Top 25 songs that soundtracked my 2024

The Alternative Mixtapes: Top 25 songs of 2023

Top 25 songs that soundtracked my 2024

Happy New Year.

I really enjoyed writing this post in December 2023, and my plan was to publish it before New Year’s Eve, but I got busier than expected and couldn’t find the time to do so until now. Better late than never!

Without further ado, here are the songs I enjoyed the most in 2024 (I would have loved to write about all of them on this blog, but sadly I only got the time to do so for a few of them):

  1. Swayze by Smallpools. Catchy track with strong 1980s vibes that was featured here back in May.
  2. “in the stillby PRONOUN. One of the songs I really wanted to write about but never got the time. PRONOUN, whose real name is Alyse Vellturo, is an American singer-songwriter and multi-instrumentalist who was named one of Billboard’s breakout indie artists in 2019. “in the still” was the lead single of Alyse’s new EP and the best way I can describe it is as an upbeat hybrid of Shoegaze with pop/rock.
  3. “Next Semester” by twenty one pilots. I wrote about this track here. I got tickets to see them live for the first time this year. I’m really looking forward to that.
  4. “Millonaires” by The Snuts. This Scottish band had one of my favorite albums of the year. I featured their track ‘Circles’ here, which—spoiler alert—appears later on this list. ‘Millionaires’ is another example of the multiple radio-friendly gems on the album.
  5. “Freezer” by PONY. I wrote about this Toronto-based act in 2020, but I’m happy to report that Sam & Co. have kept busy releasing more material since then, including “Freezer” this year, which is perfectly on brand with PONY’s style.
  6. “Oxford Sky” by Nick Box. If you’re looking for a relaxing piece, this is the track for you. The only bad thing I can say about “Oxford Sky” is that it is too short, because it will definitely leave you wanting more. Nick is another artist who has appeared on these pages before.
  7. “Falling” by Luttrell . Eric Luttrell is a San Franciscan producer known for his unique blend of melodic techno. I cannot pinpoint exactly why, but I couldn’t get enough of “Falling” in 2024.
  8. “just stand there” by Fred again.. I’ve got a soft spot for musical tracks featuring spoken words, and when you add the genius electronic touches (particularly around the 1:37 mark) of Fred again.., one of the trendiest electronic music producers in the UK since winning ‘Producer of the Year’ at the 2020 Brit Awards, you get this outstanding track.
  9. “Anywhere But Dancing” by Lauren Mayberry. Lauren Mayberry of Chvrches fame has released a solo album with a bit of everything: 80s-inspired music, piano ballads, 90s alternative rock, and more. Without a doubt, it’s one of the best albums of the year, despite the fact that I didn’t love some of the lead singles. “Anywhere But Dancing” is one of the 90s alternative rock-inspired tracks, with laid-back production relying mostly on a guitar and Lauren’s sweet voice. I was lucky enough to watch her perform this track live in December, and she did it flawlessly.
  10. “Pretty Slowly” by Benson Boone. Benson Boone had a big year with several successful hits, including the ubiquitous “Beautiful Things”, which ended up as Spotify’s second most streamed song of 2024. However, my favorite track of his was “Pretty Slowly”. Truly outstanding.
  11. “If You Never Left” by blink-182. I loved blink-182’s 2023 album “One More Time”, and they released a part 2 last year with some unreleased tracks. In my humble opinion, the best one by faw was “If You Never Left”, which could have easily have been included in the original record.
  12. “All I Die For” by SWiiMS. Technically, a song from 2023, but since it was released in the last quarter, I’ll allow it in 2024’s list. This indie ‘showgaze’ track can hold its own against any of slowdive’s hits. Featured here in October 2023.
  13. “Harder” by Twin Atlantic. This Scottish alternative rock band, with sprinkles of punk-rock and power-pop, released a really strong album in 2024 called ‘Meltdown.’ ‘Harder’ was my favorite track, and I played it a lot.
  14. “Risk” by Gracie Abrams. When I featured Gracie’s beautiful acoustic song “Amelie” back in 2023, I knew she was very talented, but I never imagined she would become a household name so quickly, even opening for Taylor Swift quite a few times on her record-breaking Eras tour. Gracie’s 2024 album “The Secret of Us” was full of pop hits, and “Risk” was one of the best ones. Too bad I didn’t have time to write about it when it got released.
  15. “WGO” by The Snuts. Technically a much older song titled “What’s Going On”, I loved what the Scottish band did in the version they included in their 2024 album “Millenials”‘ deluxe edition. I think it would be the perfect song to close a live show.
  16. “Circles” by The Snuts. As promised, here’s the one track from “Millenials” that was featured here before. What a great record!
  17. “The Emptiness Machine” by Linkin Park. I don’t disagree with the band’s decision to replace the late Chester Bennington with a woman, and Emily Armstrong is certainly a talented vocalist; but I’m disappointed that no other song on the new album comes even close to how good ‘The Emptiness Machine’ is. A certified banger if there ever was one.
  18. “I Want You To Know Me” by Sea Girls. This band from London, whose track ‘Falling’ was featured here in 2022, came back with their best album yet in 2024, and I’m gutted I wasn’t able to write about it before today. ‘I Want You To Know Me’ is one of its catchiest tracks.
  19. “Novastar” by The Snuts. What can I say? Another infectious indie rock song from The Snuts. That guitar hook is top notch.
  20. “Wish You Were Here” by Ourson. As far as hypnotic songs go, they don’t get better than this chill-out track from Montreal-based electronic music producer Dimitri Alary, aka Ourson.
  21. “Right Hand Girl” by The Snuts.I swear this is the last song from The Snuts on this list. I know it’s not the catchiest one, and I bet it’s not one of the most popular ones either, but something about the vocal delivery, the lyrics, and the slow tempo hit me in all the right places.
  22. “Paint It Black” by Sum 41. I’m not sure how fair it is to include a cover of one of the greatest rock & roll songs of all time (and my favorite from The Rolling Stones), but I truly loved this rendition of “Paint It Black” by Sum 41. It managed to keep the spirit of the original song while conveying the essence of the punk rock band.
  23. “I Love You, I’m Sorry” by Gracie Abrams. As good as “Risk” but I give it extra brownie points for the fantastic bridge.
  24. “Something In The Air” by Lauren Mayberry. As much as I loved “Anywhere But Dancing”, “Something In The Air” is even better because it is anything but predictable. Even though it follows a more or less traditional structure, there’s always some new element or melody popping up that keeps the track fresh from beginning to end. Lauren really wrote a gem here.
  25. “After Hours” by Sea Girls. Again, this is not necessarily the best song on this list, but there was something in it that kept me coming back for more. Perhaps it was the feeling with which Henry Camomile delivers the vocals, particularly in the chorus, or the emotional turmoil in the lyrics about loving someone who is also seeing someone else, but I kept playing this sweet track over and over again.

“Disconnections” by The Assist

"Disconnections" by The Assist
"Disconnections" by The Assist
“Disconnections” by The Assist

Artist: The Assist

Song: “Disconnections”

Genres:  #indierock #alternativerock

Location: Walsall, United Kingdom

Release date: November, 2024

Comment: I had never heard of The Assist until I listened to “Disconnections,” which immediately caught my attention. It turns out they are one of the UK’s most established underground rock acts. They catalogue themselves as a ‘council-pop’ outfit, which was also the title of their debut album. In the UK, ‘council’ generally refers to local government authorities responsible for various public services, like housing, education, and transportation. When people talk about ‘council housing,’ they mean homes provided by local councils at affordable rents for people in need. So, I guess the term ‘council-pop’ refers to the fact that The Assist‘s music is grounded in the everyday experiences and realities of working-class life. That would certainly fit with what “Disconnections” is all about.

The title track of The Assist’s anticipated sophomore studio album, “Disconnections,” is a compelling exploration of the feeling of detachment from life. Lead singer Mikey Stanton doesn’t mince words as he dissects our relentless quest for ‘bigger and better,’ which has led us to undervalue life’s simplest joys. How often have we seen someone miss a beautiful moment because they were too absorbed in their mobile phones? Musically, the track is a catchy blend of indie rock, hip-hop beats, and pop rhythms.

As a curious note, if you’re familiar with the ephemeral American band The Last Goodnight, who achieved modest success with their single “Pictures of You” back in 2007, you might agree that the vocals of both bands’ lead singers are quite similar in tone and delivery style. I find this very interesting because I doubt Mikey Stanton is even aware of The Last Goodnight’s albums.

Whether you’re a long-time fan or new to The Assist‘s music, “Disconnections” is a track that’s hard to ignore. Give it a listen and see for yourself.

Featured on the following mixtapes:

“Sing Our Kids to Sleep” by The Easter Parade

"Sing Our Kids to Sleep" by The Easter Parade
"Sing Our Kids to Sleep" by The Easter Parade

Artist: The Easter Parade

Song: “Sing Our Kids to Sleep”

Genres:  #indierock #alternativerock

Influences: Matt Berninger, Salvador Sobral, Tom Waits.

Location: Kettering, United Kingdom

Release date: November, 2024

Comment: “Sing Our Kids to Sleep” is the kind of song that would start playing in a movie when the main character begins a long trip alone, either driving or by bus or train, on a rainy day, reminiscing about better times when their love interest hadn’t left them yet. Released today as the debut single for The Easter Parade, it is a song you won’t be able to ignore.

Matt Steven is a musician, producer, and songwriter hailing from Northamptonshire, UK. After a decade-long break from releasing original music, he’s now using The Easter Parade moniker to create music from his recording studio, Indigo Scala. For “Sing Our Kids to Sleep,” which was mostly recorded this past summer, he enlisted the help of the Betania Hernández String Quartet and mastering engineer Pete Maher. The result is a beautiful track with rich orchestration and honest artistry.

The Easter Parade‘s upcoming debut EP, Raindrops on the Lens, is certainly going to be well worth our attention.

Featured on the following mixtapes:

“It goes” by The Chronicles of Manimal and Samara

"It Goes" by The Chronicles of Manimal and Samara
"It goes" by The Chronicles of Manimal and Samara

ArtistThe Chronicles of Manimal and Samara

Song: It goes

Genres: #alternativerock

Location:  London, United Kingdom

Release date: September, 2024

Comment:  I’m coming back from holidays with a new gem from old friends of T.A.M., The Chronicles of Manimal and Samara (if you’re not familiar with their work, I’ve written about them before here and here), which consists of Daphne Ang (Singapore) and Andrea Papi (Italy). The last time they appeared here was 3 years ago, but they hadn’t gone anywhere. They have been releasing new music consistently at an impressive rate, but it was usually a tad heavy for this blog. That changed with “It goes”, which relies on a mesmerizing blend of classical guitar, cellos and the evocative vocals of Andrea (Daphne usually delivers the vocals for their tracks).

The lyrics delve into themes of existentialism and the human condition. As Daphne and Andrea shared, “This song is about working all your life for something that is never going to be yours.” “It goes” comes accompanied by a striking music video, produced by the duo’s visual and video production entity: TCOMAS Studio, that contains AI-generated lifelike scenes of cinematic quality.

“It goes” is the fourth single off ORIGINS, TCOMAS forthcoming new album, the third in four years, which will be dropping in November. If you’re a fan of creative art, particularly if you enjoy heavy guitars as well, you should definitely pre-save it.

Featured on the following mixtapes:

“Swayze” by Smallpools

"Swayze" by Smallpools

Artist: Smallpools

Song: Swayze

Genres: #indierock #indiepop

Location: L.A & Nashville, United States

Release date: April, 2024

Comment: Smallpools have been featured here twice before, both times for some exceptional covers. This time, though, they’re here with an original song, the heavily 80s-influenced (as hinted by the track’s name) “Swayze,” and it is a banger.

Using elements from 80s music in modern tracks is far from unique, but doing so to complement an infectious melody and great vocals can really bring everything to the next level, and that’s exactly what Smallpools did here. You don’t have to be a fan of 80s music to enjoy this track, but if you are, it doesn’t get any better than this.

“Swayze” is the opening track of the band’s new EP “Ghost Town Road (East),” with a full-length album expected later this year.

Featured on the following mixtapes:

“Next Semester” by Twenty One Pilots

"Next Semester" by Twenty One Pilots

Artist: Twenty One Pilots

Song: Next Semester

Genres: #alternativerock #punkrock

Location: Columbus, Ohio, United States

Release date: March, 2024

Comment: I’ve mentioned before that I like Twenty One Pilots, but when I listened to the lead single off their forthcoming album “Clancy,” “Overcompensate,” I got worried that I wouldn’t like any of their new songs. Thankfully, those worries went away when I listened to their second single, “Next Semester,” because I think it’s probably their best track since “Heathens.”

I love how it starts as an old school punk song, only to switch to a catchy pop track in the chorus. Then, you have anthemic chants in the bridge and an unexpected acoustic outro. Add in some lyrics with a dark, nostalgic feel that contrasts with the music, and you end up with a musical gem.

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Top 25 songs that soundtracked my 2023

The Alternative Mixtapes: Top 25 songs of 2023

Top 25 songs that soundtracked my 2023

Happy Holidays.

Fueled by the fantastic year-end charts of Mr. Keith Law and Eclectic Music Lover, I was inspired to craft my own list of the 25 songs that soundtracked my 2023. To streamline things (and maybe sneak in a bit of personal indulgence), I’m focusing solely on releases after October 2022. It’s not strictly a “most played” list, but that undoubtedly cast a long shadow here. You’ll recognize some familiar tunes that were featured here this year, but I’ve sprinkled in some hidden treasures too. So buckle up and dive into my sonic journey through the past year! (scroll down for the Spotify widget with all these songs).

  1. We Can Be Anything by Baby Queen. This is a total earworm that appeared here in September. Sadly, despite being a high point, it overshadowed everything else on her new album.
  2. “Goodmorningby Crusoe. Another familiar gem that’s bound to resonate with regular readers. In the realm of wordless electronica, this track sets the bar impossibly high.
  3. “Primary Colors” by Baseball Game. This song snuck its way into my top tracks without me even realizing it. It might not be the one I actively pick to play, but whenever it pops up, I can’t help but get completely drawn in. It’s that subtle magic you know?
  4. “We Are One” by Wild Youth. Wild Youth represented Ireland with “We Are One” in this year’s Eurovision contest. As you can expect from that show, it didn’t even reach the finals.
  5. “When We Were Young” by blink-182. I really loved blink-182’s self-titled album and this song wasn’t even the one I featured on this blog earlier this year. It’s also not the last one from that record on this list.
  6. “Godzilla” by Nanna. This solo offering from Of Monsters and Men‘s vocalist envelops you in a warm embrace of swirling melodies and ethereal vocals, proving that sometimes, the quietest roar can be the most captivating.
  7. “Bug Like an Angel” by Mitski. I didn’t love the Japanese-American artist’s latest album, other than this stunning tune, which I wrote about here before.
  8. “Sunbeams” by Michael FK. I didn’t have time to write about this enchanting song earlier, but I did write about this Moldovan artist back in 2020. I highly recommend checking out his work.
  9. “How Many Dreams?” by DMA’s. I’m gutted this Australian act has toured the UK quite a lot recently and I still haven’t been able to see them live. I mean, this isn’t even the track from their latest album I liked the second-most.
  10. “Childhood Eyes” by Yellowcard. As you can tell, I have a soft spot for punk-rock acts from the early 2000s. This release didn’t grab me initially, but it’s definitely grown on me.
  11. “Girls Are Mean” by Boyish. Lead vocalist India Shore and vocalist and guitar player Claire Altendahl founded this indie rock duo when they auditioned at Berklee College of Music. On “Girls Are Mean”, the mix of pop, rock, and electronic elements created a soundscape that was both familiar and fresh, keeping me engaged throughout the track.
  12. “Egyptian Summer” by Good Strangers. This is a song I raved about back in August, and honestly, my feelings haven’t faded a bit. This stunning debut track from their equally remarkable EP cemented my love for this Irish band. It’s truly special.
  13. “Under The Influence(r)” by The Summer Set. It isn’t all smooth sailing here- lines like “You made me want to call my mom” have me scratching my head. But the sheer energy and infectious melody are undeniable, and it is pure pleasure to have them back making music together.
  14. “Where Do I Sign?” by Weathers. When Weathers dropped “Where Do I Sign?” as their lead single, I expected it to be the crown jewel of their new album. Boy, was I wrong.
  15. “Nothing Is Perfect” by Metric. I feel I could listen to this song’s intro on repeat the whole day. It appears on their latest album, Formentera II, a follow-up to their successful record from 2022.
  16. “Jai Alai” by DMA’s. And there you have it! As I was saying, these guys are quickly climbing the ranks of my favorite bands. They got one more song in this list.
  17. “Trastevere” by Måneskin. I didn’t like this Italian band when they won Eurovision in 2021: their glam rock excess not quite clicking with me. But “The Loneliest” started chipping away at those walls, and “Trastevere” has brought the whole damn building down. This stripped-down masterpiece, with its achingly beautiful melody and Damiano’s raw vocals, is everything I ever wanted in an acoustic rock anthem. This is how you weave storytelling and raw emotion into a sonic tapestry that leaves you breathless.
  18. “Cool About it” by boygenius. It is not a groundbreaking track, but I just love this song. I can’t quite put my finger on it. Maybe it’s the comfort it brings? Whatever it is, I keep hitting repeat.
  19. “Nothing To Say” by Weathers. Not quite my top spot on Weathers’ latest album, but “Nothing To Say” comes awfully close. The catchiness is practically contagious.
  20. “Amnesia” by M83. A truly impressive comeback from the French act. I loved it when it was released and I still love it now.
  21. “In One Ear & Out the Other” by Chicane. The eletronic music legend knows how to create ethereal soundscapes to lose yourself in. This one is no exception.
  22. “Kill Ur Vibe” by All Time Low. I just love this song’s rhythm. It’s a punk-infused chill pill. Not mosh pit, but midnight drives and quiet defiance.
  23. “21 Year Vacancy” by DMAs. Unsurprisingly, this was my favorite track from their latest album. A beautiful and emotionally resonant indie rock ballad about revisiting the past, acknowledging lost dreams, and finding peace with the journey taken.
  24. “One of a Kind” by Weathers. Here it is: my most played song of 2023. The soaring melody grabs me every time, and the lyrics pack a punch that keeps me hitting repeat.
  25. “Blink Wave” by blink-182. I never expected blink-182 to drop a synth-drenched, 80s-inspired track like “Blink Wave.” When I heard the rumors about it, I was skeptical, but let me tell you, this song blew me away. Who knew these pop-punk legends had an 80s synth masterpiece in them? It’s so good, the only reason it wasn’t my most played of 2023 is the album’s late November release.

“Imagine” by J. Zito

"Imagine" by J. Zito

Artist: J. Zito

Song: Imagine

Genres: #alternativerock

Location: Detroit, United States

Release date: November, 2023

Comment: I’m going to be honest. When friend of T.A.M., J. Zito, told me that his new track was a cover of John Lennon’s “Imagine”, I didn’t think it was a great choice. Sure, it’s a sweet song with beautiful lyrics that are still sadly relevant, but it has been played and covered so many times already that I didn’t think the world needed another version of it. To put it bluntly, I was wrong. Zito, a consistent artisan of emotional expression through his music, managed to breathe new life into a song that many might argue has become lost in its own familiarity.

Describing his cover as “totally unnecessary yet needed,” J. Zito boldly asserts that the timeless message of “Imagine” is slipping through the cracks of contemporary consciousness. Departing from Lennon‘s delicate piano arrangement, Zito injects the track with a raw, visceral energy. Powerful guitars replace the spare keys, and anguished vocals convey frustration and discontent, mirroring a world that seems to have strayed far from the utopian vision of the 60s and 70s. The cover is not a mere musical homage but a call to action.

Accompanying the audacious sound is a music video that seamlessly weaves haunting imagery of modern conflict victims into a kaleidoscope of 60s-style psychedelia. This visual narrative serves as a stark reminder of the uncomfortable truth that we have drifted far from the path envisioned by Lennon. Feel free to check it out below.

Featured on the following mixtapes:

“Make Me Smile” by The Pulltops

"Make Me Smile" by The Pulltops

Artist: The Pulltops

Song: Make Me Smile

Genres: #indierock #altrock

Location: Milwaukee, United States

Release date: November, 2023

Comment: The Pulltops, a duo from Milwaukee, just dropped their latest song, ‘Make Me Smile,’ which reminds me quite a bit of Semisonic — never a bad thing. It captures the simple yet sweet message: “You’ll always be the one to make me smile.” Hopefully, we all have someone like that in our lives.

Mark Pierret and Tom Crowell form the core of The Pulltops. With diverse musical tastes but always rooted in classic pop and indie rock, they bring in flavors from a wide array of styles, blending it all together to make a timeless sound that goes beyond genres. “Make Me Smile” is their seventh song this year, showing they’re all about putting out music. In fact, they are planning to release a new song every six weeks for the next two years and an EP every fourth single.

“I particularly enjoy the big chorus; it has a great melody that makes you sing along in no time. Between that and the sweet lyrics, it’s hard not to enjoy “Make Me Smile.” It’s one of those songs that can lighten up your mood whenever you need it. [Insert here a cheesy pun about how this song makes you smile.]

Featured on the following mixtapes:

“girl in a china shop” by Caroline Romano

"girl in a china shop" by Caroline Romano

Artist: Caroline Romano

Song: girl in a china shop

Genres: #AlternativeRock, #Altpop

Location: Nashville, United States

Release date: November, 2023.

CommentCaroline Romano is back with a new single, “girl in a china shop”, and it’s, as they say in the UK, a ‘banger.’ Having written about her twice before, it’s clear that Romano is not just a passing phase, but a force to be reckoned with in the alt-pop scene.

The Nashville-based singer-songwriter has once again demonstrated her knack for capturing the essence of young adulthood in her music. “girl in a china shop” is an emotional rollercoaster, with an explosive chorus that contrasts beautifully with its reflective verses. In the lyrics, Caroline admits to feeling like she breaks everything she touches, and this song is her way of acknowledging that feeling.

With millions of streams already under her belt, and more music on the way, it’s clear that Caroline Romano is an artist whose star will only continue to rise. We can’t wait to see what she does next.

Featured on the following mixtapes: