiar to regular readers such as Ólafur Arnalds, Max Richter, and Sigur Rós; Mark creates minimalist neoclassical compositions that are simple yet beautiful.
Insomniac’s Respite, the latest single from The Aquaerials, is an instrumental piano piece that was inspired by sleeplessness and a general feeling of anxiety. However, being an instrumental piece, each listener can interpret it in a different way. Composed, recorded, mixed, and mastered by Mark himself in his home studio, Insomniac’s Respite is a delicate track that is as serene as a lullaby. If you want to relax, this is the perfect track for you. Enjoy.
Andrew Land is a British multi-instrumentalist, producer and composer who was classically trained through his youth and then studied contemporary music on his own. This has resulted in a style of music that combines elements of both approaches, neoclassical music with traces of ambient and electronic sounds. It is not surprising then that one of his main influences is Oláfur Arnalds, who regular visitors should be familiar with. This year, Andrew is releasing his debut album, Relevant Matters, and he has given us some appetizers with a few singles and even an EP: (Making Good) Defects, all recorded and produced by the artist in his home studio in the Midlands, UK.
This EP contains three gorgeous tracks, including two versions of Defects: a stripped down version that you can listen to in the video below, and the regular, more atmospheric version, which you can find in the mixtapes mentioned after the video clip. Both versions are stunning and well worth your time. The track (s) got a cinematic vibe that evokes a feeling of peace and tranquillity. I fell in love with it and, hopefully, you will too.