Top 25 songs that soundtracked my 2024

The Alternative Mixtapes: Top 25 songs of 2023

Top 25 songs that soundtracked my 2024

Happy New Year.

I really enjoyed writing this post in December 2023, and my plan was to publish it before New Year’s Eve, but I got busier than expected and couldn’t find the time to do so until now. Better late than never!

Without further ado, here are the songs I enjoyed the most in 2024 (I would have loved to write about all of them on this blog, but sadly I only got the time to do so for a few of them):

  1. Swayze by Smallpools. Catchy track with strong 1980s vibes that was featured here back in May.
  2. “in the stillby PRONOUN. One of the songs I really wanted to write about but never got the time. PRONOUN, whose real name is Alyse Vellturo, is an American singer-songwriter and multi-instrumentalist who was named one of Billboard’s breakout indie artists in 2019. “in the still” was the lead single of Alyse’s new EP and the best way I can describe it is as an upbeat hybrid of Shoegaze with pop/rock.
  3. “Next Semester” by twenty one pilots. I wrote about this track here. I got tickets to see them live for the first time this year. I’m really looking forward to that.
  4. “Millonaires” by The Snuts. This Scottish band had one of my favorite albums of the year. I featured their track ‘Circles’ here, which—spoiler alert—appears later on this list. ‘Millionaires’ is another example of the multiple radio-friendly gems on the album.
  5. “Freezer” by PONY. I wrote about this Toronto-based act in 2020, but I’m happy to report that Sam & Co. have kept busy releasing more material since then, including “Freezer” this year, which is perfectly on brand with PONY’s style.
  6. “Oxford Sky” by Nick Box. If you’re looking for a relaxing piece, this is the track for you. The only bad thing I can say about “Oxford Sky” is that it is too short, because it will definitely leave you wanting more. Nick is another artist who has appeared on these pages before.
  7. “Falling” by Luttrell . Eric Luttrell is a San Franciscan producer known for his unique blend of melodic techno. I cannot pinpoint exactly why, but I couldn’t get enough of “Falling” in 2024.
  8. “just stand there” by Fred again.. I’ve got a soft spot for musical tracks featuring spoken words, and when you add the genius electronic touches (particularly around the 1:37 mark) of Fred again.., one of the trendiest electronic music producers in the UK since winning ‘Producer of the Year’ at the 2020 Brit Awards, you get this outstanding track.
  9. “Anywhere But Dancing” by Lauren Mayberry. Lauren Mayberry of Chvrches fame has released a solo album with a bit of everything: 80s-inspired music, piano ballads, 90s alternative rock, and more. Without a doubt, it’s one of the best albums of the year, despite the fact that I didn’t love some of the lead singles. “Anywhere But Dancing” is one of the 90s alternative rock-inspired tracks, with laid-back production relying mostly on a guitar and Lauren’s sweet voice. I was lucky enough to watch her perform this track live in December, and she did it flawlessly.
  10. “Pretty Slowly” by Benson Boone. Benson Boone had a big year with several successful hits, including the ubiquitous “Beautiful Things”, which ended up as Spotify’s second most streamed song of 2024. However, my favorite track of his was “Pretty Slowly”. Truly outstanding.
  11. “If You Never Left” by blink-182. I loved blink-182’s 2023 album “One More Time”, and they released a part 2 last year with some unreleased tracks. In my humble opinion, the best one by faw was “If You Never Left”, which could have easily have been included in the original record.
  12. “All I Die For” by SWiiMS. Technically, a song from 2023, but since it was released in the last quarter, I’ll allow it in 2024’s list. This indie ‘showgaze’ track can hold its own against any of slowdive’s hits. Featured here in October 2023.
  13. “Harder” by Twin Atlantic. This Scottish alternative rock band, with sprinkles of punk-rock and power-pop, released a really strong album in 2024 called ‘Meltdown.’ ‘Harder’ was my favorite track, and I played it a lot.
  14. “Risk” by Gracie Abrams. When I featured Gracie’s beautiful acoustic song “Amelie” back in 2023, I knew she was very talented, but I never imagined she would become a household name so quickly, even opening for Taylor Swift quite a few times on her record-breaking Eras tour. Gracie’s 2024 album “The Secret of Us” was full of pop hits, and “Risk” was one of the best ones. Too bad I didn’t have time to write about it when it got released.
  15. “WGO” by The Snuts. Technically a much older song titled “What’s Going On”, I loved what the Scottish band did in the version they included in their 2024 album “Millenials”‘ deluxe edition. I think it would be the perfect song to close a live show.
  16. “Circles” by The Snuts. As promised, here’s the one track from “Millenials” that was featured here before. What a great record!
  17. “The Emptiness Machine” by Linkin Park. I don’t disagree with the band’s decision to replace the late Chester Bennington with a woman, and Emily Armstrong is certainly a talented vocalist; but I’m disappointed that no other song on the new album comes even close to how good ‘The Emptiness Machine’ is. A certified banger if there ever was one.
  18. “I Want You To Know Me” by Sea Girls. This band from London, whose track ‘Falling’ was featured here in 2022, came back with their best album yet in 2024, and I’m gutted I wasn’t able to write about it before today. ‘I Want You To Know Me’ is one of its catchiest tracks.
  19. “Novastar” by The Snuts. What can I say? Another infectious indie rock song from The Snuts. That guitar hook is top notch.
  20. “Wish You Were Here” by Ourson. As far as hypnotic songs go, they don’t get better than this chill-out track from Montreal-based electronic music producer Dimitri Alary, aka Ourson.
  21. “Right Hand Girl” by The Snuts.I swear this is the last song from The Snuts on this list. I know it’s not the catchiest one, and I bet it’s not one of the most popular ones either, but something about the vocal delivery, the lyrics, and the slow tempo hit me in all the right places.
  22. “Paint It Black” by Sum 41. I’m not sure how fair it is to include a cover of one of the greatest rock & roll songs of all time (and my favorite from The Rolling Stones), but I truly loved this rendition of “Paint It Black” by Sum 41. It managed to keep the spirit of the original song while conveying the essence of the punk rock band.
  23. “I Love You, I’m Sorry” by Gracie Abrams. As good as “Risk” but I give it extra brownie points for the fantastic bridge.
  24. “Something In The Air” by Lauren Mayberry. As much as I loved “Anywhere But Dancing”, “Something In The Air” is even better because it is anything but predictable. Even though it follows a more or less traditional structure, there’s always some new element or melody popping up that keeps the track fresh from beginning to end. Lauren really wrote a gem here.
  25. “After Hours” by Sea Girls. Again, this is not necessarily the best song on this list, but there was something in it that kept me coming back for more. Perhaps it was the feeling with which Henry Camomile delivers the vocals, particularly in the chorus, or the emotional turmoil in the lyrics about loving someone who is also seeing someone else, but I kept playing this sweet track over and over again.

“Shy” by Teo Salfinger

"Shy" by Teo Salfinger

Artist: Teo Salfinger

Song: Shy

Genres: #neoclassical, #relaxingmusic

Influences: Max Richter, Ludovico Einaudi, Philip Glass.

Location: Leipzig, Germany

Release date: December, 2023

Comment: Teo Salfinger is a German composer who crafts neoclassical landscapes with a minimalist touch, where his melodies often carry a melancholic beauty reminiscent of evocative film scores. Just before Christmas, he released “Petite Dances“, his third studio album, with ten little gems encapsulating this. “Shy” is just one example, and the main reason why I chose it as the featured track over the others is that it is cello-based, and I have not written about many cello tracks here. If you enjoy the work of Max Richter and Ludovico Einaudi, two of Teo’s influences, I highly encourage you to check out the whole album.

“Shy” appears to have been crafted specifically for contemplative moments, when the entire world fades away and you are left with your own thoughts. Each cello strum paints a dream, a velvety realm of calmness and quiet understanding. This isn’t a song about grand pronouncements; rather, it’s a composition that celebrates the beauty of introspection. Close your eyes and enjoy!

Featured on the following mixtapes:

Top 25 songs that soundtracked my 2023

The Alternative Mixtapes: Top 25 songs of 2023

Top 25 songs that soundtracked my 2023

Happy Holidays.

Fueled by the fantastic year-end charts of Mr. Keith Law and Eclectic Music Lover, I was inspired to craft my own list of the 25 songs that soundtracked my 2023. To streamline things (and maybe sneak in a bit of personal indulgence), I’m focusing solely on releases after October 2022. It’s not strictly a “most played” list, but that undoubtedly cast a long shadow here. You’ll recognize some familiar tunes that were featured here this year, but I’ve sprinkled in some hidden treasures too. So buckle up and dive into my sonic journey through the past year! (scroll down for the Spotify widget with all these songs).

  1. We Can Be Anything by Baby Queen. This is a total earworm that appeared here in September. Sadly, despite being a high point, it overshadowed everything else on her new album.
  2. “Goodmorningby Crusoe. Another familiar gem that’s bound to resonate with regular readers. In the realm of wordless electronica, this track sets the bar impossibly high.
  3. “Primary Colors” by Baseball Game. This song snuck its way into my top tracks without me even realizing it. It might not be the one I actively pick to play, but whenever it pops up, I can’t help but get completely drawn in. It’s that subtle magic you know?
  4. “We Are One” by Wild Youth. Wild Youth represented Ireland with “We Are One” in this year’s Eurovision contest. As you can expect from that show, it didn’t even reach the finals.
  5. “When We Were Young” by blink-182. I really loved blink-182’s self-titled album and this song wasn’t even the one I featured on this blog earlier this year. It’s also not the last one from that record on this list.
  6. “Godzilla” by Nanna. This solo offering from Of Monsters and Men‘s vocalist envelops you in a warm embrace of swirling melodies and ethereal vocals, proving that sometimes, the quietest roar can be the most captivating.
  7. “Bug Like an Angel” by Mitski. I didn’t love the Japanese-American artist’s latest album, other than this stunning tune, which I wrote about here before.
  8. “Sunbeams” by Michael FK. I didn’t have time to write about this enchanting song earlier, but I did write about this Moldovan artist back in 2020. I highly recommend checking out his work.
  9. “How Many Dreams?” by DMA’s. I’m gutted this Australian act has toured the UK quite a lot recently and I still haven’t been able to see them live. I mean, this isn’t even the track from their latest album I liked the second-most.
  10. “Childhood Eyes” by Yellowcard. As you can tell, I have a soft spot for punk-rock acts from the early 2000s. This release didn’t grab me initially, but it’s definitely grown on me.
  11. “Girls Are Mean” by Boyish. Lead vocalist India Shore and vocalist and guitar player Claire Altendahl founded this indie rock duo when they auditioned at Berklee College of Music. On “Girls Are Mean”, the mix of pop, rock, and electronic elements created a soundscape that was both familiar and fresh, keeping me engaged throughout the track.
  12. “Egyptian Summer” by Good Strangers. This is a song I raved about back in August, and honestly, my feelings haven’t faded a bit. This stunning debut track from their equally remarkable EP cemented my love for this Irish band. It’s truly special.
  13. “Under The Influence(r)” by The Summer Set. It isn’t all smooth sailing here- lines like “You made me want to call my mom” have me scratching my head. But the sheer energy and infectious melody are undeniable, and it is pure pleasure to have them back making music together.
  14. “Where Do I Sign?” by Weathers. When Weathers dropped “Where Do I Sign?” as their lead single, I expected it to be the crown jewel of their new album. Boy, was I wrong.
  15. “Nothing Is Perfect” by Metric. I feel I could listen to this song’s intro on repeat the whole day. It appears on their latest album, Formentera II, a follow-up to their successful record from 2022.
  16. “Jai Alai” by DMA’s. And there you have it! As I was saying, these guys are quickly climbing the ranks of my favorite bands. They got one more song in this list.
  17. “Trastevere” by Måneskin. I didn’t like this Italian band when they won Eurovision in 2021: their glam rock excess not quite clicking with me. But “The Loneliest” started chipping away at those walls, and “Trastevere” has brought the whole damn building down. This stripped-down masterpiece, with its achingly beautiful melody and Damiano’s raw vocals, is everything I ever wanted in an acoustic rock anthem. This is how you weave storytelling and raw emotion into a sonic tapestry that leaves you breathless.
  18. “Cool About it” by boygenius. It is not a groundbreaking track, but I just love this song. I can’t quite put my finger on it. Maybe it’s the comfort it brings? Whatever it is, I keep hitting repeat.
  19. “Nothing To Say” by Weathers. Not quite my top spot on Weathers’ latest album, but “Nothing To Say” comes awfully close. The catchiness is practically contagious.
  20. “Amnesia” by M83. A truly impressive comeback from the French act. I loved it when it was released and I still love it now.
  21. “In One Ear & Out the Other” by Chicane. The eletronic music legend knows how to create ethereal soundscapes to lose yourself in. This one is no exception.
  22. “Kill Ur Vibe” by All Time Low. I just love this song’s rhythm. It’s a punk-infused chill pill. Not mosh pit, but midnight drives and quiet defiance.
  23. “21 Year Vacancy” by DMAs. Unsurprisingly, this was my favorite track from their latest album. A beautiful and emotionally resonant indie rock ballad about revisiting the past, acknowledging lost dreams, and finding peace with the journey taken.
  24. “One of a Kind” by Weathers. Here it is: my most played song of 2023. The soaring melody grabs me every time, and the lyrics pack a punch that keeps me hitting repeat.
  25. “Blink Wave” by blink-182. I never expected blink-182 to drop a synth-drenched, 80s-inspired track like “Blink Wave.” When I heard the rumors about it, I was skeptical, but let me tell you, this song blew me away. Who knew these pop-punk legends had an 80s synth masterpiece in them? It’s so good, the only reason it wasn’t my most played of 2023 is the album’s late November release.

“Last Days” by Grecco Buratto

"Last Days" by Grecco Buratto

Artist: Grecco Buratto

Song: Last Days

Genres: #Instrumental, #relaxingmusic

Location: Los Angeles, United States

Release date: October, 2023

Comment: In the ever-changing landscape of music, it’s refreshing to stumble upon an artist who dares to tread a different path. Enter Grecco Buratto, a Latin Grammy-nominated producer and seasoned guitarist, who has graced the stage with iconic artists such as Lionel Richie, k.d.lang, and Gwen Stefani. “Last Days,” is the first track from his second album, “Sem Palavras” (Wordless), released this month. This record also finds its place within a larger project, complementing Buratto’s first collection of poems, “Só Palavras” (Words Only).

“Last Days” is a minimalist masterpiece, drawing its emotional power solely from the gentle strumming of an acoustic guitar. It embarks on a contemplative voyage, offering an intimate exploration of yearning, reflection, melancholy, and serenity. The song feels like a lullaby that lets you disconnect from a world that sometimes feels overwhelming. So, sit back, relax, and enjoy the music!

Featured on the following mixtapes:

“Welcome” by Harmonia & Eno ’76

"Welcome" by Harmonia & Eno '76

Artist: Harmonia & Eno ’76

Song: Welcome

Genres: #chillout #ambient

Location: Forst, Germany

Release date: November, 1997.

Comment: Today’s song played during the end credits of the 5th episode of the second season of The Bear, and I was absolutely mesmerised by it. A quick Google search told me that it was called “Welcome”, and the artist was Harmonia & Eno ’76. I found this curious, as the track had indeed reminded me of legendary music product Brian Eno, and I wondered if he had been involved with the track. (Narrator: He was).

Harmonia was a German supergroup formed in 1973 as a collaboration between members of two prominent krautrock bands. Brian Eno was a fan and described them in the mid-1970s as “the world’s most important rock group.” The band dissolved in 1976 after releasing two albums, but reformed briefly for 11 days in September 1976 to record some tracks with Mr. Eno himself. These tunes became the “Tracks & Traces” album, which remained unreleased until November 1997 due to lost tapes. In 2009, the album was reissued with additional tracks and credited to Harmonia & Eno ’76.

“Welcome” is the opening track of the album, and it has a minimalist and meditative quality. If you appreciate the art of soundscaping and the beauty of simplicity, you will find “Welcome” to be a captivating and rewarding listen. I can’t get enough of it.

Featured on the following mixtapes:

“Aquamarine” by Kirsten Agresta Copely

"Aquamarine" by Kirsten Agresta Copely

Artist: Kirsten Agresta Copely

Song: Aquamarine

Genres: #Instrumental, #relaxing, #harp

Location: Brooklyn, United States

Release date: July, 2023

Comment: Kirsten Agresta Copely is no stranger to this blog. I have featured her stunning harp music before, in Sweet Disposition and Tableaux, and I’m happy to report that she has a new album, Aquamarine, released in July.

Aquamarine is a deeply personal and emotional album, dedicated to Kirsten’s late mother, who shared her love of the ocean and music. Each of the nine tracks has a water theme and a special meaning for Kirsten, reflecting her memories of her mother and her own artistic vision. The album is a beautiful tribute to the woman who inspired and supported Kirsten’s musical journey from an early age.

 The title track, “Aquamarine”, is a perfect introduction to the album. It starts with a gentle harp melody that evokes the calmness and clarity of the sea. The song gradually builds up with layers of sounds created by the mixing engineer, Kirsten’s husband: Marc Copely, creating a rich and dynamic soundscape that captures the power and mystery of the ocean. The song is both soothing and uplifting, inviting the listener to dive into Kirsten’s deep blue world.  If you are looking for a song that will soothe your soul and inspire you, here it is:

Featured on the following mixtapes:

“Lilium” by Gav Moran

 "Lilium" by Gav Moran

Artist: Gav Moran

Song: Lilium

Genres: #Instrumental, #Neoclassical, #Piano

Influences: Max Richter, Philip Glass

Location: Dublin, Ireland

Release date: May, 2023

Comment: Allow me to introduce you to the mesmerizing instrumental piece, “Lilium,” composed by the talented artist Gav Moran and featured on his excellent debut album, “Broken Pieces”. “Lilium” is a musical journey that effortlessly blends simplicity and elegance. The piano melody, at its core, is delicate yet profound, guiding the listener through a cascade of emotions that gradually intensify, culminating in a powerful crescendo accompanied by lush violins and cellos. This piece possesses a captivating quality that lingers long after its last note fades away.

The significance of the song’s title, “Lilium,” holds deeper meaning within its Latin origins, translating to “lily.” The lily, renowned as a symbol of purity and innocence, serves as a fitting representation for Moran’s composition. “Broken Pieces”, which was recorded in Gav’s home studio in Ireland, is full of hauntingly beautiful tracks. I highly recommend that you listen to the entire album in addition to “Lilium”. You will not regret it.

Featured on the following mixtapes:

Juliano – Torn

Juliano - Torn

Artist: Juliano

Song: Torn

Genres: #Instrumental, #Neoclassical, #Piano

Influences: Hania Rani, Max Richter, Ludovico Einaudi

Location: Giessen, Germany

Release date: August, 2022.

Comment: Happy New Year! Let’s begin 2023 with an enchanting tune from Juliano, a neoclassical composer from Germany. Inspired by an array of related topics such as loss, grief, loneliness and inner conflict, the artist created Torn hoping it would mesmerize the listener with its beautiful melody. It is indeed a captivating piece.

Featured on the following mixtapes:

A Tree On A Hill – Blue Dahlia

Artist: A Tree On A Hill

Song: Blue Dahlia

Genres: #Instrumental, #Neoclassical

Location: Fribourg, Switzerland

Release date: August, 2022.

Comment: There’s no much I can tell you about A Tree On A Hill. I don’t even know the artist’s real name. What I can tell you, though, is that this Swiss artist feels a deep connection with nature, which inspires him to compose moving pieces such as Blue Dahlia. The track represents the lifecycle of that beautiful flower, from the moment it is planted to the moment it gives way to a new cycle. In a way, listening to Blue Dhalia makes this interconnected world feel alive.

Featured on the following mixtapes:

The Aquaerials – Cemetery Walk

Artist: The Aquaerials

Song: Cemetery Walk

Genres: #Instrumental, #Neoclassical, #Piano

Location: Grand Rapids, United States

Release date: August, 2022.

Influences: Ólafur Arnalds, Max Richter, Sigur Rós

Comment: I used to live next to a small cemetery. It was one of those green areas that happened to have some old graves in them. You would think it was a creepy experience, but, actually, taking walks there was extremely peaceful and serene, no matter what your mood was. I felt something similar when I listened to Cemetery Walk, the second track in The Aquaerials’ hauntingly beautiful new EP: After the Apocalypse. If you’ve been paying attention, you may remember then that The Aquaerials is the moniker of multi-instrumentalist Mark Swanson. who keeps composing gorgeous neoclassical melodies, just as the five tracks that make this record.

With all that is happening in the world nowadays, from the war in Ukraine to Twitter’s implosion, it comes in handy to have the soundtrack for what comes after the end of times.

Featured on the following mixtapes: