I can’t recall how I discoveredKidEyes, an indie/altpop duo based out of Los Angeles. It was about a month ago, possibly through Instagram, but the specifics elude me. Regardless, I’m grateful for finding them because their music is incredibly enjoyable, and today’s featured song is a perfect example.
“Ready To Go” is the band’s latest single, released in June following their self-titled debut EP from 2019. Despite addressing feelings of being lost and disoriented, it’s a captivating indie pop track that could serve as the soundtrack to our peculiar year. Give it a listen here:
I wonder what would have happened to Neve if they had released their first and only album during the social media age. In 1999, they achieved a hit single with “It’s Over Now” after it was featured on the movie soundtrack for The Faculty, reaching #30 on Billboard’s Modern Rock chart. However, due to delays in album release and poor promotion, the record didn’t perform well, leading to Neve being dropped from the label. The band disbanded in 2001, and despite hints of a reunion on their Facebook page, no concrete plans have materialized.
Neve’s self-titled album remains one of my favorites from the 2000s, filled with solid alternative rock songs and the standout track, “It’s Over Now.” If you haven’t heard this song before, you’re in for a treat; and if you have, let’s reminisce about it as this week’s Throwback Thursday, while contemplating the possibilities had they received greater support from their label and fans.
“Too Cool” is a delightful song that got to me thanks to this music blog (I love it!). Dysplay, a band from the US active since 2017, effortlessly combines 80s pop influences with a modern sound. This track is no exception, instantly capturing my attention with its captivating guitar. The accompanying music video, available below, is impressive, showcasing that creativity can still generate great content despite current limitations and budget constraints.
Take a listen to this radio-friendly tune below and be sure to keep Dysplay on your radar. If they continue to produce songs like “Too Cool” in the future, they will undoubtedly become a staple on The Alternative Mixtapes.
I must admit, the Californian “emo-punk” band Super Whatevr hadn’t even registered on my radar until they unleashed their latest track, “Carhartts & Converse,” featuring the iconic pop-punk figure Mark Hoppus. Surprisingly, the band has been around since 2016 and dropped their second full-length album in February. However, this particular song is a fresh addition that didn’t appear on the album.
“Carhartts & Converse” blends elements of indie pop and punk-rock, creating a captivating hybrid. The song’s optimistic lyrics, centered around self-worth and resilience against others’ negativity, harmonize perfectly with its cheerful rhythm. In these suffocating times, it serves as a refreshing breath of air. Give it a listen below and let it brighten up your weekend.
After breaking up in 2013, last year My Chemical Romance offered a concert on December 20 and announced an international tour in 2020. Obviously, due to covid-19, that has been postponed but the fact remains that the band is back together; with rumours of a new album seeing the light next year. In addition to that, Gerard Way has been busy not only releasing his own songs but also writing comic books, with one of them being so successful that Netflix adapted it into a TV series: The Umbrella Academy, which Gerard produces as well. With the second season of this show dropping this month and the return of MCR, I thought now would be as good a time as ever to feature one of my favorite songs from the band as this week’s throwback Thursday.
Disenchanted was included on the band’s third album: 2006’s very successful The Black Parade, and since it wasn’t released as a single on a record that contained several megahits, the song got overlooked. It is a great track, though. I love its acoustic intro that quickly evolves into a full-blown tune, accompanied by some great and deep lyrics from Way. All in all, as with all outstanding songs, Disenchanted should not be forgotten. Listen to it here:
From Spain to the world, Floating In Space is yet another great cinematic rock band in Deep Elm Records‘ lineup, which includes Lights & Motion and U137. And just as those bands, Floating In Space is really the one-man show of multi-instrumentalist Ruben Caballero, which is frankly incredible. Earlier this year, the “band” released its third full-length album: A New Dawn, which is a great collection of emotional soundscapes, such as Eclipse, the epilogue of the record.
Eclipse is a beautiful song that evokes new beginnings, featuring a magical clarinet that sets it apart from other cinematic songs. It is really a beautiful track and album. Enjoy!
Polar States is a four-piece guitar band from Liverpool, UK (seriously, is there something in the water over there? Is it the Mersey?) that in all likelihood will become the next big British band to take the world by storm. The group got already a cult following despite releasing their first EP less than 3 years ago. They describe themselves as a ‘dark pop’ band but I think their genre is spot on alternative rock.
The band released just last week a new single, 2020, which is extremely catchy and already a musical crush of mine. It has huge potential to become a big hit and if you hadn’t listented to it before, this is your opportunity to do so before it does!
I can’t believe it was recorded in their own houses…
With the news this week that Semisonic is back together with their first song out in 19 years (which is okay but not great), I thought it would be appropriate to reminisce about Semisonic’s great 1998 album, Feeling Strangely Fine, as this week’s #ThrowbackThursday. The record, which was the band’s second album, was without a doubt one of the best ones of 1998. It had three singles, with one of them being a massive success. In fact, some people might think that the band led by Dan Wilson was a one-hit-wonder because of Closing Time, but that would be wrong. The other two singles were also really good and got decent airplay (I do have a soft spot for Secret Smile). However, the song I wanted to highlight here was never a single. It was the sixth track on FSF: DND.
If you have listened to DND before, you probably agree with me on that it is a great tune with that memorable acoustic intro. And if you haven’t, please do yourself a favour and do it here now. Welcome back, Semisonic!
I love cover tracks that are not just karaoke versions of the original songs. In particular, when the artist manages to bring the song to his/her own style in a way that makes it sound as a brand new track (and even better when the styles are very different). This is exactly what flor accomplished with their cover of Coldplay’s iconic song: Yellow, for which they had a bit of help from Mandy Lee from MisterWives.
flor (they don’t use a capital F) is a pretty well-known band in the indie circuit, but in case you don’t know who they are, they started in 2014 in Oregon, US; and have released two studio albums so far. This cover of Yellow, however, is part of a EP, reimagined, that the band released in February this year, containing new versions of two of their most popular songs plus the song being featured here. All three songs come recommended and deserve a listen, but you can start with Yellow here:
In yesterday’s entry, I mentioned why I liked cinematic (post-rock) music. Well, I probably have to thank Lights & Motion for that. Reanimation, the debut album of this Swedish one-man band, founded in 2012 by the talented Christoffer Franzén, hooked me in. The “band” is one of the main references in the genre and its songs have been featured in multiple tv commercials, tv shows and movies. Funnily enough, the song I’m recommending here today, from the Lights & Motion‘s latest album: The Great Wide Open, is perhaps the band’s less cinematic songs.
It’s not that I See You lacks Lights & Motion‘s trademark atmospheric vibes and amazing soundscapes –it doesn’t–, but I think it has more elements of indie rock, especially with the hauntingly beautiful vocals of Swedish singer Frida Sundemo. I particularly love the guitars that start playing at 1:42. All in all, it is a mesmerizing track that closes perfectly another great album by Lights & Motion and Deep Elm Records.
