While doing some research for yesterday’s post, I got reminded of this classic from the 90s. Ready To Go was an international hit in 1997 (even though it was originally released in 1996) and it is by far the most well-known song from the English band Republica. I can’t say I know much about them, but according to Wikipedia (which of course is always right), they were formed in 1994 and are still active despite releasing their only two albums before the new millennium (they’ve released some compilations afterwards). As an interesting piece of trivia, Saffron, their lead singer, was born in Nigeria.
Anyway, enjoy this week’s #ThrowbackThursday entry!
Stranger Girl sounds a lot like a female-fronted and improved version of The Strokes (I’m not a big fan of Julian Casablancas‘ vocals), which makes sense because that band is one of their influences. This British band has released 5 singles since 2017 but 4 of them since 2019, with Bad Side dropping late last year. A song about confronting your inner bad thoughts, highlighted by an anthemic chorus, this tune really showcases how talented Stranger Girl are.
With recurrent themes such as neuroticism and geekiness, it’s not hard to understand the origin of the band’s name. However, there is nothing strange about Stranger Girl‘s music. It is catchy, relevant and distinctive. Please do check them out.
Today was one of those days with meetings back-to-back non-stop, which is something that drains my energy levels. For that reason, I’m going to feature today a great band that everybody is aware of. There isn’t much I can tell you about the Foo Fighters you don’t already know.
They’re about to release a new album soon and have dropped 3 song so far, with the latest one being Waiting On A War, released last week. If you haven’t heard it already, do so now. It rocks. I hadn’t liked a new song from the Foo Fighters this much since Walk from 2011’s Wasting Light, so I’m not a diehard fan who will simply love everything Dave Grohl and company do. Believe me when I say that I think this new track is stunning. I love everything about it, from its lyrics (inspired by Grohl’s daughter) to the intro with the soft guitar strums and the strings to its amazing in crescendo finish.
The first time I listened to Criminals, the latest single from British band The Trusted, it immediately reminded me of some pretty good alternative rock bands from the 2000s, like Vega4 and Carolina Liar (bands that you definitely should check out if they don’t ring a bell to you). This act from Southend-on-Sea started out of secondary school around 2017, when the band members bonded over their admiration of melodic and atmospheric pop-rock. It’s no wonder then that they’ve managed to craft such a great song like Criminals.
Mixed by Grammy nominated Andy Bradfield (Elbow, David Gray), Criminals features hypnotic synth-strings and guitar loops that complement very well the smooth vocals of Tom Cunningham. Sad, honest and beautifully uplifting are adjectives that The Trusted use to describe the track, and they are spot on. The band have garnered acclaim from several magazines and publications and got a strong following in Italy after two successful tours. After listening to Criminals, it’s easy to see why.
At 5:32, Vancouver-born Nate Adamson‘s debut single, Grace, might appear to be too long but it is not because at 04:06 it switches up a gear and goes from being a good song to an outstanding one. I simply love those guitar riffs that complement the song so well. And did I mention that Nate did absolutely everything related to this song? Besides writing the song, singing and playing each instrument; he also recorded and produced every element using the studio he built from the ground up. Pretty impressive, if you ask me, for somebody who is just starting.
This singer-songwriter started listening to legends like Johnny Cash but later discovered more contemporary acts like Kings of Leon and Phoebe Bridgers, which is what ended up motivating him to create his own music. That being said, Grace reminds me a lot of Duncan Sheik, not just in style but also because of the soothing vocals. A bright song the artist wrote for the daughter he would like to have someday, it brings us hope by telling us that no matter how dire things might look right now, everything will be all right in the end. With more songs like Grace, I could totally believe that.
P.S: Since I wasn’t able to write a post on Monday and Wednesday this week, there won’t be a #ThrowbackThursday entry this week. Hopefully, it will return next time.
After experiencing a major adversity, Brooklyn-based singer Andrew Selkōw moved to Alaska for a while to find himself. Being alone and surrounded by nature rekindled his love for literature and music and planted the seed for Middle Part to be born. Inspired by both 1990s and early 2000s alternative bands, Andrew composes sincere music that connects with you at many levels. On December, Middle Part released his debut EP, I Wish I Was Alive, which compiles the singles he had published already.
One of those singles is Busy, a laid-back tune that relies on hazy vocals, acoustic guitars, and soft synths to deliver a message of vulnerability. Influenced by artists like Natalie Imbruglia and Michelle Branch,Middle Part wrote Busy to warn us about the problems ego brings to friendships. I don’t know if it is because of the guitar, the vocals or the steady beat, but somehow this song reels you in and doesn’t let go until long after it’s ended.
Do you like the ‘heart in a blender’ song? If this question does not ring a bell to you, then you are not following Eve 6 on Twitter and, therefore, missing out on what has become one of the most entertaining accounts on that social media platform. Max Collins, the band’s frontman, became hyperactive with the account towards the end of 2020, tweeting whatever comes to his mind, from stories about other ‘nineties bands’ (as he usually refers to them) to his opinions about any subject. Sometimes he is joking and sometimes he’s telling the truth but often it is not obvious to figure out which tweet is which, with Max even referring to the whole stuff as a form of art. One of the funny things he’s been doing is asking different personalities and celebrities, from Kamala Harris to Taylor Swift, if they liked the ‘heart in a blender’ song. The Rolling Stone magazine even wrote an article about it.
Inside Out is the heart in a blender song and let me tell you, I’ve always liked it. It was part of Eve 6‘s debut album from 1998 and reached the number one spot on the Modern Rock charts. The band from Southern California broke up in 2004 but luckily got back together in 2012 and released a very nice album that year, Speak In Code. While they haven’t published any new music since then (other than a live album), they’re still together, although with a new drummer. Hopefully, there is some new music coming song. In the meantime, enjoy this week’s #ThrowbackThursday tune.
“I would swallow my pride, I would choke on the rinds
Xavier Valdez is a singer/songwriter from California who debuted as a solo artist in 2020. However, he used to play bass and provide backup vocals on LA-based band MR CALL, so he wasn’t a neophyte to the music business. His style is indie rock with nice pop touches that make it really enjoyable. I wouldn’t go as far as saying that his sound is completely unique, but it’s certainly distinctive enough to be refreshing.
After releasing a few singles in early 2020, Xavier compiled them into his debut EP, Sun, in August. Then, in November, he dropped a brand new single, Bear, that really reflects everything I said above about Xavier’s sound. While Bear is the track I am recommending today, check out the Sun EP too. Xavier Valdez is certainly a talented artist who knows how to make appealing indie music.
Josh Stevens has either been nominated or won quite a few awards, including the Grammys, mostly as a music producer. He got all that success working with dance and/or hip-hop artists such as Jennifer Lopez, Steve Aoki and Pitbull. So, naturally, he now sings and writes indie rock songs. And, let me tell you, he’s quite good at that.
Late last year, Josh released a superb track called Hello Darling, which he wrote for her daughter. It is an upbeat and anthemic song with neat production and great, emotional vocals. The track even features some sleek guitar riffs that are just the cherry on top. Quite simply, it is a really great tune.
Nick Louis, who is a Brooklyn-based multi-instrumental singer songwriter who’s been involved with other bands and is skilful at writing catchy hooks, met HW LaSota, who is an architect and writer, online basically by chance. That led to several months of remote collaboration and eventually to the formation in 2020 of almost sex, which they describe as “a folky alternative post punk rock indie pop duo“. Nick is the lead singer and instrumentalist while HW writes the lyrics. provides harmonies and plays several instruments. They haven’t told me this but I guess the band’s name is meant to imply that their music is almost as good as sex. Clever.
The duo has released two singles so far. The first one, Knockoff, was more acoustic, revealing the folky alternative side of almost sex. The second single, on the other hand, relies more on a groovy electronic soundscape that hypnotizes you for the duration of the track, helped in no small part by HW LaSota‘s subtle harmonies as her voice combines pretty well with Nick‘s. Charmer is inspired by the story of the snake and the charmer (hence its cover art above) and closes with a cool coda that contrasts nicely with the rest of the track. Let me put it this way, this song could have been part of The Neighbourhood‘s debut album and been one of its highlights, that’s how good it is.
Pay attention to almost sex because they really got a promising future.
