It’s hard to believe that we’re already in June. It was more than 6 months ago when we were introduced to alternative act almost sex back in January. Since then, they have released a few more singles and even an acoustic EP so to say that they have been very active in 2021 would be an understatement. Each new song has been considerably different to the previous ones and their latest single, Blue Heaven, is no exception. I think it is the one I have liked the most since Charmer, but that does not mean that their others releases are not worth your time. They are.
What I really enjoy about Blue Heaven is its groovy backing track. I don’t know how Nick and Warren do it but it is kind of addictive. You can’t get enough of it. The vocals match the infectious rhythm perfectly well, resulting in a well-rounded song that you will want to play on repeat. Again and again. Check it out below.
I was busier than expected this week, which is the reason for the short amount of updates here. I hope I can compensate for that by featuring here a great song that was totally overlooked at this year’s Eurovision Song Contest.
If you have never heard of that contest (it is not very popular in North America), our friend Jeff from the great Eclectic Music Lover blog, offered a concise summary when he reviewed the winning song from this edition, which wasn’t my favorite but I didn’t dislike. There is something you need to understand about Eurovision: most people watch it –and we’re talking about more than 200 million worldwide– not because of the quality of the contestants but to laugh at some of the over-the-top and often ludicrous acts that some countries send to this contest each year (for example, this one). A jury from each country awards points to 10 other countries, which accounts for half of the total amount of points. The other half comes from popular vote (people can’t vote for the act representing their own country). However, quite often political reasons influence how the country juries vote and the general public regularly selects the most extravagant acts, which means that the winning song is rarely the most deserving one (I mean, this song won in 2018). Therefore, if you don’t hate the winning song, you can consider yourself satisfied.
All that being said, this year’s edition was better than expected in terms of the quality of the contestants. Most of them were at least decent and a few were even more than good. In my opinion, by far the best entry was the act representing Portugal: The Black Mamba, and their song Love Is On My Side. It finished in 12th place but as I explained above, that doesn’t mean much. What really matters is that the tune, which was the first Portuguese song in the contest performed entirely in English, is outstanding. It starts with bluesy undertones reminiscing of rock tracks from the 1970s, which contrasts very well with the catchy chorus more typical of an #indierock track. It also helps that the band’s frontman’s, Pedro Tatanka, voice is really distinctive and perfect for this kind of music.He wrote the song inspired by a sex worker the band met during a trip to Rotterdam in 2019. Written from her perspective, it reflects how all hope is not lost even when life does not go as planned.
I hope you enjoy Loves Is On My Side as much as I did.
If you have heard of SR-71 at all (the band, not the aircraft), it’s probably because of their 2000’s hit single Right Now, which got a lot of airplay back then. It was their only hit from their underrated debut album, Now You See Inside, but I consider it to be barely the fourth best song on that record. The band from Baltimore, Maryland, went on to release two additional studio albums before calling it quits in 2004 (they had a brief reunion playing some shows together around 2009) and SR-71‘s frontman, Mitch Allan, is still active today as a pretty successful music producer. While they never had another hit as big as Right Now, it could be argued that one track from their last studio album was even bigger because the version of 1985 played by Bowling For Soup became a huge hit without most people even being aware that it was a cover.
Anyway, going back to SR-71’s debut album, the song I tend to play again and again is usually Last Man On The Moon. I love those drums and the overall melody of the track, as well as the way the bridge transitions back into the chorus. The lyrics are enjoyable although not as good as the lyrics for another track in that album: Alive, but I will leave that for another post. Meanwhile, I hope you enjoy this week’s #ThrowbackThursday entry as much as I do.
Earlier this week, I mentioned My Favorite Highway as an “obscure” reference. That’s because after one album and a couple of EPs as independent releases, they only released one full album, How To Call a Bluff –in 2008, and then re-released with a couple of extra songs in 2009 under a different label–, as signed artists before quickly disbanding in 2010. Some of their songs from that album appear on some popular shows around that time and they toured with artists such as Hellogoodbye and Kelly Clarkson; but, nevertheless, chances are that you have never heard of them. They never became that popular.
That is a shame, though. This band, originally formed in 2004 by two brothers from Fairfax, Virginia, was really good at writing infectious #poprock tunes that you simply could not get enough of. I think the best example of that was their single Getaway Car, which has a chorus to die for. I really mean it. No matter what mood you are in on any given day, as soon as that chorus starts, it is impossible to remain neutral to it. As this week’s #ThrowbackThursday entry, please let me introduce you to a #musicalcrush of mine from the late 2000s. Hope you like it!
Lost In Japan is a Canadian band whose members have never actually being lost in that Asian country. That being said, I dig that band’s name and, more importantly, their indie rock music. With a sound reminiscing of Arkells and My Favorite Highway (obscure reference), Lost In Japan have received plenty of support in their hometown of London, Ontario, and even amassed over 500k streams for their debut album (2018). They’re getting ready to release a sophomore EP and Lonely is its latest leading single.
Frontman Addison Johnson wrote Lonely three years ago while he was on tour. He wanted to channel the loneliness he was feeling while away from his family. Eventually, after other band members added their input to it, the tune morphed into the version we can listen to now. What I really love about Lonely is the infectious chorus that Addison delivers flawlessly. It’s a really catchy tune that I’m sure you will enjoy.
Yume means ‘dream’ in Japanese and that is the reason why YumeMike chose that moniker, even though he’s actually Italian. He grew up playing bass in multiple #punkrock bands but, as a solo artist, he traded the bass for synths, creating an interesting variant of #indiepop with a strong #poppunk flavour. He cites The Naked And Famous and The Killers as influences, but if you want to have an idea of what he sounds like, think Owl City meets Angels & Airwaves. YumeMike’s ‘dream’ is to inspire and elicit warm feelings through his music. If you like positive messages, this is the artist for you.
Dream Out Loud is part of YumeMike‘s debut album, Light In The Mirror, released in February but that he started working on back in 2019. The track is perfectly on-brand with the artist’s style of uplifting synthpop music but I have to say that the overall production/musical arrangement is really impressive considering he worked on it alone. In fact, YumeMike just released an instrumental version of his debut album that is just as good too. This Italian artist is seriously talented and deserves to be on our radars. Check him out.
Jackfruit is the moniker of Jack Braun, a 19 year old musician from NYC. He plays mostly piano and writes all of his music, getting help from Zach Benson on the mixing and production fronts. Jack’s musical style is basically bedroom pop –literally recorded in his childhood bedroom–, which may or may not be your cup of tea, but you’ll surely find his lyrics very interesting. Jack started making music during the start of the pandemic and released his debut EP earlier this year: when they find your body, which consists of four tracks, out of which the most popular one is gas leak with 4 times as many streams as the one in second place. That being said, the song that really stood out for me was stuck in ohio.
The thing that really attracted me to stuck in ohio was how vulnerable Jack’s delivery is on it. A song about an unrequited love, it feels like Jack really means every word coming out of his mouth. This is not a track to dance to or for karaoke night. It is a song to be felt and that’s the beauty in this piece from Jackfruit. I don’t know what the future holds for this talented artist, but it will be fascinating to find out.
Unfortunately, I was unable to post anything in the past two days but I hope to make it up to you by featuring the latest single from one of the best indie bands out there today: Paris Youth Foundation. Despite what the band’s name might lead you to think, they are actually from Liverpool, UK, and if you are not familiar with their music, you’ve been missing out. Frontman Kevin Potter chose their name just before the release of their debut single in 2016 after a graffiti he saw in the French capital when he was a child. They have never released a full-length album but they have quite a few singles and I’m yet to find one I dislike. They know how to write a good hook and a catchy chorus.
Tired Of Loving You is no exception. A perfect indie rock song that is anthemic and nostalgic at the same time. Potter explains that the tune is about being in a relationship that lasts longer than it should just because people are too scared to admit that it might be over. As is to be expected from a Paris Youth Foundation song, Tired Of Loving You got a really captivating chorus that gets stuck in your head. Do check it out below and enjoy!
If you like The 1975 or Neon Trees, you will love Mine then because it got the same vibes. And if that’s not enough to convince you, perhaps knowing that it was inspired by The Perks of Being a Wallflower (the book, but if you only know the movie, that’s close enough) will do the trick. It is just Police Car Collective‘s second single, which clearly indicates the potential this young band has, and will be part of the band’s upcoming debut EP.
Police Car Collective was formed in Liverpool a little over a year ago by two friends: Tyler Plazio and Simon Quigley. However, Tyler, the lead singer, is originally from Washington and moved across the pond after graduating high school while trying to figure out his next step. It was during that point in time that he wrote Mine, reflecting on the life he was leaving behind and the one he was just starting. Fortunately, that decision to move to the UK led to meting Simon and form this band, because I’m sure we will keep getting more great tunes from Police Car Collective. Bring them on!
Ryan Sizemore and Derek Gilreath are both from Winston-Salem, North Carolina –also known as “The Camel City”–with a shared love for punk rock and having a good time. This prompted them to form their own band in 2015, The Camel City Blackouts, with their debut album being published in late 2019. This year, they released an EP titled 13 that consists of 2 tracks: Angels and Another Night, plus an acoustic version of the latter. All in all, this EP showcases what The Camel City Blackouts are about.
Another Night is a fun and energetic punk song about being addicted to something (alcohol, in particular) and not being able to keep it under control. The Camel City Blackouts grab your attention from the start with this track and never let it go. What I really like about Another Night is that the band found the right balance between a vibrant rhythm and noise (which is something many punk songs don’t achieve), and the result is quite an enjoyable rock song delivered flawlessly. In addition to that, as you can perceive in their self-made music video below, it is evident that they have lots of fun playing music and that has a positive impact over what they do. Also, is it just me or there is a hint of The Strokes in this song? Anyway, don’t sleep on this fun band.
